1 00:00:05,240 --> 00:00:05,960 WHO ARE YOU? 2 00:00:06,620 --> 00:00:08,830 YOU WERE MY FIRST KISS. 3 00:00:09,080 --> 00:00:10,420 YOU WERE MY FIRST KISS,TOO. 4 00:00:10,840 --> 00:00:12,960 YOU TOUCH MURDER VICTIMS, YOU ASK WHO KILLED THEM. 5 00:00:13,080 --> 00:00:14,900 YOU TOUCH THEM AGAIN, THEY GO BACK TO BEING DEAD, 6 00:00:15,060 --> 00:00:16,140 AND YOU COLLECT THE REWARD? 7 00:00:16,290 --> 00:00:17,430 THAT'S IT IN A NUTSHELL. 8 00:00:17,550 --> 00:00:18,780 - ARE YOU THE BUSINESS PARTNER? - YES,MA'AM. 9 00:00:18,960 --> 00:00:20,510 DOESN'T SHE LOOK A LOT LIKE THAT DEAD GIRL? 10 00:00:20,900 --> 00:00:23,060 SHE LOOKS EXACTLY LIKE THAT DEAD GIRL. 11 00:00:23,330 --> 00:00:25,700 DO YOU...TOUCH ANYTHING? 12 00:00:25,850 --> 00:00:27,340 I T-TOUCH LOTS OF THINGS. 13 00:00:28,070 --> 00:00:29,070 DOES HE TOUCH YOU? 14 00:00:29,590 --> 00:00:31,220 I'D KISS YOU IF IT WOULDN'T KILL ME. 15 00:00:31,440 --> 00:00:33,930 Emerson: ARE YOU IN LOVE WITH HER? IT'S THAT LEVEL OF STUPID. 16 00:00:34,080 --> 00:00:35,930 I KIND OF KILLED HER DAD WHEN I WAS 10. 17 00:00:36,080 --> 00:00:37,000 SHE DOESN'T KNOW. 18 00:00:37,330 --> 00:00:40,170 I JUST THOUGHT MY WORLD WOULD BE A BETTER PLACE IF YOU WERE IN IT. 19 00:00:40,170 --> 00:00:41,500 IS THERE ANYTHING ELSE I SHOULD KNOW? 20 00:00:42,440 --> 00:00:43,350 NO. 21 00:00:45,000 --> 00:00:51,074 Someone needs to stop Clearway Law. Public shouldn't leave reviews for lawyers. 22 00:00:52,740 --> 00:00:55,460 Narrator: AT THIS VERY MOMENT, IN THE TOWN OF NORTH THRUSH, 23 00:00:55,590 --> 00:01:01,190 YOUNG NED WAS 9 YEARS,33 WEEKS,6 DAYS,20 HOURS, AND 34 MINUTES OLD. 24 00:01:01,580 --> 00:01:03,830 HE STOOD ON THE EXACT SPOT WHERE, 25 00:01:03,950 --> 00:01:05,830 4 WEEKS AND 2 DAYS PREVIOUSLY, 26 00:01:05,990 --> 00:01:09,810 HIS FATHER HAD DEPOSITED HIM AT THE LONGBURROW SCHOOL FOR BOYS. 27 00:01:14,800 --> 00:01:16,950 AS YOUNG NED'S MOTHER HAD DIED RECENTLY, 28 00:01:17,260 --> 00:01:20,810 THERE WAS REASSURING PHYSICAL CONTACT AND PARTING WORDS. 29 00:01:21,080 --> 00:01:22,510 "I'LL BE BACK." 30 00:01:23,260 --> 00:01:24,470 HE LIED. 31 00:01:26,200 --> 00:01:28,380 THE SADNESS AND DREAD WHICH THE BOY FELT 32 00:01:28,510 --> 00:01:30,900 WERE NOT SO MUCH A PRODUCT OF THE LONGBURROW SCHOOL. 33 00:01:32,260 --> 00:01:34,660 YOUNG NED'S ACUTE DISCOMFORT CAME FROM THE KNOWLEDGE 34 00:01:34,780 --> 00:01:38,210 THAT WHEN HE TOUCHED A DEAD THING,IT CAME BACK TO LIFE. 35 00:01:38,450 --> 00:01:40,510 THE OTHER BOYS ASSUMED HIS INTROVERTED NATURE 36 00:01:40,640 --> 00:01:42,970 WAS A PRODUCT OF WEAKNESS AND CODDLING. 37 00:01:43,340 --> 00:01:46,000 THINKING OF REVENGE AND ALSO NOT THINKING AT ALL, 38 00:01:46,250 --> 00:01:49,890 YOUNG NED VOLUNTEERED TO ASSIST WITH THAT DAY'S SCIENCE PROJECT. 39 00:01:52,910 --> 00:01:56,590 YOUNG NED'S SECRET GIFT WAS GOVERNED BY TEE SIMPLE RULES -- 40 00:01:56,950 --> 00:01:59,770 TOUCH A DEAD THING ONCE,ALIVE. 41 00:02:19,120 --> 00:02:20,730 TOUCH A DEAD THING AGAIN... 42 00:02:23,720 --> 00:02:25,240 ...DEAD FOREVER. 43 00:02:33,920 --> 00:02:36,990 KEEP A DEAD THING ALIVE FOR MORE THAN A MINUTE... 44 00:02:38,360 --> 00:02:40,390 AND SOMETHING ELSE HAS TO DIE. 45 00:02:41,000 --> 00:02:45,610 HIS GIFT HAD,ONCE AGAIN, BROUGHT HIM GREAT DISTRESS IN PLACE OF GREAT JOY. 46 00:02:45,910 --> 00:02:50,710 HE VOWED TO KEEP THE STRANGE DETAILS OF HIS STRANGE LIFE SECRET FROM THE WORLD FOREVER. 47 00:02:50,710 --> 00:02:52,980 ARE YOU RESPONSIBLE FOR THIS? 48 00:02:54,800 --> 00:02:59,190 Narrator: SO,YOUNG NED DID WHAT HIS FATHER HAD DONE TO HIM ONLY 31 DAYS BEFORE. 49 00:02:59,190 --> 00:03:00,070 NO. 50 00:03:00,320 --> 00:03:01,440 Narrator: HE LIED. 51 00:03:02,380 --> 00:03:05,860 FOR THE NEXT 19 YEARS, 29 WEEKS,AND 2 DAYS, 52 00:03:05,990 --> 00:03:08,350 KEEPING SECRETS WORKED BEAUTIFULLY. 53 00:03:16,440 --> 00:03:18,170 THE BOY BECAME THE PIE MAKER, 54 00:03:18,280 --> 00:03:21,010 AND THE PIE MAKER DECEIVED WITH EASE... 55 00:03:21,380 --> 00:03:23,860 - UNTIL CHUCK.- THIS IS STRANGE. 56 00:03:24,290 --> 00:03:26,120 Narrator: CHARLOTTE CHARLES HAD BEEN ALIVE 57 00:03:26,120 --> 00:03:32,200 FOR 28 YEARS,24 WEEKS,3 DAYS, 11 HOURS,AND 51 MINUTES BEFORE SHE WAS MURDERED. 58 00:03:33,010 --> 00:03:34,070 IS THIS STRANGE? 59 00:03:34,230 --> 00:03:35,640 THIS IS NOT STRANGE.UNUSUAL, 60 00:03:35,750 --> 00:03:38,570 MAYBE ECCENTRIC, IN A QUAINT WAY, LIKE DESSERT SPOONS. 61 00:03:38,670 --> 00:03:40,300 Narrator: REVIVED BY THE PIE MAKER 62 00:03:40,430 --> 00:03:41,910 AND GIVEN A SECOND CHANCE AT LIFE, 63 00:03:42,340 --> 00:03:43,770 SHE HAD MANY QUESTIONS. 64 00:03:43,890 --> 00:03:46,190 I HAVE SO MANY QUESTIONS, MY MIND WANDERS. 65 00:03:46,400 --> 00:03:48,820 YOU NEED TO FEED IT WARM MILK AND A TURKEY SANDWICH. 66 00:03:48,950 --> 00:03:51,130 LET IT CURL UP IN A SUNNY SPOT AND TAKE A NAP. 67 00:03:51,520 --> 00:03:52,790 I MISS MY AUNTS. 68 00:03:53,130 --> 00:03:56,040 OF COURSE. DO YOU MISS THEM A LOT? 69 00:03:57,490 --> 00:03:58,330 A LITTLE. 70 00:04:01,550 --> 00:04:02,580 ALL THE TIME? 71 00:04:04,460 --> 00:04:05,400 NOW AND THEN. 72 00:04:05,700 --> 00:04:09,410 Narrator: AS CHUCK SPOKE,SHE REALIZED HER SECRETS WERE "REALLY A LOT" 73 00:04:09,570 --> 00:04:12,600 AND "EVERY MINUTE," IN THAT ORDER. 74 00:04:13,870 --> 00:04:15,170 HOW MANY PEOPLE HAVE YOU TOUCHED? 75 00:04:15,320 --> 00:04:16,680 PEOPLE OR ANIMALS? CROSSING. 76 00:04:16,870 --> 00:04:19,590 DIGBY DOESN'T COUNT. DIGBY DOES COUNT. 77 00:04:19,710 --> 00:04:21,410 NO ONE'S BEEN THROUGH AS MUCH WITH ME AS DIGBY. 78 00:04:21,540 --> 00:04:23,410 HOW MANY PEOPLE HAVE YOU BROUGHT BACK TO LIFE? 79 00:04:23,540 --> 00:04:26,690 IT'S NOT LIKE I WALK AROUND REVIVING CHILDHOOD SWEETHEARTS WILLY-NILLY. 80 00:04:26,870 --> 00:04:29,420 WELL,WHAT ABOUT EMERSON,HUH? OH,COMING THROUGH! 81 00:04:29,790 --> 00:04:31,450 YOU TOUCHED LOTS OF PEOPLE WITH EMERSON. 82 00:04:31,580 --> 00:04:32,190 FOR WORK. 83 00:04:32,310 --> 00:04:33,880 JUST BECAUSE YOU KILL THEM AGAIN AS SOON AS YOU GET WHAT YOU WANT 84 00:04:34,010 --> 00:04:35,770 DOESN'T MAKE IT ANY DIFFERENT. YES,IT DOES. 85 00:04:37,560 --> 00:04:38,530 COMING THROUGH. 86 00:04:44,920 --> 00:04:47,180 AND CAN WE NOT SAY "KILL"? I TOUCH THEM AGAIN IS ALL, 87 00:04:47,310 --> 00:04:48,910 AND THEY SNAP RIGHT BACK TO THE WAY THEY'RE SUPPOSED TO BE. 88 00:04:49,070 --> 00:04:50,190 AM I THE RUBBER BAND THAT BROKE? 