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Hello, everyone in this with you on the next two windows, I'm going to show you how to colorize your

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character and explain all the tools you have in Blender to colorize your character, your model, and

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give life to your objects and the character you create.

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So in Blender, we have three ways to colorize a character.

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The first one is here material your properties.

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The second one is if you go up here and click, you see reverse this paints and a turtle is texture

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paints which paint is not for coloring.

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All right.

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It is used for vertex groups and for things like rigging particles and all that.

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So don't get confused by the Ford Paint is not for painting the object.

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The only the only options you have and one that to color your character or material.

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Whereas I don't think in this city we are going to talk about the material in the last with the use

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of show the you if you go here and click a new one they will make a make a material for you and you

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can hear or change the name for example test.

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And then you get this this note here called Principal Beiersdorf if you click on it, you see that you

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have other shaders as well.

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The main shader of just for color is diffuse burst.

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So you only get color, roughness and normal.

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You can change the color here for diffuse, but as you can see, we can't see the color because we are

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in the shading mode.

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If you change it to the material preview over here, you can see how everything has changed.

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Now our Q is in red and if we change here, we can see the changes.

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All right.

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So the diffuse B is only used for just one color and give the object one color.

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But the main and we have emission here.

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All right.

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Emission gives a glow effect to our objects.

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But let me have the lights here.

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All right.

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It gives a mission to our objects.

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But when you are in need to enable blue meter, so by going in blue, you can see that the object,

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the cube is glowing right now.

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If we change the.

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Color can see the difference.

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If I make a plane, maybe you'll see the effects much better.

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Right here.

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All right.

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Then the other note that you can use, maybe use glass or glossy for trans transmission and those kind

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of object.

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For example, if you want to make a glass or anything that the light passes through, you use this glass

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because you have hairiest ear for hairs.

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And yet all the others in this book, Olivia, is there for missiles.

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But the main thing we use when working with wonder and materials is will Vista.

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If you can do all the things he wants with this one note.

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So for example, you have a mission here, right?

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And we have roughness, we have metallic specular.

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We have all those options in one note.

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So if I change the color here, base color, I can change the color.

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All right.

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And then I have subsurface.

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We'll talk about that later.

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Then we have metallic specular roughness.

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If your object is not a missile, then I recommend to not change these values over here.

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Metallic specular.

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And this one.

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But if your object is metallic metal, you can increase the value of metallic mass of your objects.

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And if I go to 100, you can see that my Q is now a metal.

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Looks like a metal.

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It shines and it reflects lights.

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Well, if you if your object is not missile, just leave it a zero and then just play around roughness.

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So by default, roughness is 0.5.

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You know, I increase it and I get a very rough shape.

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And if I decrease it, then I can see some reflection more here as you can see or hear.

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Then reflex right is rough.

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And again, the other options are not important for us.

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These are for various specific situations.

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When you want to change, change some aspects like anisotropic use for and useful for headers and stuff.

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But not we're not going to discuss here.

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Then we have all of these.

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We can use all four channels, normals, and that's it.

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That's it for notes.

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Okay.

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Then I have if you go over here to shading, there's a menu here for us, for justice materials.

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So we get all these menus.

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This is the viewport, this is the file selection, and this is the way we view or images.

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All right.

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I don't need the images or not or for installation, so I'm just gonna join these areas.

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And now, as you can see, I have my note over here and my president, my principles.

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Yes.

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The is to material.

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Okay.

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But change the color of your eye to a change any color once.

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So what is this material?

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If I click on this, the note I can use.

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Note if I if this package is on selected, I can use not but this but needs to be selected so I can

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use not.

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Then I have this one.

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I can select other materials as well.

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So this is the material or made.

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If I saw some material, which is another material, I got this one.

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So I would like to test and this is the material half right now.

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Okay.

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Then if you shift, click, hold shift A, you have some options or you have inputs, for example,

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some values you can use for your material creation.

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The ambient occlusion can give your objects some ambient.

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We may use this, we make a character, then we are versus color in the next with you, you are going

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to use this note to see how where it is color over here they we have some outputs over here not very

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useful for us.

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Then we have shown some shaders.

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Shaders are the exact same thing that we reviewed over here, which was this one.

