Now these windows, we're going to have more detail in here, obviously.
So what I'm going to do is I'm going to draw a rectangle.
I'm going to move out and we're just going to create a window and we'll create a block like we did on
the plant and will and we'll order.
And so first, let's offset our frame.
Let's go with a 50 millimeter frame and.
I'm going to put a line on the middle and offset about 50 meters again, but I'm going to move up.
And this is going to be by I I'm just going to put it there, OK?
I'm not saying that's going to be our window.
So because we saved ours, all drawing, we've got all our lasing.
We can just put a window layer these layers of the same as on the plum because we did to save us.
I'm going I'm going to go create block now.
You could do it a quick way, we could do what we've already done, just got cut and paste this block.
And then you've got your block.
You could do it that way.
A lot of people do that now.
Rather than go up and go create block this way is easier to name it.
We could call that window.
I live for elevation.
Pick our point, select our objects.
OK, so you could do it that way.
The only difference really is when you do when you do it right by just cutting and paste, it was bought.
It signs a name and that name will be a random collection of numbers and letters.
OK, so it's up to you.
If we go here at it, it's probably about one.
Nope, it's that one.
So what is the name assigned to it?
When we did the cut and paste as block?
Now you can rename it if you type and rename OK, the marine name is going to give you all the objects
and you drawn and you can rename all, so you could do that.
It could go two blocks.
You could choose that block and you could say rename to window and leave.
I'll just put two because I've already put one.
So you could do that.
OK.
And now if you go insert block, you'll see we have we've renamed it.
So what's your options, basically?
You can cut the object and go poster's block and leave it and just what it assigns.
If it's not important to you in terms of management, if you move, that place probably won't go down
very well.
In which case you want to create a block using this method and give it a name.
Or you could use a cut and paste method and then just type in Vietnam and rename it.
They're your options.
I'll leave it up to you what you want to do.
But that's your options with blocks, and we've got a window now.
OK.
I'm just got our individual items in a block from a Windows laptop, if you click on our blog.
Now that's one object.
It's on Lazarus.
I'm going to put that on the windows layer as well.
So now our items in Cyber Block are on the Windows Lab.
Also, our block is on my Windows line.
I'm going, I'm going to move that one using in corner into place.
Right?
I'm going.
I'm going to go copy using the same corner.
I'm just going to put it on.
So we've got our windows, and I know this one.
The reason this has got the white tongue around it is because our it's just to do with your order.
OK?
If you select all your windows.
Right click and then say to back on the jar order, say centre back.
They all go behind the kind of the white elevation lines.
Now we could add some details, feel free to use Polish on things you might add some guttering, maybe
a down pipe, anything you want to, you feel free to want.
And you know, it's true that it's just possibilities of things.
What I'm going to do, I'm going to hatch first, just so it looks a bit more detailed.
Now we could say, maybe if I just get this positioned, so it fills up the screen for me to get rid
of it and get rid of this window.
So if I go to hatch.
Yeah.
And I'm going to go to I'm going to be clicking inside, so I'm going to I'll pick points with Pattern.
Let's pull that down so we can have a look.
I'm going to use this break here.
One of these works, but again, you can choose which one you and I'm going to choose that one.
OK?
And I'm going to click in here like that.
And you could say it's given us a solid hunch.
No, that's because of our scale.
So I'm going to change the scale.
Let's go with thousands.
Looks like that's what's going to change the scale to 15.
Let's go with one hundred.
Fifty.
25.
OK.
And you can see a scale of 25.
You could just check.
That's probably about right.
It's very overpowering.
Now we can click that and we can change it to a kind of a great out color, one of these greys here.
I like to use I'm that kind of pushes it to about makes it look a bit better, but it's still quite
overpowering.
And the thing is, you don't need to show that it's over it.
You only need to give a kind of.
Indication that it's going to be work.
So what I like to do.
Is to get some Polish lines.
OK, now this is going to be fairly random, but I like it, so I'm going to turn stuff in off off if
I do this kind of thing, OK?
And again, probably the really random.
But now I'm going to go hatch.
And I'm going to click here and here, I'm going to go right.
I'm going to delete these lines, and now you just kind of get that indication without it being too
overpowering, but it's what I'm going to do the same on the roof.
Go watch, and I'm going to choose this kind of tale.
Good delivers.
I'm going to make this.
I mean, you go, that's our elevation now again, you could put some rich tiles on here, you could
maybe offset this out outlining to get you rich because you'd have a different tiles on the edges emerged.
Let's, you know, let's do that.
Same principle.
Don't this cost a bit too long and it gets boring.
And all I'm going to do now is trim off and never go.
You've got an elevation.