89 00:04:50,320 --> 00:04:51,790 CHUCK,YOU'RE THE ONLY HUMAN BEING 90 00:04:51,940 --> 00:04:53,820 I'VE EVER MADE ALIVE AGAIN TO STAY. 91 00:04:55,760 --> 00:04:57,040 Narrator: HE LIED. 92 00:04:57,220 --> 00:05:00,520 IN FACT,THE PIE MAKER HAD KEPT ONE OTHER PERSON ALIVE 93 00:05:00,650 --> 00:05:02,040 FOR LONGER THAN A MINUTE. 94 00:05:02,170 --> 00:05:04,930 USING THE GIFT TO TEMPORARILY REVIVE HIS OWN MOTHER, 95 00:05:06,020 --> 00:05:10,090 THE UNINTENDED EFFECT ON CHUCK'S FATHER HAD BEEN MORE PERMANENT. 96 00:05:12,150 --> 00:05:17,030 THPIE MAKER OFTEN ASKED HIMSELF IF HE WOULD EVER BE ABLE TO TELL CHUCK THIS SECRET. 97 00:05:17,030 --> 00:05:18,090 YOUR EYE'S TWITCHING. 98 00:05:18,240 --> 00:05:19,000 IS IT? 99 00:05:23,300 --> 00:05:25,360 THIS IS SUCH A SMALL CHEESE BOX. 100 00:05:26,260 --> 00:05:28,900 Narrator: THE AUNTS WHO HAD RAISED CHUCK HAD TAUGHT HER TO BELIEVE 101 00:05:29,050 --> 00:05:31,260 THAT THE LARGE WHITE APPLIANCE IN THE KITCHEN 102 00:05:31,420 --> 00:05:33,420 HAD A FAIRLY NARROW PURPOSE. 103 00:05:33,550 --> 00:05:35,640 AUNT LILY,IS IT OKAY TO FREEZE THE CAMEMBERT? 104 00:05:35,770 --> 00:05:37,830 I'D RATHER NOT WEDGE IT BETWEEN THE EDAM AND THE PANEER! 105 00:05:37,990 --> 00:05:39,380 OR I COULD AIR OUT THE GOUDA! 106 00:05:39,510 --> 00:05:42,570 Narrator: IN FACT,YOUNG CHUCK DID NOT REFER TO A REFRIGERATOR 107 00:05:42,690 --> 00:05:45,960 AS ANYTHING BUT A CHEESE B UNTIL SHE WAS 17. 108 00:05:48,830 --> 00:05:51,710 AS CHUCK CONSIDERED THE LIFE SHE COULD NEVER GO BACK TO, 109 00:05:52,600 --> 00:05:56,320 OLIVE SNOOK CONSIDERED THE CHANGES IN HER OWN LIFE -- 110 00:05:56,480 --> 00:05:59,420 FOREMOST,THE MYSTERIOUS BRUNETTE ENCROACHING 111 00:05:59,570 --> 00:06:01,540 ON THE MAN SHE HERSELF LOVED. 112 00:06:01,760 --> 00:06:04,870 FROM HER PERCH,THE JEALOUS YET AGILE NEIGHBOR 113 00:06:04,990 --> 00:06:08,270 WAS ABLE TO CONFIRM ONLY ONE PLEASING DETAIL. 114 00:06:08,390 --> 00:06:10,470 THERE'S A SURPRISING LACK OF PHYSICAL CONTACT. 115 00:06:11,360 --> 00:06:12,290 OH,CRAP. 116 00:06:14,050 --> 00:06:15,530 Narrator: ONE MILE TO THE WEST, 117 00:06:15,660 --> 00:06:17,750 EMERSON COD WAS ALSO NOT THRILLED. 118 00:06:18,180 --> 00:06:21,240 DURING TIMES OF STRESS OR ANXIETY,HE LIKED TO KNIT. 119 00:06:21,610 --> 00:06:24,240 SINCE THE ARRIVAL OF THE DEAD GIRL WHO WAS NOT DEAD, 120 00:06:24,400 --> 00:06:27,660 HE FOUND THE STOCKINETTE STITCH TO BE ESPECIALLY RELAXING. 121 00:06:28,210 --> 00:06:29,360 EMERSON COD. 122 00:06:29,480 --> 00:06:33,030 Narrator: BUT NO STITCH WAS A SUBSTITUTE FOR A GOOD MURDER CASE. 123 00:06:33,220 --> 00:06:34,100 THANKS. GOT IT. 124 00:06:40,120 --> 00:06:41,850 MEET ME AT THE MORGUE IN 15 MINUTES. 125 00:06:43,270 --> 00:06:46,390 Narrator: AS HE FINISHED PEARLING THE ROW, HE WISHED ALOUD... 126 00:06:46,630 --> 00:06:47,820 SHE BETTER NOT COME. 127 00:06:53,400 --> 00:06:54,310 HI,EMERSON. 128 00:06:57,400 --> 00:06:58,520 ISN'T THIS EXCITING? 129 00:07:03,660 --> 00:07:04,690 HEY! 130 00:07:06,000 --> 00:07:06,910 WHAT'S SHE DOING HERE? 131 00:07:07,060 --> 00:07:08,140 SAID SHE DIDN'T CLIMB OUT OF A COFFIN 132 00:07:08,300 --> 00:07:09,240 FOR ME TO KEEP HER IN A BOX. 133 00:07:09,400 --> 00:07:10,310 SHE THE BOSS OF YOU? 134 00:07:10,550 --> 00:07:11,400 I'M THE BOSS OF ME. 135 00:07:11,530 --> 00:07:12,440 DEAD GIRL'S GOT TO GO. 136 00:07:12,630 --> 00:07:13,680 DEAD GIRL'S NOT GOING ANYWHERE. 137 00:07:13,810 --> 00:07:14,650 YOU DON'T KNOW NOTHING ABOUT HER 138 00:07:14,810 --> 00:07:16,200 EXCEPT SHE HAD SOFT LIPS WHEN SHE WAS 10. 139 00:07:16,390 --> 00:07:17,300 THAT SHOULD BE ENOUGH. 140 00:07:17,450 --> 00:07:18,270 WELL,I DON'T LIKE IT. 141 00:07:26,810 --> 00:07:27,690 [ KNOCKING ] HEY! 142 00:07:31,150 --> 00:07:32,180 WHAT DID YOU GUYS TALK ABOUT? 143 00:07:32,300 --> 00:07:33,610 I'D REALLY LIKE TO GET OUT OF THIS CAR SOON. 144 00:07:33,730 --> 00:07:35,760 IS HE UPSET YOU BROUGHT YOUR CHILDHOOD SWEETHEART BACK TO LIFE? 145 00:07:35,890 --> 00:07:36,830 HE BARELY KNOWS YOU'RE HERE. 146 00:07:40,190 --> 00:07:43,250 Narrator: IN FACT,EMERSON COD HAD FINISHED KNITTING A SWEATER VEST 147 00:07:43,370 --> 00:07:46,510 AND TWO HANDGUN COZIES IN THE WEEK SINCE CHUCK'S RETURN. 148 00:07:47,420 --> 00:07:48,420 SWEET. 149 00:07:49,580 --> 00:07:51,400 DO I REALLY HAVE TO SIT IN BACK FROM NOW ON? 150 00:07:51,550 --> 00:07:52,680 IT'S FOR YOUR OWN SAFETY. 151 00:07:52,830 --> 00:07:53,800 YOU SOUND LIKE MY DAD. 152 00:07:53,930 --> 00:07:55,900 IF MY HAND BRUSHES YOURS, YOU'D BE DEAD. 153 00:07:57,080 --> 00:07:58,010 HE DIDN'T SAY THAT. 154 00:08:02,800 --> 00:08:05,020 SO IT'S PROBABLY BETTER IF YOU STAY IN THE CAR FOR THESE MORGUE VISITS. 155 00:08:05,150 --> 00:08:06,640 SOMEONE MIGHT RECOGNIZE YOU. 156 00:08:07,210 --> 00:08:08,520 YOU REALLY CAN'T COME IN. 157 00:08:09,460 --> 00:08:11,930 DID I SAY "CAN"?BECAUSE I SWALLOW MY CONSONANTS SOMETIMES. 158 00:08:12,210 --> 00:08:15,300 "N'T. N'T."CAN'T COME IN. 159 00:08:15,850 --> 00:08:16,850 [ CLEARS THROAT ] GOT THAT HIT-AND-RUN? 160 00:08:17,880 --> 00:08:19,460 WE'RE FROM THE GOVERNMENT SAFETY PLACE? 161 00:08:19,570 --> 00:08:20,730 [ With teeth clenched ] IS THAT A QUESTION? 162 00:08:20,850 --> 00:08:21,970 GOVERNMENT SAFETY PLACE. 163 00:08:25,760 --> 00:08:27,100 Narrator: THE FACTS WERE THESE. 164 00:08:27,220 --> 00:08:28,530 ONE BERNARD SLAYBECK, 165 00:08:28,650 --> 00:08:30,960 AN UNMARRIED AUTOMOTIVE SAFETY SPECIALIST -- 166 00:08:31,080 --> 00:08:34,320 35 YEARS,10 WEEKS,7 HOURS, AND 3 MINUTES OLD -- 167 00:08:34,570 --> 00:08:36,570 WAS FOUND DEAD BY THE SIDE OF THE ROAD... 168 00:08:42,990 --> 00:08:45,720 ...THE APPARENT VICTIM OF A HIT-AND-RUN DRIVER. 169 00:08:46,800 --> 00:08:50,000 Narrator: AS THERE WERE NO WITNESSES, THE POLICE ARE OFFERING A REWARD 170 00:08:50,130 --> 00:08:53,010 FOR INFORMATION LEADING TO THE ARREST OF THE KILLER. 171 00:08:53,130 --> 00:08:54,110 I'M GONNA WAIT BACK HERE. 172 00:08:54,470 --> 00:08:55,710 YOU DON'T LIKE DEAD BODIES, DO YOU? 173 00:08:55,870 --> 00:08:57,200 NOT WHEN THEY SIT UP AND TALK. 174 00:08:57,750 --> 00:08:59,120 POOR MAN. JUSTOUCH IT. 175 00:08:59,410 --> 00:09:00,480 I'M STARTING THE WATCH. 176 00:09:03,470 --> 00:09:04,020 HEY. HEY. 177 00:09:05,230 --> 00:09:06,350 WHY IS EVERYTHING SO BLURRY? 