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The next thing is a lattice.

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So what is a lattice?

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If you make a lattice, you always get this cute.

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All right.

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So first of all, make another mesh like a sphere.

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Skill, a dance to draw a skill, control a skill, and then have your mesh inside your lattice.

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So this is a lattice and this is a mesh of this.

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You have your mesh inside your lattice and then go to your mesh.

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Go to the modifiers.

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I had modifier than either modifier here called lattice.

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And if you're an object, you select your lattice over here or with the eyedropper, you select your

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lattice in the viewport like this.

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So what has happened is that if you go to edit most of your lattice like this, you see these points

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over here.

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And now if I move these points, you can see that the mesh will move as well.

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So this is pretty useful for quickly.

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You like to like some rigging for like quick rigging for some simple shapes and all the like.

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It's not like the armatures or characters we use armatures, but for other shapes, maybe for hard surface

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shapes.

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You can use the lattice to better control your shape and make a shape like this.

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All right.

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The next thing is MSI.

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So the MSI option, as you can see, we have these options over.

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These will not appear in your render.

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So the first thing is access, plain access.

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The next one are some arrows.

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The next one is a single arrow, another one is just a circle.

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And we have a cube also and a sphere corn and A and C image.

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All right.

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So we have these empties.

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These are not measures.

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But so you may ask, how can we use them?

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So maybe so.

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I'm going to show you a couple of things that you can use empty for.

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All right.

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So, for example, we have let's make a mesh here that's making use for here.

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All right.

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And then we want we want to mirror this you in a sphere like this.

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And let me move in over here.

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I mirrored it in the X axis, but I don't see my mesh over here.

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And but if I go to it more, I can move it around like that.

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But another way to control the mirror of your mesh is, is to just make empty.

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So if I go to empty, make it empty right like that.

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And then I'll go to my mesh, go to mirror modifier and the down here I have the mirror object.

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If I select my empty now my empty acts as the axis that this mirror modifier uses to mirror this object.

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So the mirror modifier is using this empty.

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As the object to mirror my mesh for me those pretty handy save from these my mesh over here and then

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I can adjust my mirror like this with the empty.

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That's one use of empties, but another use is for cameras.

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So I have a access or here I would camera or here.

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All right.

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And you go to camera view by pressing zero on your number like this.

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Okay.

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And as I told you, the previous videos, if you go to the camera purposes and go to your forward display,

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go down here, we have this option over here.

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If we crank it up like this, we only see what is in the camera.

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All right, so make it cute.

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This is cute.

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And now I have.

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This is empty objects, all right?

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I just empty objects.

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And to move the camera or you can use the G for moving or for rotating and as for scaling.

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All right.

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But unfortunately, using the camera and blender is quite hard.

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Like, if you go to camera view and press G, then you can move it around or you can do this and then,

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yeah, that's all right.

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But it gets very, very hard sometimes to adjust your camera.

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So what you can do is to make an empty movies here, like movie to the origin of your moved to the cursor,

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to the origin of your camera camera.

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And you can do that by pressing shift this and then cursor to select it.

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And then the cursor goes to the camera and then maybe you can just do it like this, like select your

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empty shift as, as solution to cursor.

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And then right now my empty is the origin of my camera.

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All right, so just like this, so what I can do is select my camera, select my empty, and then control

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p.

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And then select objects.

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I have parents of my camera.

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And by using this empty.

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Now if I move this empty, the camera moves as well.

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If I rotate this, it will rotate as well.

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First, go with your scan.

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As what?

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Safer.

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Go to the camera of you by zero.

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Now I have selected my empty.

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Now I can easily adjust the location of my camera like this.

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This is another use of empties that you can use that you can utilise in your modelling and your modelling.

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The next thing we have is images so we can use the difference between these two is for example, if

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I press on reference and then brings up a picture like this.

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All right.

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I have a picture here.

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And this is an empty, empty picture.

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A plane that has this image of a selected.

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All right.

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This is only a plane.

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An evil showed she was sure the image in both sides.

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But right now if I go to Batgirl.

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And it's like my.

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MH As you can see, this will only show the image from these images have.

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You can also use it to scale it with s or use these these things over here to scale it down and adjust

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them.

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And you can select the sensor to move it around.

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But what I usually do and I drop it in the image into Blender is to.

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Holds odds and or to reset the rotation.

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So odds and hour is to reset rotation and ultimately to reset the location, which is now in the right

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location.

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And then I can press R and then press X to rotated in the x axis.

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And then I can rotate that.

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Then I can.

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Right.

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And they're like 90, the number 92 rotated 90 degrees.

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So I just typed in 92, rotates my object in my image over here, 90 degrees.

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All right.

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That's all about image as you can can also if you bring up your folder and then you can drag your picture

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into Blender and it will show here.

