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Now these windows, we're going to have more detail in here, obviously.

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So what I'm going to do is I'm going to draw a rectangle.

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I'm going to move out and we're just going to create a window and we'll create a block like we did on

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the plant and will and we'll order.

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And so first, let's offset our frame.

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Let's go with a 50 millimeter frame and.

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I'm going to put a line on the middle and offset about 50 meters again, but I'm going to move up.

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And this is going to be by I I'm just going to put it there, OK?

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I'm not saying that's going to be our window.

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So because we saved ours, all drawing, we've got all our lasing.

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We can just put a window layer these layers of the same as on the plum because we did to save us.

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I'm going I'm going to go create block now.

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You could do it a quick way, we could do what we've already done, just got cut and paste this block.

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And then you've got your block.

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You could do it that way.

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A lot of people do that now.

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Rather than go up and go create block this way is easier to name it.

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We could call that window.

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I live for elevation.

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Pick our point, select our objects.

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OK, so you could do it that way.

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The only difference really is when you do when you do it right by just cutting and paste, it was bought.

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It signs a name and that name will be a random collection of numbers and letters.

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OK, so it's up to you.

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If we go here at it, it's probably about one.

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Nope, it's that one.

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So what is the name assigned to it?

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When we did the cut and paste as block?

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Now you can rename it if you type and rename OK, the marine name is going to give you all the objects

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and you drawn and you can rename all, so you could do that.

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It could go two blocks.

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You could choose that block and you could say rename to window and leave.

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I'll just put two because I've already put one.

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So you could do that.

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OK.

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And now if you go insert block, you'll see we have we've renamed it.

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So what's your options, basically?

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You can cut the object and go poster's block and leave it and just what it assigns.

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If it's not important to you in terms of management, if you move, that place probably won't go down

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very well.

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In which case you want to create a block using this method and give it a name.

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Or you could use a cut and paste method and then just type in Vietnam and rename it.

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They're your options.

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I'll leave it up to you what you want to do.

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But that's your options with blocks, and we've got a window now.

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OK.

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I'm just got our individual items in a block from a Windows laptop, if you click on our blog.

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Now that's one object.

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It's on Lazarus.

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I'm going to put that on the windows layer as well.

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So now our items in Cyber Block are on the Windows Lab.

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Also, our block is on my Windows line.

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I'm going, I'm going to move that one using in corner into place.

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Right?

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I'm going.

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I'm going to go copy using the same corner.

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I'm just going to put it on.

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So we've got our windows, and I know this one.

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The reason this has got the white tongue around it is because our it's just to do with your order.

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OK?

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If you select all your windows.

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Right click and then say to back on the jar order, say centre back.

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They all go behind the kind of the white elevation lines.

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Now we could add some details, feel free to use Polish on things you might add some guttering, maybe

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a down pipe, anything you want to, you feel free to want.

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And you know, it's true that it's just possibilities of things.

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What I'm going to do, I'm going to hatch first, just so it looks a bit more detailed.

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Now we could say, maybe if I just get this positioned, so it fills up the screen for me to get rid

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of it and get rid of this window.

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So if I go to hatch.

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Yeah.

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And I'm going to go to I'm going to be clicking inside, so I'm going to I'll pick points with Pattern.

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Let's pull that down so we can have a look.

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I'm going to use this break here.

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One of these works, but again, you can choose which one you and I'm going to choose that one.

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OK?

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And I'm going to click in here like that.

78
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And you could say it's given us a solid hunch.

79
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No, that's because of our scale.

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So I'm going to change the scale.

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Let's go with thousands.

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Looks like that's what's going to change the scale to 15.

83
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Let's go with one hundred.

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Fifty.

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25.

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OK.

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And you can see a scale of 25.

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You could just check.

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That's probably about right.

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It's very overpowering.

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Now we can click that and we can change it to a kind of a great out color, one of these greys here.

92
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I like to use I'm that kind of pushes it to about makes it look a bit better, but it's still quite

93
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overpowering.

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And the thing is, you don't need to show that it's over it.

95
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You only need to give a kind of.

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Indication that it's going to be work.

97
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So what I like to do.

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Is to get some Polish lines.

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OK, now this is going to be fairly random, but I like it, so I'm going to turn stuff in off off if

100
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I do this kind of thing, OK?

101
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And again, probably the really random.

102
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But now I'm going to go hatch.

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And I'm going to click here and here, I'm going to go right.

104
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I'm going to delete these lines, and now you just kind of get that indication without it being too

105
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overpowering, but it's what I'm going to do the same on the roof.

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Go watch, and I'm going to choose this kind of tale.

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Good delivers.

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I'm going to make this.

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I mean, you go, that's our elevation now again, you could put some rich tiles on here, you could

110
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maybe offset this out outlining to get you rich because you'd have a different tiles on the edges emerged.

111
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Let's, you know, let's do that.

112
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Same principle.

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Don't this cost a bit too long and it gets boring.

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And all I'm going to do now is trim off and never go.

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You've got an elevation.