178 00:09:06,470 --> 00:09:09,080 PROBABLY BECAUSE YOUR EYEBALLS ARE FLAT. ASK THE QUESTION. 179 00:09:09,170 --> 00:09:11,450 MR. SLAYBECK,DO YOU -- DO YOU HAVE ANY LAST REQUESTS, 180 00:09:11,450 --> 00:09:13,420 UNFINISHED BUSINESS FROM THIS LIFE WE CAN HELP YOU WITH? 181 00:09:13,580 --> 00:09:15,060 DON'T LET HER DO THIS. IS THIS HEAVEN? 182 00:09:15,400 --> 00:09:17,310 COULD BE. NO,IT'S NOT. 183 00:09:17,440 --> 00:09:19,070 IS THAT GOD? NO,IT'S NOT. 184 00:09:19,230 --> 00:09:20,560 I'M CONFUSED, BECAUSE I'M A BUDDHIST. 185 00:09:20,690 --> 00:09:22,240 BUDDHISM IS FASCINATING, ISN'T IT? 186 00:09:22,390 --> 00:09:23,820 DID IT HELP YOU IN YOUR FINAL MOMENTS? 187 00:09:23,960 --> 00:09:25,240 SHE'S WASTING MY MINUTE. 188 00:09:25,360 --> 00:09:27,550 WHAT'S WITH THIS MINUTE? AND WHEN DID IT BECOME YOUR MINUTE? 189 00:09:27,660 --> 00:09:28,660 SURE THE HELL AIN'T YOURS. 190 00:09:28,790 --> 00:09:31,370 HEY,IT'S EVERYONE'S MINUTE, OR,UH,22 SECONDS. 191 00:09:31,550 --> 00:09:32,670 CAN YOU GET A MESSAGE TO EARTH? 192 00:09:32,800 --> 00:09:34,980 CAN YOU TELL JEANINE IN PROMOTIONS THAT I LOVED HER? 193 00:09:35,200 --> 00:09:36,020 OF COURSE. 194 00:09:36,230 --> 00:09:37,960 MR. SLAYBECK,IF YOU COULD REMEMBER ANYTHING ABOUT 195 00:09:38,090 --> 00:09:39,690 WHOEVER WAS DRIVING THE HIT-AND-RUN VEHICLE THAT KILLED YOU, 196 00:09:39,850 --> 00:09:41,060 I THINK WE CAN GET YOU SOME JUSTICE. 197 00:09:41,190 --> 00:09:43,490 WHAT HIT-AND-RUN? I WAS KILLED BY A CRASH-TEST DUMMY. 198 00:09:55,660 --> 00:09:58,140 I'M NOT GOD,BUT IF I WAS, I'D BE AN ANGRY GOD. 199 00:09:58,420 --> 00:09:59,720 OH,WE GAVE IT OUR BEST SHOT. 200 00:10:00,090 --> 00:10:02,420 SO,A CRASH-TEST DUMMY KILLED BERNARD. 201 00:10:02,520 --> 00:10:03,910 BERNARD WAS DELUSIONAL. 202 00:10:04,070 --> 00:10:05,920 IT'S STILL A CLUE. IT'S A DEAD END. 203 00:10:06,280 --> 00:10:07,740 AND NOT THE KIND OF DEAD END YOU CAN UNDEAD 204 00:10:07,860 --> 00:10:10,380 AND THEN REDEAD AGAIN, LIKE YOU'RE SUPPOSED TO. 205 00:10:10,620 --> 00:10:11,440 IT'S MY FAULT? 206 00:10:11,600 --> 00:10:13,390 WHEN YOU GET ALL JABBERWOCKY IN MY MINUTE, 207 00:10:13,510 --> 00:10:15,240 IT'S HARD TO FOLLOW UP ON "THE DUMMY DID IT." 208 00:10:15,730 --> 00:10:17,240 GOT TO GET SOME REAL LEADS NOW. 209 00:10:17,400 --> 00:10:18,550 ISN'T THAT WHAT A P.I.'s SUPPOSED TO DO? 210 00:10:18,680 --> 00:10:20,050 INVESTIGATE? ISN'T THAT THE FUN PART? 211 00:10:20,170 --> 00:10:21,780 THE FUN PART'S COUNTING MY MONEY IN THE BUBBLE BATH. 212 00:10:26,300 --> 00:10:27,090 NICE IMAGE. 213 00:10:31,610 --> 00:10:32,400 OH,BOY. 214 00:10:33,790 --> 00:10:36,180 - WHAT'S THE POOP?- "THE POOP"? 215 00:10:36,180 --> 00:10:38,610 THE POOP.SCOOP,SKINNY,THE HAPS, 216 00:10:38,610 --> 00:10:41,210 THE DILLYO,THE 411 -- P.I. LINGO. 217 00:10:41,670 --> 00:10:42,760 RHUBARB. 218 00:10:42,920 --> 00:10:43,710 WHAT'S THAT MEAN? 219 00:10:43,890 --> 00:10:46,560 P.I. SECRET CODE FOR "GET ME A DAMN SLICE OF RHUBARB." 220 00:10:47,050 --> 00:10:48,920 THIS ISN'T PIES 'R' US, PIE CITY, 221 00:10:49,050 --> 00:10:50,630 OR THOUSANDS OF PIES IN ONE PLACE. 222 00:10:50,820 --> 00:10:55,210 THIS IS A BELLS-ON-THE-DOOR, PIES-BAKING,MOM-AND-POP PLACE. 223 00:10:55,460 --> 00:10:56,820 WE CHITCHAT HERE. 224 00:10:59,910 --> 00:11:00,940 CHIT! 225 00:11:03,430 --> 00:11:04,640 CHAT. 226 00:11:05,060 --> 00:11:06,250 YOU GOT IT. 227 00:11:06,500 --> 00:11:08,920 SO,WHO'S THE FUNNY GIRL STUCK TO NED? 228 00:11:09,100 --> 00:11:10,220 CHILDHOOD SWEETHEART. 229 00:11:10,980 --> 00:11:13,280 STILL SWEET -- HIS HEART? 230 00:11:14,430 --> 00:11:15,300 YOU WANT THE TRUTH? 231 00:11:15,460 --> 00:11:17,800 Narrator: OLIVE SNOOK DID NOT WANT THE TRUTH, 232 00:11:17,950 --> 00:11:19,650 BUT HER HEART WAS SO FULL 233 00:11:19,800 --> 00:11:22,050 THAT IT REACHED UP AND NODDED HER HEAD. 234 00:11:23,050 --> 00:11:25,250 HE DIGS HER IN A WAY HE DEFINITELY DOESN'T DIG YOU. 235 00:11:32,550 --> 00:11:34,340 I-I'LL JUST GO GET YOUR PIE. 236 00:11:36,640 --> 00:11:37,550 DO THEY TOUCH MUCH? 237 00:11:37,710 --> 00:11:38,770 WISH THEY WOULD. 238 00:11:42,020 --> 00:11:43,350 EMERSON THINKS I'M USELESS. 239 00:11:43,480 --> 00:11:46,290 YOU'RE NOT USELESS. HERE,LET ME. YOU SIFT. 240 00:11:46,600 --> 00:11:48,720 USELESS IS AN EMPTY SOAP DISPENSER IN A RESTROOM, 241 00:11:48,880 --> 00:11:50,760 STANDING AROUND REMINDING PEOPLE WHAT YOU COULD BE DOING, 242 00:11:50,950 --> 00:11:52,100 BUT DOING NOTHING AT ALL. 243 00:11:52,800 --> 00:11:53,890 UH,MORE FLOUR. 244 00:11:54,040 --> 00:11:55,500 I CAN'T BE ALIVE AGAIN FOR NO REASON. 245 00:11:55,600 --> 00:11:58,360 I SUPPOSE I COULD BE, T WHERE'S THE FUN IN THAT? 246 00:11:58,480 --> 00:12:00,000 WE'LL FIND THE KILLER. EMERSON'S GOOD AT WHAT HE DOES. 247 00:12:00,180 --> 00:12:01,820 ALL EMERSON CARES ABOUT IS THE REWARD. 248 00:12:01,980 --> 00:12:03,510 MAYBE THAT'S ENOUGH. IT'S NOT ENOUGH. 249 00:12:03,510 --> 00:12:05,330 ENOUGH FLOUR. OH. 250 00:12:06,300 --> 00:12:07,290 WELL,WHAT ABOUT JEANINE? 251 00:12:07,420 --> 00:12:08,750 SHE NEEDS TO KNOW THAT BERNARD LOVED HER. 252 00:12:08,880 --> 00:12:09,990 IT WAS HIS DYING WISH. 253 00:12:10,210 --> 00:12:11,240 IT'S SO SAD. 254 00:12:11,370 --> 00:12:12,280 WELL, WE'LL CUSHION THE BLOW. 255 00:12:12,430 --> 00:12:13,920 NOT A BIG FAN OF THE BLOW. WE'LL BRING PIE. 256 00:12:14,280 --> 00:12:15,860 SOMEONE DIES,YOU BRING FOOD. IT'S WHAT YOU DO. 257 00:12:18,190 --> 00:12:19,960 Narrator: AS THE PIE MAKER SECRETLY THOUGHT 258 00:12:20,110 --> 00:12:21,680 HOW MUCH BETTER HIS LIFE HAD BECOME 259 00:12:21,830 --> 00:12:23,340 SINCE CHUCK HAD RETURNED... 260 00:12:31,530 --> 00:12:33,470 ...OLIVE SECRETLY FELT THE DISTANCE 261 00:12:33,630 --> 00:12:37,110 BETWEEN HER AND THE PIE MAKER GROW MORE AND MORE VAST 262 00:12:37,240 --> 00:12:39,130 UNTIL IT SEEMED SHE MIGHT AS WELL BE 263 00:12:39,260 --> 00:12:41,500 ON THE OTHER SIDE OF THE UNIVERSE. 264 00:12:45,920 --> 00:12:47,440 Woman: THE EARTH IS OUR ONLY HOME. 265 00:12:47,590 --> 00:12:49,660 IF WE DON'T TAKE CARE OF IT, WHO WILL? 266 00:12:49,930 --> 00:12:52,080 IMAGINE A VEHICLE SO REVOLUTIONARY, 267 00:12:52,210 --> 00:12:54,090 IT RUNS ON AN EXTRAORDINARY NEW FU 268 00:12:54,220 --> 00:12:56,220 DERIVED FROM A RENEWABLE PLANT FOUND EVERYWHERE -- 269 00:12:57,010 --> 00:12:58,190 THE DANDELION. 