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So you can also use that.

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That's.

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The next thing we have light over here.

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All right.

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We have points, light, sunlight, spotlight and area light.

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But if you choose any of these lines or, you know, like if I choose a point light in these options,

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the object properties, I also have the option to change this light whenever I want.

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So.

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So I made the point light then like I'm thinking, no, I want it really know.

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No, I want the sunlight.

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Then I can change it as well.

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So you can just make it light and change it to something like that.

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All right.

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So we are in the shading mode right now.

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All right.

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So you can see the how the lighting light is affecting the the scene right now.

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But I can I can move the light to a G.

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I can rotate it with all of those key shortcuts to use for modeling as well.

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If I go to you, put shading.

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And then let's go to rendering.

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We're in an area we're in the rendering scene right now.

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And let me actually delete this light.

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And in the rendering scene, let's make a plane now.

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I made a plane, but this plane is as you can see, we don't see it's like it's black or it's not a

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material because I haven't set the material into this mesh.

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So what happens here is that our scene is not lit.

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Right.

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So it's dark.

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We don't have any light.

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So if I create a light shift, a go to light and make it points lights.

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As you can see now we have a light that is brightening the scene.

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I can change the color of my light over here.

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The first option is color.

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I can change the color.

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And then he would change the color of my light and I can change the power as well.

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The default value here is ten watts.

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So if I change it like this, increase it, it will increase the strength of my light.

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Then I can play around with these values of specular diffuse and volume two gets another result.

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And the next important option for the lights is the radio.

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So if I increase the radius, the shadows of my lights will be softer.

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So this is kind of important when you're lighting your scene.

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So if you get any sharp edges in your shadows, you can adjust this value over this radius for the array

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to get more softer.

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So if you decrease this all, you will get more sharper shadows like.

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Right here, and then they sit in the recording.

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But I get sharper shadows, so.

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And then in the sun we have all these options as well.

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And the other type of lights with some differences, like in the sun, we have this angle that you can

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manipulate.

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And the difference between sun and all the other lights is that the location of sun doesn't matter.

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Like I'm moving the location here and as you can see, the location doesn't matter.

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If I move it even over here, it doesn't matter, right?

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Because Sun, you know, when it comes to sun lights, only the rotation matters.

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So the person or they can change the location and the scene will adjust accordingly.

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So if I can decrease the strange, maybe you can see it better and so the to whites.

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You can see that the rotation is the key when it comes to some lights.

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All right, then we have the spotlight.

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So it's like, yeah, it's like the name says it's a spotlight.

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It's make it around shape.

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They can use like for certain scenarios maybe, and they can use a scale.

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There's a sizing blending to increase the blending.

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You get softer edges.

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All right.

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Here.

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I rarely use this spotlight, but you may find a use for it.

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But the light I usually use is the area.

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Light like this is a very useful light.

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And you get this by default, you get this square shape light.

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So this is a square shaped light.

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And if I increase, it's like I get more strange and then I can change the shape as well.

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So I was good.

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Now I can change it to a rectangle.

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Then I can change it and then adjust the rectangle like this.

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Or we're going here just as well.

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And then I have a disk, very useful one for certain scenarios, and I can use this disk to get these

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shadows like this.

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And then that last one is as an ellipse.

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It can adjust this, lives like this, and then re around to get the results at once.

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All right.

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I think that's all for the lighting.

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I'm the one to show you in this with you.

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And then next chapter is me.

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When we are when we are done with making our characters.

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And we have made the weight of all texturing and we are preparing the scenes, always showing you more

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advanced lighting, more advanced lighting techniques.

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I can use, for example, the tree point lighting if I make Suzanne or here.

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All right.

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You see, Suzanne.

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And if I want to lead this scene I made first and they light or here.

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All right.

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And this is called.

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I mean, like, this is our midnight.

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You know I just this than I can duplicate it.

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Like this, and then I can duplicate and not like this.

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All right, this is our file line and this is our email.

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All right.

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We are going to discuss this later.

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But if I do this right now and this.

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Make another one like this.

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And then change.

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The color.

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Something like this.

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I get an interesting lighting scene here, right here.

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So if I disable any of this light, the first light came on this one, the second light like this,

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the third one and the fourth one.

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And all these lights will help us to get a very much more interesting scene and render of our character.

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The other thing is that if you choose this light and then.

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Yeah.

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Choose a slight and then a shift T So by shift t right you can change very.

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This light is pointed at.

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So right now this line is showing us that this light this light is pointing toward here.

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So if I hold shift and t and now I can move around this line and choose like this or by selecting this

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sphere or here, as I can see, the shortcut is appearing in like shifty.

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Since you're over here, it does the same job.

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So that's all.

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The thing about lighting that I want to show you are now.