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So they only have textures.

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Very important, very useful if we are going to talk about this later after I talked about other means

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because they're kind of important and then we have a color to kind of manipulate the colors.

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So we use saturation.

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We can change the color to what we want.

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We have some like surface, for example, buffer that makes our displacements mapping to change how

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it looks like the bump like.

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So it will allow us to make some displacement and some bumps into texture into the material we have

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here.

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And we have some converter.

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These are for material creation.

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We're not going to talk about that and that's it.

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All right.

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So, for example, with textures, if I go here, I have some taste.

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These are all some textures that we can use, for example, as used and noise, texture.

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You find pieces over here.

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And then if I, I have these options, scale, detail and all that, if I put the factor into base color.

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All right.

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As you can see, I got some shapes over here.

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Okay.

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I have some shaves, some noses.

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All right.

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I'm not this sort of color.

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And with the color into the base color.

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And let's see what we get now.

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We get some colors, colorful noises over here.

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All right.

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These are some noises that we have to control.

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This note, this nice texture.

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We need to use something called cholera.

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So, yes, a cholera place over here, it connects automatically.

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All right, then this cover will act as a mask.

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So if I go here.

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And change this values.

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As you can see everything.

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Will be changed accordingly.

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All right, then we have something.

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We have a ads on in blender called No Jungle.

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If you could add, edit preference and go to Adam and search note wrangler.

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Then you have this note wrangler, which is off by default.

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You need to go and enable it.

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And this, Adam is very useful.

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Gives us some very useful features.

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For example, here, if I hold control and shift and click, I can see the effect this this particular

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note is having on the whole.

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Well, this particular note is having so many.

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I clicked on this, I can change the output as well.

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So I want the color as well.

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And then I can see these black and white values are how they're affecting the material.

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So the white areas like this.

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Oh, yeah.

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All right.

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The what areas?

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I can.

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I know now that will be shown and the black areas will be excluded.

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All right.

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This.

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If I change the color here, I can I can change how it will look so that now the the blue color will

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be shown.

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If I now control shift click on piece will be still to view here to get to reset it basically then it

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said then I'll get this material over here and now I can change the color as well here.

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So to anything I want.

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And this is black.

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I know I can change this color as well.

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So I guess a material like this features two notes if I click and I can also change the skill if you

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want here after.

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Uh.

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So I think the.

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Colors here.

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So use some distortions, some randomness.

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I very much.

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Very nice shape noise.

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If I click some facts do.

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If I.

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Let's see what happens now.

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So they calculate it takes a little time to calculate.

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Now, if you go to hologram with control shifts, click and see What is this?

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Doing to our.

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Colors.

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Right.

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So nothing.

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Nothing changed.

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Dramatically.

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All right.

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But in some cases, we can change these factors, these nodes, and get all the results.

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So I don't think I want to show you these on their basis.

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Okay.

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So I want to make another node over here.

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So if I make another texture here, some or something of ordinary texture and I want to see how this

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texture is affecting so control shift.

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And now I can see how this noise is going to affect my material.

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So if I change the scope here, I can see these are some cells making some cells over here.

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All right.

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And if I duplicate this color up here and give it right here, actually listed it, test it and make

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another call.

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Now, I want the defaults one and then let's try to distance two factor or color two factor and then

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let's control shift, click on Colored Ram and then control the amounts with these two.

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So now we can change how this will look if I change the color over here.

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So like this.

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Now I know if I if I connect this color around to this base color and then resets everything with control,

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click on this, which will be a save what my object will look like.

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All right, so if I turn that color to base color and then control should key like.

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Then I got what I expected to combine these two.

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So you made these nodes and you want to combine them.

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There's something called mix ogbe.

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And then we can do this to color.

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To color.

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All right.

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And now Blender is calculated to combine these two notes.

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So we combine these two notes, and with this factor, we can control how much or these two will be

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combined.

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So 0.5 is the default value.

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These are two combined

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with the same amount.

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So if I change it to zero, it will only show me the column one which so changes to zero.

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You will only show me only this one.

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And if I show if I increased to one you showing me the second answer with the color two asked.

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Would you change it accordingly to whatever you want?