270 00:12:58,530 --> 00:13:00,710 INTRODUCING THE DANDY LION SX. 271 00:13:01,190 --> 00:13:02,350 IT'LL BLOW YOU AWAY. 272 00:13:03,260 --> 00:13:05,430 Narrator: WHILE SOME CAME TO DANDY LION INDUSTRIES 273 00:13:05,530 --> 00:13:07,130 TO SEE THE CAR OF THE FUTURE, 274 00:13:07,620 --> 00:13:10,870 CHUCK AND THE PIE MAKER CAME WITH A WISH FROM THE PAST. 275 00:13:11,320 --> 00:13:14,050 A CAR THAT RUNS ON DANDELIONS? THAT'S SO NEAT! 276 00:13:14,280 --> 00:13:15,410 HOW ARE WE GONNA FIND JEANINE? 277 00:13:15,520 --> 00:13:16,370 THIS WAY,PEOPLE. 278 00:13:16,590 --> 00:13:17,410 OVER HERE. 279 00:13:17,680 --> 00:13:23,470 [ SPEAKING JAPANESE ] 280 00:13:24,170 --> 00:13:27,650 [ SPEAKING JAPANESE ] 281 00:13:27,650 --> 00:13:30,920 [ SPEAKING JAPANESE ] 282 00:13:30,920 --> 00:13:34,400 [ SPEAKING JAPANESE ] 283 00:13:34,900 --> 00:13:36,960 [ SPEAKING JAPANESE ] 284 00:13:37,270 --> 00:13:40,780 [ SPEAKING JAPANESE ] 285 00:13:40,780 --> 00:13:42,110 [ SPEAKING JAPANESE ] 286 00:13:42,420 --> 00:13:45,570 [ SPEAKING JAPANESE ] 287 00:13:45,570 --> 00:13:47,780 [ SPEAKING JAPANESE ] 288 00:13:47,780 --> 00:13:49,560 [ SPEAKING JAPANESE ] 289 00:13:49,560 --> 00:13:51,500 [ SPEAKING JAPANESE ] 290 00:13:51,630 --> 00:13:53,060 [ SPEAKING JAPANESE ] 291 00:13:53,360 --> 00:13:54,660 ...JEANINE FROM PROMOTIONS? 292 00:13:54,660 --> 00:13:55,810 IT'S A PERSONAL MATTER. 293 00:13:56,390 --> 00:13:57,790 THE FLOWER ON THE TURNTABLE. 294 00:13:58,330 --> 00:13:59,110 THANKS. 295 00:13:59,270 --> 00:14:00,470 HAVE A NICE DAY. 296 00:14:01,840 --> 00:14:04,320 PLEASE,DON'T TOUCH! NO SMUDGES! 297 00:14:06,840 --> 00:14:08,960 NOW,WHO WANTS TO SEE ALL THE COLORS AVAILABLE 298 00:14:09,090 --> 00:14:10,390 FOR THE DANDY LION SX? 299 00:14:14,250 --> 00:14:16,100 YOU SPEAK JAPANESE? HAI. 300 00:14:16,280 --> 00:14:18,040 WHEN YOU TAKE CARE OF SHUT-INS YOUR WHOLE LIFE, 301 00:14:18,170 --> 00:14:18,930 YOU HAVE PLENTY OF TIME TO READ. 302 00:14:19,050 --> 00:14:21,380 DON'T YOU HAVE ANY HIDDEN TALENTS OR HOBBIES? 303 00:14:23,480 --> 00:14:24,610 I MEAN REGULAR ONES. 304 00:14:25,940 --> 00:14:27,770 Narrator: CHUCK'S LOVE OF LANGUAGE HAD BEGUN 305 00:14:27,890 --> 00:14:31,040 UPON THE DISCOVERY OF A PORTABLE CASSETTE-TAPE PLAYER 306 00:14:31,190 --> 00:14:33,740 AND SEVERAL BOXES OF LANGUAGE COURSES. 307 00:14:33,920 --> 00:14:35,670 [ WOMAN SPEAKING FRENCH ] 308 00:14:37,640 --> 00:14:39,880 [ WOMAN SPEAKING GERMAN ] 309 00:14:42,030 --> 00:14:43,850 [ WOMAN SPEAKING SWEDISH ] 310 00:14:45,910 --> 00:14:47,910 [ WOMAN SPEAKING CHINESE ] 311 00:14:49,990 --> 00:14:51,440 [ REPEATING IN CHINESE ] 312 00:14:52,380 --> 00:14:54,830 HI! FLEX YOUR FLOWER POWER! 313 00:14:54,990 --> 00:14:57,230 WOULD YOU LIKE A FACTSHEET ON THE DANDY LION SX, 314 00:14:57,360 --> 00:14:58,600 THE "SPORES" CAR OF TOMORROW? 315 00:14:58,820 --> 00:15:01,730 GET IT? "SPORES" CAR? WELL,I THINK IT'S CUTE. 316 00:15:02,060 --> 00:15:03,030 ARE YOU JEANINE? 317 00:15:03,400 --> 00:15:04,800 AM I IN TROUBLE FOR MAKING UP SLOGANS? 318 00:15:04,920 --> 00:15:06,290 'CAUSE I'LL SAY THE "BLOW YOU AWAY" THING, 319 00:15:06,440 --> 00:15:07,410 BUT IT SEEMED KIND OF REDUNDANT 320 00:15:07,540 --> 00:15:08,750 WITH THE COMMERCIAL PLAYING ALL THE TIME. 321 00:15:08,910 --> 00:15:11,640 WE'RE HERE ON A MORE TRAGIC MATTER ABOUT BERNARD SLAYBECK. 322 00:15:13,060 --> 00:15:14,250 MAYBE YOU GOT THE WRONG FLOWER, 323 00:15:14,370 --> 00:15:15,280 BUT I DIDN'T KNOW ANY BERNARD. 324 00:15:15,440 --> 00:15:16,470 Narrator: SHE LIED. 325 00:15:16,570 --> 00:15:17,180 ARE YOU SURE? 326 00:15:17,300 --> 00:15:18,570 I KNOW WHAT I KNOW. IS THAT PIE? 327 00:15:18,730 --> 00:15:21,340 IT WAS BAKED SPECIFICALLY FOR THE RECIPIENT OF BERNARD'S MESSAGE. 328 00:15:21,700 --> 00:15:24,000 WELL,IT'S A SHAME TO WASTE A PERFECTLY GOOD PIE. 329 00:15:24,890 --> 00:15:26,280 MAN,THAT SMELLS GOOD. 330 00:15:29,980 --> 00:15:31,160 YOU'RE DROOLING. BERNARD SAID -- 331 00:15:31,280 --> 00:15:32,150 HE'S DEAD,RIGHT? 332 00:15:32,280 --> 00:15:33,640 Narrator: THE FLOWER HAD A SECRET. 333 00:15:33,920 --> 00:15:35,920 YEAH,HE'S DEAD. ENJOY YOUR PIE. 334 00:15:36,080 --> 00:15:37,990 Narrator: BUT HER TRAINING AS A DISPLAY MODEL 335 00:15:38,110 --> 00:15:40,140 ALLOWED HER TO CONCEAL ANY TRACE. 336 00:15:40,290 --> 00:15:42,080 Mark: TIME TO MOVE ON TO THE NEXT STOP,PEOPLE -- 337 00:15:42,440 --> 00:15:44,080 THE CRASH-TEST FACILITY! 338 00:15:46,900 --> 00:15:47,900 "CRASH-TEST FACILITY"? 339 00:15:48,030 --> 00:15:50,090 DUMMIES. FEEL LIKE TAKING A TOUR? 340 00:15:51,910 --> 00:15:54,970 Narrator: SAFELY OUT OF SIGHT, THE FLOWER BEGAN TO WEEP. 341 00:15:55,310 --> 00:15:58,180 LIKE THE RICH,SUGARY DESSERT SHE BINGED ON, 342 00:15:58,360 --> 00:15:59,600 HER TEARS WOULD REMAIN WITH HER 343 00:15:59,730 --> 00:16:02,030 FOR ONLY THE NEXT 10 TO 15 MINUTES 344 00:16:02,160 --> 00:16:04,250 BEFORE THEY WOULD BE PURGED FROM HER BODY, 345 00:16:04,410 --> 00:16:06,440 LIKE THEY HAD NEVER EXISTED. 346 00:16:08,190 --> 00:16:09,050 Mark: LADIES AND GENTLEMEN, 347 00:16:09,440 --> 00:16:12,720 WELCOME TO THE DANDY LION WORLDWIDE CRASH-TEST FACILITY. 348 00:16:23,070 --> 00:16:23,950 SCIENCE GUYS, 349 00:16:24,080 --> 00:16:25,930 I'D LIKE YOU TO MEET OUR NEWEST DANDY LION DEALERS 350 00:16:26,080 --> 00:16:28,450 FROM A LITTLE TERRITORY I LIKE TO CALL ASIA. 351 00:16:28,660 --> 00:16:30,300 [ SPEAKING JAPANESE ] 352 00:16:32,190 --> 00:16:34,040 SCIENCE GUY,TELL THEM WHAT HAPPENS IN HERE. 353 00:16:34,440 --> 00:16:36,380 [ Indian accent ] UM,THIS IS WHERE WE USE 354 00:16:36,570 --> 00:16:38,960 ELECTRONIC ANTHROPOMORPHIC UNITS... 355 00:16:39,510 --> 00:16:40,420 DUMMY DES. 356 00:16:40,660 --> 00:16:44,060 ...TO TEST THE DANDY LION SX FOR STRUCTURAL INTEGRITY, 357 00:16:44,420 --> 00:16:47,330 AS WELL AS THE VIABILITY OF ALL THE RESTRAINT- 358 00:16:47,480 --> 00:16:49,790 AND IMPACT-INITIATED SAFETY SYSTEMS. 359 00:16:50,000 --> 00:16:52,520 WE CRASH THINGS IN HERE. BOOM DES KA! 360 00:16:55,300 --> 00:16:58,210 NOW,WHOANTS TO PULL THE LEVER? 361 00:17:20,680 --> 00:17:22,320 Narrator: AS THE GROUP THRILLED TO THE SIGHT 362 00:17:22,450 --> 00:17:25,960 OF TWISTED METAL AND SIMULATED LOSS OF LIFE AND LIMB, 363 00:17:26,480 --> 00:17:29,780 CHUCK CAME UPON AN EQUALLY CHILLING SIGHT OF HER OWN. 364 00:17:44,380 --> 00:17:45,930 ONE OF THESE DUMMIES IS NOT LIKE THE OTHERS. 