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So if you want more of the first group of notes, change it to like this.

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If if you like more of the second group, you can change it like this.

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Speaking of groups, you can make many groups as you want, many notes as you want, like this, this,

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this, many nodes as you want.

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And then you make a box, select them, and then control G to make it a group.

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So at first you don't see any changes, you just see the nodes you selected.

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But if you press tab, then you can see the whole nodes that you have and you only have one and node

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group or you.

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And if you go here to properties, you can also change the name over here so you can change it to like

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of your knowing.

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I would change in the group name.

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You can do the same with these two tap and we're out and we have a very much cleaner as well so we can

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also console.log this this one to have a group the wrong.

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All right.

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We can also group this one as well.

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So, you know, drill or not.

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So I think that's all I want to show you about shading.

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Surely there are lots you can do for with knows.

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Like if you sit on an instrument and blend the forms, you can see people making a lot of notes for

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things like skin, like in blender.

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You can make a really relaxing skin with just these notes, which is pretty impressive.

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All right.

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Another way, I want to show you to add a material to your character.

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If you go to websites like textures that come all right.

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And if you go to the library, there are many materials you can use to download and use in Blender.

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So, for example, you can go here, you have this sand cliff.

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And if you go to PBR materials, there are some people who are materials and you can download maps.

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So if you go to painted well you have some maps over here and if you download all the maps, so we have

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color maps, roughness map, normal map.

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I've been there.

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Collusion and heights.

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All right.

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You download the download them up.

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And if you go here to import that, ma'am, you need to make an image structure for all the maps you

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have.

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All right, an image texture coordinates.

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And a mapping

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and you have to say normal.

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The vector vector to vector and then open your texture and then color to base color for your albedo

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or your base score.

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All right.

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Now we don't have any texture, so it's black.

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And then for roughness, you do the same.

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For normal, you do the same.

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And for ambient inclusion, for height, you do the same.

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And even for height or displacement, you need to add another thing called displacements.

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So and then you would connect these days displacement to uh, or if it's to like you got a headache,

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just bear with me.

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I'm going to show you a very good method.

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So dispersion to displacement.

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This is, as you can see, very time consuming.

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All right.

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If I did, it is all I want to show you a very much more faster way.

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So I showed you the triangle over here.

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All right?

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The node wrangler has an option.

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Or if you click on it, it tags for also texture detection.

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So it also detects your texture.

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All right.

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If you have these these these names in the end of your image.

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So in your base color, you need to have the base color, basic color, the diffuse.

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And for metallic, you need to have these names for roughness and all that.

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So for example, of downloaded this these textures, as you can see at the end, it has albedo for the

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base color.

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It has height for the height or displacement as normal for the normal map.

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And it doesn't roughness border often, so it matches the names.

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That's Node Wrangler needs to also detect your textures to others.

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In fact, the shortcut is control shift and t so if I press on so on my principle v sdf control if I

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hold control shift and then and then t I get this option to choose my textures.

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So if I choose these textures, the Triangle Wrangler will automatically place these textures in my

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scene, except the A also the no triangle will not recognize a also you have to do that manually, but

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I will include but you won't be include in these nodes.

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So if I do that now, as you can see, beautiful like it has automatically added these textures like

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out of the base curve.

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For us with the or GBE, it's important to use an s RG because base for a base color and for the gray

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channel maps like roughness Mansell's displaced many user non color over here and then for map it's

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use the on my fixer and for displacement use the displacement vector as I showed you.

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So this way we can have a nice texture like this in our scene.

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And if I want to add ambient occlusion, all I have to do is shift to, um, to duplicate this texture

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means texture.

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And then an ambient ambient on collision is a gray channel map.

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So I would make it to non color and then push on, press on this, then open, go to my texture folder

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and then choose my occlusion folder.

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Then I would connect these to this as so I can.

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So all the all the maps are in the same location.

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Let's change it back to on color.

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And then to use my mean occlusion eyes, I need the mixture to be all right if I use a mix.

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IGP And now so like this base color and from color to color one.

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All right.

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And then connect my this is Zambian on collusion with what it says very similar but we chose our collusion

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word here.

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Okay.

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And I select our collusion to color to.