365 00:17:47,200 --> 00:17:48,330 WHERE DID HIS CLOTHES GO? 366 00:17:48,950 --> 00:17:50,350 WHERE DID HIS FACE GO? 367 00:17:51,260 --> 00:17:52,540 MAYBE BERNARD WASN'T CRAZY. 368 00:17:57,820 --> 00:17:58,650 THE DUMMY DID IT. 369 00:17:58,790 --> 00:18:01,730 OR AT LEAST SOMEONE IN DUMMY MASK AND AN ORANGE JUMPSUIT. 370 00:18:01,730 --> 00:18:02,880 CHUCK FOUND THE CLUE. 371 00:18:03,010 --> 00:18:03,690 I FOUND THE CLUE. 372 00:18:03,840 --> 00:18:05,120 "CLUE" IS A BOARD GAME. 373 00:18:05,390 --> 00:18:07,700 THE PROFESSOR DID IT IN THE PARLOR WITH A RUBBER MALLET. 374 00:18:07,820 --> 00:18:09,550 THAT'S A CLUE. WE FIND EVIDENCE. 375 00:18:09,680 --> 00:18:11,000 YOU GOT TO ADMIT,THIS MEANS SOMETHING. 376 00:18:11,160 --> 00:18:12,980 IT COULD BE A LEAD. WHO WOULD HAVE ACCESS? 377 00:18:13,190 --> 00:18:15,250 LOOPY DANDY LION MODELS,ANGRY TECHNICIANS -- 378 00:18:15,250 --> 00:18:16,250 COULD BE ANYBODY. 379 00:18:16,370 --> 00:18:17,760 I DID SOME CHECKING ON THAT CAR COMPANY. 380 00:18:17,890 --> 00:18:19,890 THEY GOT A LOT RIDING ON THIS DANDY LION. 381 00:18:20,040 --> 00:18:21,240 LOOF ANGRY COMPETITORS,TOO. 382 00:18:21,400 --> 00:18:22,840 WE GOT TO GET BACK IN THERE TONIGHT. 383 00:18:22,980 --> 00:18:24,090 OH,THAT'S NOT HOW WE DO IT. 384 00:18:24,230 --> 00:18:25,600 WE GOT TO GET BACK IN THERE TONIGHT, 385 00:18:25,870 --> 00:18:28,130 SEE IF WHOEVER TOOK THAT DUMMY MASK LEFT ANY EVIDENCE. 386 00:18:30,150 --> 00:18:30,680 OLIVE? 387 00:18:31,000 --> 00:18:31,970 HIYA! 388 00:18:32,240 --> 00:18:33,550 WE'RE GOING OUT LATE TONIGHT,A PRIVILEGE THING, 389 00:18:33,680 --> 00:18:34,770 HARDLY WORTH EXPLAINING. 390 00:18:35,300 --> 00:18:38,100 CAN YOU CLOSE UP? I THINK I JUST DID. 391 00:18:38,680 --> 00:18:39,240 WHAT? 392 00:18:39,950 --> 00:18:40,790 SEE YOU IN THE MORNING. 393 00:18:42,710 --> 00:18:43,350 BYE,OLIVE. 394 00:18:43,580 --> 00:18:44,440 BYE,DIGBY. 395 00:18:47,540 --> 00:18:50,760 Narrator: OLIVE OFTEN IMAGINED THERE WAS AN ORCHESTRA IN HER HEART, 396 00:18:50,910 --> 00:18:52,920 MUSIC HEARD ONLY BY HER, 397 00:18:53,070 --> 00:18:55,010 EXCEPT WHEN HER HEART BROKE OPEN 398 00:18:55,150 --> 00:18:57,240 AND IT SPILLED OUT INTO THE WORLD. 399 00:19:00,000 --> 00:19:06,290 * GUESS MINE IS NOT THE FIRST HEART BROKEN * 400 00:19:06,590 --> 00:19:12,370 * MY EYES ARE NOT THE FIRST TO CRY * 401 00:19:13,950 --> 00:19:16,050 * I'M NOT THE FIRST TO KNOW 402 00:19:16,280 --> 00:19:21,080 * THERE'S JUST NO GETTIN' OVER YOU * 403 00:19:23,030 --> 00:19:27,330 * I'M HOPELESSLY DEVOTED TO -- 404 00:19:27,620 --> 00:19:28,480 EXCUSE ME. 405 00:19:31,080 --> 00:19:32,080 WE'RE CLOSED. 406 00:19:36,700 --> 00:19:43,040 * YOU KNOW,I'M JUST A FOOL WHO'S WILLING * 407 00:19:43,360 --> 00:19:49,160 * TO SIT AROUND AND WAIT FOR YOU * 408 00:19:49,870 --> 00:19:52,190 * BUT,BABY,CAN'T YOU SEE 409 00:19:52,560 --> 00:19:57,570 * THERE'S NOTHING LEFT FOR ME TO DO? * 410 00:19:59,590 --> 00:20:03,040 * I'M HOPELESSLY DEVOTED -- 411 00:20:04,610 --> 00:20:05,550 HI,OLIVE! 412 00:20:05,720 --> 00:20:06,510 HI,MANUEL. 413 00:20:07,590 --> 00:20:08,340 CAN DO THE FLOORS? 414 00:20:08,470 --> 00:20:09,540 YEAH,OKAY. 415 00:20:11,440 --> 00:20:16,410 * BUT NOW THERE'S NOWHERE TO HIDE * 416 00:20:16,590 --> 00:20:19,550 * SINCE YOU PUSHED MY LOVE ASIDE * 417 00:20:19,920 --> 00:20:22,720 * I'M OUT OF MY HEAD 418 00:20:23,670 --> 00:20:29,980 * HOPELESSLY DEVOTED TO YOU 419 00:20:30,150 --> 00:20:39,070 * HOPELESSLY DEVOTED TO YOU 420 00:20:39,070 --> 00:20:40,520 DID YOU SAY SOMETHING? NO. 421 00:20:49,670 --> 00:21:01,000 * HOPELESSLY DEVOTED TO YOU-U-U-U-U * 422 00:21:06,050 --> 00:21:08,770 Narrator: WHILE OLIVE CONSIDERED HOW MU SHE LOVED DIGBY 423 00:21:08,910 --> 00:21:12,070 FOR PAYING ATTENTION TO HER WHEN THE PIE MAKER WOULD NOT, 424 00:21:12,210 --> 00:21:15,100 AND DIGBY CONSIDERED HOW MUCH HE LIKED SALT... 425 00:21:19,600 --> 00:21:22,010 ...THE PIE MAKER CONSIDERED WHAT THE SENTENCE WOULD BE 426 00:21:22,150 --> 00:21:24,680 FOR BREAKING AND ENTERING WITH NO PRIOR CONVICTIONS. 427 00:21:41,040 --> 00:21:43,550 CONTACTED THE COMPANY THAT MAKES THESE DOORS 428 00:21:43,680 --> 00:21:44,800 UNDER FALSE PRETENSES. 429 00:21:44,920 --> 00:21:46,130 THEY GAVE ME A SAMPLE I.D. BADGE, 430 00:21:46,270 --> 00:21:48,280 WHICH I DIGITALLY ALTERED USING THE MAGNETIC CODE 431 00:21:48,420 --> 00:21:49,850 THAT MATCHES THE SERIAL NUMBER OF THIS MACHINE. 432 00:21:50,420 --> 00:21:51,060 IS THAT CHEATING? 433 00:21:51,500 --> 00:21:52,670 I DON'T KNOW. IS THIS? 434 00:21:52,920 --> 00:21:54,480 I GAVE THE SECURITY GUARD A HUG GOODBYE. 435 00:21:54,610 --> 00:21:55,690 MY UPPER BODY DISTRACTED HIM 436 00:21:55,840 --> 00:21:57,730 WHILE THESE THINGS I CALL HANDS TOOK THIS OFF HIS BELT. 437 00:22:07,990 --> 00:22:08,980 Narrator: AT THAT MOMENT, 438 00:22:09,110 --> 00:22:12,700 THE PIE MAKER FELT A MIXTURE OF HAPPINESS AND TREPIDATION. 439 00:22:13,470 --> 00:22:14,730 WHY IS IT ALWAYS A MIXTURE? 440 00:22:19,180 --> 00:22:20,300 WHAT DO YOU KNOW ABOUT EMERSON 441 00:22:20,430 --> 00:22:21,890 BESIDES HE PRIVATELY INVESTIGATES? 442 00:22:22,010 --> 00:22:23,130 WHAT IS SO GREAT ABOUT KNOWING? 443 00:22:23,250 --> 00:22:24,790 WHEN YOU LIFT UP A ROCK,DO YOU FIND WHIPPED CREAM? 444 00:22:24,920 --> 00:22:25,980 NO,YOU FIND WORMS. 445 00:22:26,710 --> 00:22:27,880 I SAY NO TO KNOWING. 446 00:22:28,240 --> 00:22:29,950 WE HAVEN'T SEEN EACH OTHER IN 20 YEARS. 447 00:22:30,080 --> 00:22:30,990 DON'T YOU WANT TO KNOW ABOUT ME? 448 00:22:31,120 --> 00:22:32,120 I WANT TO KNOW EVERYTHING ABOUT YOU. 449 00:22:32,950 --> 00:22:34,970 LOOK,WE'VE ALL DONE THINGS WE'RE NOT PROUD OF. 450 00:22:35,160 --> 00:22:36,370 WE ALL HAVE SECRETS. 451 00:22:36,530 --> 00:22:37,380 WHAT SECRETS? 452 00:22:37,710 --> 00:22:39,120 SKELETONS IN THE CLOSET. 453 00:22:39,250 --> 00:22:40,980 EXACTLY. HOW LG HAVE YOU BEEN LISTENING? 454 00:22:42,440 --> 00:22:45,540 THERE ARE SKELETONS IN THE CLOSET. 455 00:22:51,930 --> 00:22:53,380 THOSE AREN'T SKELETONS. 456 00:22:53,630 --> 00:22:55,030 THOSE ARE DEAD BODIES. 457 00:23:01,820 --> 00:23:03,770 HEY! RICK! RICK PAGE. 458 00:23:03,890 --> 00:23:05,570 Y,RICK. UH,DO YOU KNOW WHAT'S HAPPENING RIGHT NOW? 459 00:23:05,760 --> 00:23:06,800 UH,LAST THING I REMEMBER, 460 00:23:06,930 --> 00:23:08,580 I WAS READING SALES FORECASTS IN THE BACK. 461 00:23:08,790 --> 00:23:10,010 GEEZ,THOSE THINGS ARE DULL. 462 00:23:10,140 --> 00:23:12,450 YOU EVER HEARD OF THE DANDY LION CAR COMPANY? NOPE. 463 00:23:13,030 --> 00:23:14,220 YOU WANT TO OPEN THE KIMONO 464 00:23:14,340 --> 00:23:16,810 ON WHY I'M WEARING A SILVER LEOTARD AND HANGING FROM A HOOK? 465 00:23:17,260 --> 00:23:18,990 DO YOU HAVE ANY LAST REQUESTS OR THOUGHTS? 466 00:23:20,460 --> 00:23:22,730 IF I WANTED TO MINGLE WITH A BUNCH OF GEEKS WEARING LEOTARDS, 467 00:23:22,730 --> 00:23:23,960 I'D HAVE STAYED IN ART SCHOOL. 468 00:23:24,560 --> 00:23:25,780 YOU WENT TO ART SCHOOL? 469 00:23:25,900 --> 00:23:27,340 DIDN'T KNOW THAT,DID YOU? 470 00:23:32,240 --> 00:23:33,260 STOP IT! 471 00:23:36,190 --> 00:23:38,130 I WAS JUST RIDING THE FERRIS WHEEL AT THE STATE FAIR, 472 00:23:38,270 --> 00:23:40,720 AND THE TEENAGER RUNNING IT SAID I COULD RIDE AN EXTRA...TURN. 473 00:23:41,950 --> 00:23:43,830 DID YOU EVER HEAR OF THE DANDY LION CAR COMPANY? 474 00:23:44,000 --> 00:23:44,930 NO. 475 00:23:45,050 --> 00:23:45,810 MOVING ON. WAIT A SEC. 476 00:23:46,050 --> 00:23:48,530 I DID CHECK A BOX THAT SAID I COULD BE USED TO TEST AUTOMOBILE SAFETY. 477 00:23:49,140 --> 00:23:51,270 SOUNDS SCARY,BUT WHEN YOU'RE DEAD,YOU'RE DEAD. 478 00:23:51,860 --> 00:23:52,630 AM I DEAD? 479 00:23:56,610 --> 00:23:58,360 THERE'S NOTHING ILLEGAL ABOUT ANY OF THAT? 480 00:23:58,490 --> 00:23:59,770 AND WHY WOULD DANDY LION REPLACE 481 00:23:59,890 --> 00:24:01,740 ALL THEIR CRASH-TEST DUMMIES WITH DEAD BODIES? 482 00:24:01,850 --> 00:24:03,090 AND WHAT HAPPENED TO ALL THE REAL DUMMIES? 483 00:24:04,700 --> 00:24:07,160 Narrator: BEFORE EMERSON COD COULD REPLY WITH A CLEVER 484 00:24:07,280 --> 00:24:09,130 IF SLIGHTLY INSULTING REMARK... 485 00:24:09,340 --> 00:24:10,370 Shh,Shh. 486 00:24:11,300 --> 00:24:12,060 SEE THAT? 487 00:24:27,220 --> 00:24:28,210 JEANINE? 488 00:24:33,760 --> 00:24:34,660 what? 489 00:24:39,500 --> 00:24:41,550 I COULDN'T TELL YOU ANYTHING BEFORE BECAUSE THEY WERE WATCHING ME. 490 00:24:42,060 --> 00:24:44,010 I HID AT WORK TO MAKE SURE NO ONE WOULD FOLLOW ME HOME. 491 00:24:44,930 --> 00:24:47,160 THE TRUTH IS BERNIE AND I WERE SO IN LOVE. 492 00:24:47,630 --> 00:24:49,740 IT ALL STARTED WHEN HE CAME TO SEE THIS SALES TRAINING THING 493 00:24:49,870 --> 00:24:51,650 ON HIS LONG LUNCH BREAK,AND IT WAS LOVE AT FIRST SIGHT. 494 00:24:51,650 --> 00:24:54,330 I COULDN'T TAKE MY EYES OFF HIM. HE JUST MESMERIZED ME. 495 00:24:54,460 --> 00:24:57,480 MY HEART LEAPT OUT OF MY CHEST,AND I JUST COULDN'T LOOK AWAY. 496 00:24:57,650 --> 00:25:00,290 I DON'T KNOW WHAT IT WAS. I GOT ALL MISTY-EYED,YOU KNOW? 497 00:25:00,470 --> 00:25:03,600 Narrator: AND AS JEANINE CONTINUED TO EAT HER TRIPLE-BER PIE, 498 00:25:03,930 --> 00:25:07,570 SHE TOLD THEM THE STORY OF HER LOVE AFFAIR WITH BERNARD SLAYBECK. 499 00:25:08,970 --> 00:25:11,790 PRESENT,PRESENT,PRESENT,PRESENT,PRESENT,PRESENT, 500 00:25:12,100 --> 00:25:15,070 AND GIGGLE,GIGGLE,GIGGLE,GIGGLE,GOOD GIRLS. 501 00:25:15,120 --> 00:25:19,760 Narrator: THEY HAD MET WHEN THE SCIENTIST HAD COME TO WATCH SALES TRAINING ON A LONG LUNCH. 502 00:25:20,160 --> 00:25:22,410 THE ATTRACTION WAS INSTANTANEOUS, 503 00:25:22,550 --> 00:25:25,950 AND THEY WOULD BOTH CONFESS TO REPLAYING THIS FIRST ENCOUNTER 504 00:25:26,070 --> 00:25:28,790 AS THEY FELL ASLEEP IN THEIR BEDS THAT NIGHT. 505 00:25:31,350 --> 00:25:34,180 HE WOULD REMEMBER HER HAIR AS BEING SLIGHTLY REDDER, 506 00:25:34,400 --> 00:25:36,210 HER SWEATER SLIGHTLY TIGHTER, 507 00:25:36,500 --> 00:25:39,310 BUT THE SMILE HE WOULD GET JUST RIGHT. 508 00:25:41,500 --> 00:25:44,690 SHE WOULD REMEMBER HIS LOOK AS SHY BUT FLIRTATIOUS, 509 00:25:44,820 --> 00:25:47,100 HIS TIE AS RED BUT VERY THIN, 510 00:25:47,310 --> 00:25:49,310 AND THAT HIS SANDWICH WAS AN ANGUS BEEF PATTY 511 00:25:49,420 --> 00:25:51,530 WITH BUTTERHEAD LETTUCE,ROMA TOMATOES, 512 00:25:51,670 --> 00:25:53,630 ON A SESAME-SEED WHOLE-WHEAT BUN, 513 00:25:53,760 --> 00:25:55,770 AND A GLASS OF 2% MILK. 514 00:25:57,890 --> 00:26:01,340 AS THEY TALKED,THESE ARE THE THINGS SHE CAME TO KNOW FIRST. 515 00:26:01,480 --> 00:26:04,700 THE SCIENTIST WAS KIND. THE SCIENTIST WAS LONELY. 516 00:26:05,080 --> 00:26:07,700 THE SCIENTIST CAME ALIVE WHEN HE TOLD HER 517 00:26:07,850 --> 00:26:10,050 ABOUT HIS HOBBY OF CATCHING BUTTERFLIES. 518 00:26:10,260 --> 00:26:13,290 WHEN HE ADMITTED THAT HE ALWAYS SET THEM FREE, 519 00:26:13,650 --> 00:26:16,920 SHE FELT DIZZY AND GIGGLED FOR NO REASON. 520 00:26:27,430 --> 00:26:30,720 Narrator: THE WAIF AND THE SCIENTIST FELL DEEPLY IN LOVE, 521 00:26:30,860 --> 00:26:34,090 HIDING THEIR AFFAIR FROM THE WORLD LIKE A TRADE SECRET. 522 00:26:42,970 --> 00:26:47,010 BUT JEANINE FROM PROMOTIONS FELT A CHASM GROWING BETWEEN THEM. 523 00:26:50,560 --> 00:26:52,990 AS THE LAUNCH OF THE FLOWER CAR GREW CLOSER, 524 00:26:53,120 --> 00:26:54,780 BERNARD'S HOURS GREW LONGER. 525 00:27:02,910 --> 00:27:05,090 HE BECAME DISTANT AND HARD TO REACH. 526 00:27:09,220 --> 00:27:12,450 SUSPECTING HER SAFETY SCIENTIST OF STEPPING OUT ON HER, 527 00:27:12,700 --> 00:27:14,390 SHE BEGAN TO SPY. 528 00:27:14,530 --> 00:27:16,040 BUT THERE WAS NO OTHER FLOWER, 529 00:27:16,200 --> 00:27:19,010 ONLY MYSTERIOUS TRIPS INTO THE DARKNESS. 530 00:27:27,690 --> 00:27:28,710 WHERE DID SHE GO? 531 00:27:29,240 --> 00:27:31,530 SORRY. RESTROOM. MINT,ANYONE? 532 00:27:32,170 --> 00:27:33,120 NO,THANKS. 533 00:27:33,260 --> 00:27:35,010 WHERE WAS SLAYBECK GOING ON THESE NIGHT DRIVES? 534 00:27:35,130 --> 00:27:36,030 I COULD NEVER SEE. 535 00:27:36,160 --> 00:27:37,230 AND WHEN I CONFRONTED HIM ABOUT IT, 536 00:27:37,370 --> 00:27:38,230 HE WOULDN'T TELL ME ANYTHING. 537 00:27:38,590 --> 00:27:40,700 I THOUGHT I WAS BEING PARANOID TILL HTURNED UP DEAD. 538 00:27:41,890 --> 00:27:43,440 YOU GONNA FINISH THAT? YES. 539 00:27:43,920 --> 00:27:45,180 I WISH WE KNEW WHAT HE WAS DOING. 540 00:27:45,650 --> 00:27:46,700 OH,I FIGURED IT OUT. [ CHUCKLES ] 541 00:28:19,670 --> 00:28:21,590 IT'S EASIER IF I SHOW YOU. FOLLOW ME. 542 00:28:21,700 --> 00:28:22,930 SHOTGUN! CHUCK! 543 00:28:22,930 --> 00:28:24,060 I HATE THE BACK. 544 00:28:24,200 --> 00:28:26,190 DEAD,AGAIN,FOREVER. 545 00:28:27,280 --> 00:28:28,040 FINE. 546 00:28:37,590 --> 00:28:38,720 Chuck: SHE'S NOT GOING VERY FAST. 547 00:28:38,840 --> 00:28:40,430 Ned: THAT CAR CAN'T HAVE A VERY BIG ENGINE. 