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And then that's for for the mixing type.

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Okay, let's take the exchange to multiply so we get the best results if I can.

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I use it colour to base colour.

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Now let's wait for Blender to do some calculation.

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Now, as you can see, I have some ambient occlusion which are some shadows in some shadow, details

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in the texture itself.

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And then I can choose how much ambient occlusion I want.

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So as you remember, if I make it close to zero, it will be only.

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The collar won't inputs will affect more.

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So as you can see, I have some shadows over here with one.

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So very nice shadows.

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And they'll be you.

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Can I just.

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I'm in collusion.

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Well, here, as you can see, I'm in evey.

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And also I can never ambulant collision here you're to get up as a result in evey even is a real time

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engine so it can't really show displacement of these textures.

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All right, so to show this the displacements, you need to switch it to cycles.

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And now see watch what happens when I switch to cycles.

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And now we can see we have some height and displacements of these like these edges over here compared

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to EV right here, which is kind of flat.

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All right.

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These four here.

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But these are textures, all right?

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These are not geometry.

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And it doesn't change the geometry.

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So if I go closer that you might seem that.

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Yeah, these parts are extruded out.

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What?

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These way?

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What if I go closer?

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If I get closer, you can see that this is the flat geometry.

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And this is only a trick to treat to eyes to.

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So you could see, like, this part is extruded.

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So I think that's all about materials here.

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There is one thing I wanted to show you, which is this thing over here.

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If I make you material, if we go down here, we have something called volume.

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This is mostly in the latest chapter, but we will use this to add some volume to our scenes.

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So what is volume?

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Volume will add something like fog and those kind of things to this scene and makes it makes the objects

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in this scene to have more depth.

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All right.

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So let's first make Suzanne over here and then let's add the subdivision surface.

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All right.

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And then let's make it two and then let's add the material forces and give it straight now like that.

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And I'm color not another random color.

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Skin color.

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Then let's change the roughness a little bit.

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All right.

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Now, let's make it cute over here, and let's make our Suzanne in the cute.

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If I go and make another material, I want this cute eyes as a volume.

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So I don't need this cube to have the color all that.

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So I just remove this note over here.

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And I got a blank sheet.

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Then I go to.

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Volume many over here, and then I select the volume.

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Then I'll have some shade this year as well.

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For volume, I only use principal volume or volume scatter.

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You can use them both.

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It gives a pretty same result.

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I personally use all things together.

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So if I change, if I because it's simpler, if I slowly some Williams scatter, then we get this thing

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over here but we don't see volume much in the viewport shading.

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If I change it to the rendering, it is easy right now.

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All right.

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We watch what happens.

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It now makes some clouds, some kind of fog around my Suzanne.

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All right.

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And then the good thing is I can adjust these volumes.

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If I screw it up, it will be adjusted like this.

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And if I go like this, we get a seen something like this and then we have something best density on

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00:28:17,280 --> 00:28:17,460
here.

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Over here.

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If I decrease it to something like this, we can get much less effects or here.

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And you can have more depth with just this volume.

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00:28:32,720 --> 00:28:37,220
If I hide this volume, as you can see, it's not that much interest.

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00:28:37,220 --> 00:28:42,770
You know, the volume, it gets so much more interesting, especially if you go to cycles, you get

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00:28:42,770 --> 00:28:44,810
the effect much more nicely.

390
00:28:45,410 --> 00:28:49,120
The other good thing about volume is that you can change the color as well.

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00:28:49,130 --> 00:28:54,140
So if I change the color to blue, you get the one which has the green, you get the green one.

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And the other thing is that if I change how what the color of the of my lights, I can also make changes

393
00:29:03,560 --> 00:29:07,880
in the volume of my scene and how it will look.

394
00:29:08,480 --> 00:29:08,780
All right.

395
00:29:09,140 --> 00:29:12,770
That is that is it for materials.

396
00:29:12,770 --> 00:29:14,360
I want to show you just these things.

397
00:29:14,900 --> 00:29:20,920
And in the next one, I'm going to we're going to take a look at advertisements.

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00:29:21,290 --> 00:29:21,680
All right.

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00:29:21,680 --> 00:29:22,850
And next time, goodbye.