548 00:28:40,630 --> 00:28:41,620 MAYBE SHE ATE IT. 549 00:28:42,430 --> 00:28:43,710 THAT'S NOT FUNNY. 550 00:28:43,840 --> 00:28:45,410 SHE OBVIOUSLY HAS A VERY SERIOUS DISORDER. 551 00:28:45,630 --> 00:28:47,360 WHAT DO YOU MEAN? SERIOUSLY? 552 00:28:47,490 --> 00:28:49,480 THE GIRL'S GOT A WHOLE SECRET LIFE IN THE BATHROOM. 553 00:28:49,830 --> 00:28:51,400 AND I KNOW EXACTLY HOW SHE FEELS. 554 00:28:51,570 --> 00:28:52,510 SO DO I. 555 00:28:52,650 --> 00:28:54,460 I HATE HAVING SECRETS. NOW I AM ONE -- 556 00:28:54,590 --> 00:28:56,980 ALL THESE DISGUISES,HIDING IN YOUR APARTMENT ALL THE TIME. 557 00:28:57,130 --> 00:28:59,270 I HATE SECRETS,TOO. YOU LOVE SECRETS. 558 00:28:59,390 --> 00:29:02,220 YOU WANT TO MARRY SECRETS AND HAVE LITTLE HALF-SECRET,HALF-HUMAN BABIES. 559 00:29:03,910 --> 00:29:05,500 WELL,I HAVE A SECRET,TOO. I DO MISS MY AUNTS. 560 00:29:05,500 --> 00:29:07,980 THEN ALL I HAVE IS YOU. 561 00:29:08,170 --> 00:29:09,570 WHICH IS GREAT,BUT... 562 00:29:10,160 --> 00:29:12,010 I DON'T KNOW ANYTHING ABOUT YOU SINCYOU WERE 9. 563 00:29:12,260 --> 00:29:13,870 IT'S PRETTY MUCH I BAKE PIES AND WAKE THE DEAD. 564 00:29:14,010 --> 00:29:15,260 I LIVE A VERY SHELTERED LIFE. 565 00:29:15,390 --> 00:29:16,950 I ALREADY LIVED A SHELTERED LIFE ONCE. 566 00:29:18,460 --> 00:29:20,100 BUT IT WASN'T AS SHELTERED AS YOU THINK. 567 00:29:20,560 --> 00:29:24,230 AUNT LILY HAD A VERY EXTENSIVE COLLECTION OF HISTORIC EROTICA HIDDEN IN THE MILK CELLAR. 568 00:29:24,380 --> 00:29:25,660 THE MILK CELLAR. 569 00:29:25,780 --> 00:29:28,050 THE CHEESE FLOOR,THE SPOOKY PLACE UNDER THE HOUSE,WHATEVER. 570 00:29:28,250 --> 00:29:30,660 I WILL PAY BOTH OF YOU NOT TO HAVE THIS CONVERSATION IN FRONT OF ME. 571 00:29:30,660 --> 00:29:33,730 IT'S NOT IN FRONT OF YOU. IT'S TO THE SIDE AND BEHIND YOU. 572 00:29:33,860 --> 00:29:35,190 YOU CAN'T RIDE IN THE FRONT,CHUCK. 573 00:29:35,650 --> 00:29:37,350 Narrator: TRAGICALLY FOR JEANINE, 574 00:29:37,490 --> 00:29:39,550 IT DIDN'T MATTER WHERE SHE SAT. 575 00:29:58,180 --> 00:29:59,770 THERE YOU GO. GOOD AS NEW. 576 00:29:59,920 --> 00:30:01,020 DO I LOOK OKAY? 577 00:30:01,160 --> 00:30:02,800 RUNWAY READY. REALLY? 578 00:30:03,010 --> 00:30:04,870 YOU DON'T THINK THESE BANDAGES MAKE ME LOOK FAT? 579 00:30:05,130 --> 00:30:06,230 NO,NOT AT ALL. 580 00:30:06,370 --> 00:30:09,810 THAT'S SO SWEET. IS HE ALWAYS THIS SWEET? 581 00:30:09,810 --> 00:30:10,710 I WOULDN'T KNOW. 582 00:30:10,830 --> 00:30:13,150 LOOK,SOME CAR BOMBER JUST WENT THROUGH A LOT OF TROUBLE 583 00:30:13,270 --> 00:30:15,450 TO KEEP YOU FROM SHOWING US WHATEVER IT IS YOU WANTED TO SHOW US. 584 00:30:15,840 --> 00:30:16,920 THE BODIES. 585 00:30:17,040 --> 00:30:18,460 WHAT BODIES? THE DEAD BODIES? 586 00:30:18,580 --> 00:30:19,730 WE ALREADY FOUND THE DEAD BODIES. 587 00:30:19,730 --> 00:30:23,080 NO. THE ONES IN THE BIG HOLE. 588 00:30:33,430 --> 00:30:34,360 HOW SAD. 589 00:30:34,500 --> 00:30:35,710 WHY WOULD SOMEBODY DO THIS? 590 00:30:37,300 --> 00:30:38,410 ONE WAY TO FIND OUT. 591 00:30:43,390 --> 00:30:44,390 WHAT IS ALL THAT? 592 00:30:44,600 --> 00:30:47,300 EACH ONE OF THESE GUYS IS FITTED WITH A COMPUTER HARD DRIVE 593 00:30:47,430 --> 00:30:49,190 TO RECORD ANY OF THE CRASH-TEST DATA. 594 00:30:49,440 --> 00:30:51,340 YOU BURY THE DUMMIES,YOU BURY THE DATA. 595 00:30:51,480 --> 00:30:52,810 COULDN'T THEY JUST ERASE IT? 596 00:30:53,020 --> 00:30:54,850 YOU NEVER CAN COMPLETELY ERASE ANYTHING. 597 00:30:54,990 --> 00:30:58,290 WHY ARE DEAD PEOPLE ON HOOKS AND PLASTIC DUMMIES IN A GRAVE? 598 00:30:58,460 --> 00:31:00,140 THE COMPANY MUST HAVE SWITCHED TO CADAVERS 599 00:31:00,280 --> 00:31:02,610 SO THAT THERE'D BE NO PERMANENT RECORD OF THE CRASH-TEST RESULTS, 600 00:31:02,610 --> 00:31:04,010 'CAUSE DEAD PEOPLE DON'T TALK... 601 00:31:04,140 --> 00:31:05,940 USUALLY. 602 00:31:23,870 --> 00:31:25,580 Narrator: AS THE PIE MAKER'S BRAIN CRACKLED 603 00:31:25,580 --> 00:31:29,930 WITH 10,000 VOLTS OF ELECTRICITY AND THEN LOST CONSCIOUSNESS, 604 00:31:30,080 --> 00:31:32,000 OLIVE WOULD HAVE NO SUCH LUCK. 605 00:31:32,140 --> 00:31:33,550 DIGBY,YOU AWAKE? 606 00:31:35,800 --> 00:31:37,290 I CAN'T SLEEP,EITHER. 607 00:31:37,460 --> 00:31:39,160 Narrator: CLOSING HER EYES ONLY MADE HER VISIONS 608 00:31:39,300 --> 00:31:41,270 OF THE PIE MAKER'S LATE-NIGHT DATE 609 00:31:41,400 --> 00:31:43,200 WITH THE PERKY BRUNETTE FROM NOWHERE 610 00:31:43,340 --> 00:31:45,300 MORE VIVID AND UNCENSORED. 611 00:31:52,320 --> 00:31:54,170 OH! YUCK. 612 00:31:54,320 --> 00:31:57,420 Narrator: OLIVE DECIDED SHE WAS DONE LYING DOWN ABOUT THIS. 613 00:31:59,390 --> 00:32:01,560 WE ARE UP. WE ARE WALKING. 614 00:32:19,680 --> 00:32:20,630 [ Muffled ] LOOK. 615 00:32:39,530 --> 00:32:42,200 AUTOMOBILE MANUFACTURING IS A DIRTY BUSINESS. 616 00:32:42,330 --> 00:32:44,980 Narrator: MURDER WAS NOT NEW FOR MARK CHASE. 617 00:32:45,140 --> 00:32:48,040 LUCKILY,BODY BAGS KEEP THINGS NICE AND NEAT. 618 00:32:49,940 --> 00:32:51,470 Narrator: THE FACTS WERE THESE. 619 00:32:51,630 --> 00:32:53,910 THROUGH A SERIES OF CRASH-TEST EXPEMENTS, 620 00:32:54,070 --> 00:32:56,380 BERNARD SLAYBE HAD LEARNED THAT THE DANDY LION 621 00:32:56,520 --> 00:32:58,090 WAS A DEADLY DUD. 622 00:33:08,490 --> 00:33:11,440 BERNARD BEGGED THE PRESIDENT TO CANCEL THE CAR'S LAUNCH, 623 00:33:11,750 --> 00:33:14,470 BUT MARK CHASE HAD OTHER PLANS. 624 00:33:19,430 --> 00:33:23,280 LIKE A SMOKING GUN,THE SMOKING DUMMIES WOULD HAVE TO BE BURIED. 625 00:33:23,690 --> 00:33:26,700 THE COMPANY HAD INVESTED MILLIONS IN THE DANDY LION, 626 00:33:26,850 --> 00:33:28,990 AND HE KNEW THAT KEEPING THIS TERRIBLE SECRET 627 00:33:29,140 --> 00:33:32,570 WOULD STILL BE CHEAPER THAN HALTING PRODUCTION OF THE CAR. 628 00:33:37,270 --> 00:33:39,690 A DECISION WAS MADE,A COVER-UP UNDERTAKEN. 629 00:33:39,830 --> 00:33:41,730 IF THE DUMMIES HAD TO GO, 630 00:33:41,890 --> 00:33:44,760 SO WOULD ANY DUMMY WHO GOT IN THE WAY. 631 00:34:03,020 --> 00:34:06,420 AS HE REGAINED CONSCIOUSNESS AND HURTLED TOWARD THE CRASH-TEST WALL, 632 00:34:06,640 --> 00:34:09,080 BERNARD'S ONLY THOUGHTS WERE OF JEANINE 633 00:34:09,210 --> 00:34:11,720 AND HOW HE WISHED HE'D TOLD HER HE LOVED HER. 634 00:34:20,410 --> 00:34:23,570 MARK CHASE'S ATTENTION TO DETAIL AND GIFT FOR PLANNING 635 00:34:23,730 --> 00:34:28,260 HAD SERVED HIM WELL AS A C.E.O.,AND NOW AGAIN AS A MURDERER. 636 00:34:28,430 --> 00:34:29,600 HIS COVER-UP COMPLETE, 637 00:34:29,740 --> 00:34:32,200 HIS ONLY THOUGHTS WERE THAT THE DANDY LION SX 638 00:34:32,330 --> 00:34:35,670 WOULD BLOOM ON TIME AND NO ONE WOULD STOP HIM. 639 00:34:40,390 --> 00:34:43,020 THE DANDY LION CAR IS THE CULMINATION OF MY LIFE'S WORK. 640 00:34:43,150 --> 00:34:44,450 IT IS A FLOWER-POWERED PHENOMENON 641 00:34:44,580 --> 00:34:45,860 BORNE OF A THOUSAND SLEEPLESS NIGHTS, 642 00:34:45,990 --> 00:34:47,050 INTENSE RITALIN ABUSE, 643 00:34:47,180 --> 00:34:49,070 AND A LONG-SUBLIMATED INTEREST IN BOTANY. 644 00:34:49,230 --> 00:34:52,710 SO WHAT IF IN THE UNLIKELY BUT NOT IMPOSSIBLE EVENT 645 00:34:52,850 --> 00:34:54,670 THAT THE CAR GETS UP TO A SPEED OF 70 MILES AN HOUR, 646 00:34:54,790 --> 00:34:56,430 WITH THE HEADLIGHTS ON AND THE SEAT WARMER ON LOW, 647 00:34:56,560 --> 00:34:57,820 A SHORT-CIRCUIT IN THE RADIO 648 00:34:57,960 --> 00:34:59,620 CAUSES A CATACLYSMIC CHAIN REACTION 649 00:34:59,740 --> 00:35:02,540 THAT BLOWS THE CAR AND ITS PRECIOUS HUMAN CARGO TO SMITHEREENS?! 650 00:35:02,800 --> 00:35:05,410 Narrator: AS MARK CHASE CONTINUED HIS MONOLOGUE, 651 00:35:05,550 --> 00:35:07,730 UNAWARE THAT IT WAS COMPLETELY INAUDIBLE 652 00:35:07,870 --> 00:35:10,690 FROM WITHIN THE SEALED BODY BAGS WITHIN THE CAR, 653 00:35:11,170 --> 00:35:14,690 CHUCK PONDERED WHY IT WAS SHE ALWAYS SEEMED TO DIE 654 00:35:14,870 --> 00:35:17,370 JUST AS THINGS WERE STARTING TO GET GOOD. 655 00:35:18,970 --> 00:35:19,990 SON OF A BITCH. 656 00:35:20,150 --> 00:35:21,300 WHAT? 657 00:35:21,420 --> 00:35:22,910 Narrator: AND THOUGH HE COULDN'T HEAR HER, 658 00:35:23,060 --> 00:35:25,550 NED SUDDENLY WANTED TO TELL HER EVERYTHING -- 659 00:35:25,760 --> 00:35:27,920 PET PEEVES AND FAVORITE FOODS, 660 00:35:28,090 --> 00:35:30,000 HIS FEARS,HIS DREAMS, 661 00:35:30,140 --> 00:35:33,210 AND ALL THE PURE JOY SHE HAD BROUGHT INTO HIS LIFE. 662 00:35:35,590 --> 00:35:36,880 SAYONARA. 663 00:35:37,540 --> 00:35:40,470 Narrator: THIS WAS THE END ALL OVER AGAIN. 664 00:35:41,840 --> 00:35:42,960 GOODBYE. 665 00:36:07,690 --> 00:36:09,950 Narrator: EMERSON COD DID NOT LIKE TO KNIT IN PUBLIC, 666 00:36:10,360 --> 00:36:12,940 BUT HE OFTEN LEFT THE HOUSE WITH THE NEEDLES IN HIS POCKET, 667 00:36:13,070 --> 00:36:17,180 SHOULD THE OPPORTUNITY TO RIB-STITCH A SKI CAP PRESENT ITSELF. 668 00:36:24,480 --> 00:36:25,990 DRIVE! OOH! 669 00:36:48,630 --> 00:36:51,260 Narrator: IF ONLY THE PIE MAKER HAD HEARD THE KILLER EXPLAIN 670 00:36:51,450 --> 00:36:55,540 THAT THE DANDY LION SX WAS MUCH MORE THAN AN ECO-FRIENDLY CAR OF THE FUTURE. 671 00:36:56,120 --> 00:36:58,750 IF ONLY HE'D HEARD IT WAS ALSO A DEATHTRAP, 672 00:36:58,870 --> 00:37:01,480 A DANDELION-FUELED TIME BOMB. 673 00:37:08,090 --> 00:37:10,170 COME ON. JUST A LITTLE FASTER. 674 00:37:19,970 --> 00:37:21,900 CAN'T THIS CAR GO ANY FASTER?! 675 00:37:22,080 --> 00:37:23,410 SOME CAR OF THE FUTURE THIS IS! 676 00:37:23,530 --> 00:37:25,030 I THOUGHT THE CAR OF THE FUTURE WAS SUPPOSED TO FLY. 677 00:37:25,170 --> 00:37:26,400 WHAT THE HELL HAPPENED TO FLYING CARS? 678 00:37:55,360 --> 00:37:57,510 Narrator: IN THE UNLIKELY BUT NOT IMPOSSIBLE EVENT 679 00:37:57,650 --> 00:37:59,980 OF REACHING THE SPEED OF 70 MILES AN HOUR 680 00:38:00,130 --> 00:38:03,000 WITH THE HEADLIGHTS ON AND THE SEAT WARMER SET TO LOW, 681 00:38:03,150 --> 00:38:04,750 A SHORT-CIRCUIT IN THE RADIO 682 00:38:04,900 --> 00:38:07,480 WOULD SET OFF A CATACLYSMIC CHAIN REACTION 683 00:38:07,630 --> 00:38:12,000 THAT WOULD BLOW THE CAR AND ITS PRECIOUS HUMAN CARGO TO SMITHEREENS. 684 00:38:12,380 --> 00:38:15,930 JEANINE HAD BEEN THE FIRST UNFORTUNATE VICTIM,AND NOW... 685 00:38:16,060 --> 00:38:17,270 WATCH OUT! 686 00:38:28,790 --> 00:38:32,370 Narrator: THE PIE MAKER HAD NEVER BEEN SO HAPPY TO SEE OLIVE. 687 00:38:32,560 --> 00:38:36,050 OLIVE HAD NEVER BEEN SO HAPPY TO SEE THE PIE MAKER. 688 00:38:36,200 --> 00:38:37,370 YOU OKAY? 689 00:38:38,050 --> 00:38:39,520 I AM NOW. 690 00:38:40,500 --> 00:38:43,010 WHATEVER THE PIE MAKER HAD BEEN DOING THAT NIGHT 691 00:38:43,150 --> 00:38:45,580 DID NOT SEEM ESPECIALLY ROMANTIC. 692 00:38:46,160 --> 00:38:47,750 CAN YOU HELP US GET OUT OF THESE BODY BAGS? 693 00:38:48,310 --> 00:38:49,260 SURE. 694 00:38:52,340 --> 00:38:54,640 Narrator: MARK CHASE'S CHASE HAD COME TO AN END. 695 00:38:54,770 --> 00:38:56,840 HIS PLAN FOILED AND THE POLICE NOW CLOSING IN, 696 00:38:57,310 --> 00:38:58,970 THE CAR MAKER TRIED TO FLEE, 697 00:38:59,170 --> 00:39:01,410 ONLY TO DISCOVER HE WAS OUT OF GAS. 698 00:39:02,370 --> 00:39:04,580 UNLIKE THE PIE MAKER AND HIS FRIENDS, 699 00:39:04,710 --> 00:39:07,380 THE DANDY LION CAR COMPANY DID NOT SURVIVE 700 00:39:07,510 --> 00:39:09,950 ONCE ITS DARK SECRETS WERE REVEALED. 701 00:39:11,710 --> 00:39:15,300 THOSE RESPONSIBLE WERE PUNISHED FOR THEIR WICKED WAYS. 702 00:39:22,320 --> 00:39:24,030 OTHERS,STRENGTHENED BY THE NEWS 703 00:39:24,170 --> 00:39:26,480 THAT THEIR LOVED ONES HAD NOT DIED IN VAIN, 704 00:39:26,610 --> 00:39:29,130 REACHED OUT FOR THE HELP AND ROUND-THE-CLOCK SURVEILLANCE 705 00:39:29,130 --> 00:39:32,010 BY A NUTRITION PROFESSIONAL THAT THEY NEEDED. 706 00:39:37,670 --> 00:39:41,980 AND EMERSON COD REALIZED HE WOULD NOT BE NOT KNITTING ANYTIME SOON, 707 00:39:42,350 --> 00:39:44,970 AS THE DEAD GIRL,WHO WAS NOT DEAD, 708 00:39:45,110 --> 00:39:47,470 APPEARED TO BE STAYING PUT... 709 00:39:49,240 --> 00:39:49,970 SWEET. 710 00:39:51,770 --> 00:39:54,620 ...A FACT THE PIE MAKER CELEBRATED. 711 00:39:57,610 --> 00:39:59,190 NOT GIVING UP,DIGBY. 712 00:39:59,990 --> 00:40:01,140 Ned: GET IN. 713 00:40:01,720 --> 00:40:02,620 THE FRONT? 714 00:40:03,700 --> 00:40:04,560 [ KNOCKS ] YOU DID THIS? 715 00:40:04,700 --> 00:40:06,570 YOU CAN DRIVE NOW,TOO,IF YOU WANT... 716 00:40:06,730 --> 00:40:08,540 BUT I KIND OF LOVE DRIVING. 717 00:40:08,680 --> 00:40:10,090 REALLY? I DIDN'T KNOW THAT ABOUT YOU. 718 00:40:12,600 --> 00:40:13,670 WHAT IS THAT? 719 00:40:14,210 --> 00:40:15,790 IT'S FOR,UM... 720 00:40:16,660 --> 00:40:18,280 STEERING EMERGENCIES. 721 00:40:18,400 --> 00:40:19,600 Narrator: HE LIED. 722 00:40:20,130 --> 00:40:21,330 PERFECT. 723 00:40:23,090 --> 00:40:24,270 THAT'S WHAT I THOUGHT. 724 00:40:24,410 --> 00:40:26,310 rrator: SHE LIED,TOO. 725 00:40:27,305 --> 00:41:27,172 Watch Movies, TV Series and Live Sports Signup Here -> WWW.ADMITME.APP