1
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So we have made the eyes, the nose, the.

2
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Teeth.

3
00:00:10,260 --> 00:00:12,060
The tongue and the ear.

4
00:00:12,150 --> 00:00:16,140
Now let's make the hair and the eyebrow.

5
00:00:16,140 --> 00:00:18,120
So for the eyebrow.

6
00:00:18,660 --> 00:00:22,320
Let's go here and shift a and let's make cue.

7
00:00:22,950 --> 00:00:24,540
All right, let's go down.

8
00:00:26,310 --> 00:00:34,470
And then let's go to the top and then select the vertex selection or here or by pressing one on the

9
00:00:34,470 --> 00:00:34,980
keyboard.

10
00:00:35,730 --> 00:00:41,430
And then press em to merge and then select the matching and center.

11
00:00:41,940 --> 00:00:47,040
So now we have only one vertices that we can use for our modelling.

12
00:00:47,640 --> 00:00:48,690
And these are useful.

13
00:00:48,720 --> 00:00:49,620
So let me show you.

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00:00:51,240 --> 00:00:56,610
If I go back to object model, as you can see, I have one to the over here that we can use.

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00:00:57,030 --> 00:00:57,660
Move around.

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00:00:58,440 --> 00:01:03,330
I want to make the eyebrow on top of the mesh I have.

17
00:01:03,360 --> 00:01:07,890
So to do that, I need to I need a two step.

18
00:01:07,890 --> 00:01:10,590
So enable the start to over here.

19
00:01:10,730 --> 00:01:19,210
And so they do phase selection and then select this one option, project individual elements and enable

20
00:01:19,230 --> 00:01:19,830
all this.

21
00:01:20,220 --> 00:01:30,480
This will allows this allows me to move my objects on the surface of another object.

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00:01:30,490 --> 00:01:36,990
So if I move it over here is always moving on the surface of my roots, as you can see that it is moving

23
00:01:37,380 --> 00:01:38,620
in this surface.

24
00:01:38,640 --> 00:01:48,450
So another option that will help me to always make sure that this wall, this will always stay on top

25
00:01:48,450 --> 00:01:51,130
of my foot, not my face.

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00:01:51,600 --> 00:01:57,930
The character's face is to add another metaphorical shrink wrap, shrink wrap.

27
00:01:58,920 --> 00:02:07,350
So I have this, let's select this, not move to above surface and let's now select a target.

28
00:02:07,350 --> 00:02:11,640
And I want the target to be this the face.

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00:02:12,240 --> 00:02:23,630
Right now I'm ready to do modelling so I go to top and then there's a extrude with E to make an edge,

30
00:02:23,650 --> 00:02:30,630
a select all these two vertices with a and then let's make a major face.

31
00:02:31,080 --> 00:02:36,120
All right, so by extrude in these edges, I can make face.

32
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All right.

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00:02:37,350 --> 00:02:37,830
And then you can.

34
00:02:38,070 --> 00:02:41,910
You can see, because it's kind of inside the mesh.

35
00:02:41,910 --> 00:02:45,630
Well, we can change that, which is also offset option or.

36
00:02:45,630 --> 00:02:45,900
Yes.

37
00:02:45,900 --> 00:02:54,300
So if I hold control, hold the shift for some precision, precision changing of this value, I'm going

38
00:02:54,300 --> 00:03:02,190
to hold shift and then move my mouse over here so I can change it above my surface.

39
00:03:02,670 --> 00:03:05,930
Now, let's actually go here, up here.

40
00:03:06,300 --> 00:03:13,580
And if you push shading because we have all of object right now, it's best to change it to something

41
00:03:13,580 --> 00:03:15,710
more random over here.

42
00:03:15,720 --> 00:03:20,760
So change it to random so you can see the faces, the different faces.

43
00:03:20,760 --> 00:03:30,570
So we have this nose, the the eye, the ears, teeth and the tongue are different, are in different

44
00:03:30,570 --> 00:03:31,080
colors.

45
00:03:31,350 --> 00:03:35,190
So now we can see an eyebrow as well in a different color.

46
00:03:35,560 --> 00:03:37,320
And we can start modelling.

47
00:03:37,330 --> 00:03:49,590
So that's a just is then press e extrude press e again to extrude the to extrude or to rotate e to extrude

48
00:03:49,980 --> 00:03:53,250
and then s to scale it down.

49
00:03:55,140 --> 00:03:55,560
All right.

50
00:03:55,800 --> 00:03:56,680
Something like this.

51
00:03:57,120 --> 00:03:59,080
And then we can go this far.

52
00:04:00,570 --> 00:04:08,040
All right, now, then let's make a subdivision surface or something, you know, surface as far as

53
00:04:08,040 --> 00:04:09,700
at two levels.

54
00:04:09,720 --> 00:04:11,910
And you can see how good it looks.

55
00:04:12,900 --> 00:04:17,760
But this is only one, one face and it doesn't have any.

56
00:04:18,420 --> 00:04:21,120
Oh, and in teach mass.

57
00:04:21,600 --> 00:04:24,600
So our teachers, we can use two methods.

58
00:04:24,810 --> 00:04:34,860
I'm going to show you the first one that is go or here and go to solidify and modify over here and solidify.

59
00:04:35,610 --> 00:04:41,150
And then you can adjust the thickness and add teachers to your match.

60
00:04:41,160 --> 00:04:44,160
So if I increase this.

61
00:04:45,960 --> 00:04:46,560
Like this.

62
00:04:46,560 --> 00:04:49,170
You are taking us toward that side.

63
00:04:49,860 --> 00:04:57,150
And I can start also to want to add richness to this side so I can take notes like this.

64
00:04:58,590 --> 00:05:07,350
And because I want the solidify modifier to apply first and before the subdivision modifier when to

65
00:05:07,350 --> 00:05:13,640
move it up here because you know, in the the modifiers, the first modifier will be shown first to

66
00:05:13,650 --> 00:05:18,810
apply first, then the second mount for it, then the third, then we will look in the viewport.

67
00:05:18,810 --> 00:05:19,170
All right.

68
00:05:20,730 --> 00:05:29,250
So what I want to solidify to make the first solidified, then to subdivide the mesh.

69
00:05:29,250 --> 00:05:33,480
So I'm going to move it up and you see the changes over here.

70
00:05:33,960 --> 00:05:39,930
So let's increase the take muscles and more like that.

71
00:05:41,940 --> 00:05:43,170
But I'm happy with that.

72
00:05:43,170 --> 00:05:47,400
Let's shift the shifted, duplicated.

73
00:05:47,400 --> 00:05:49,860
I want to show you the other method to add to that.

74
00:05:49,860 --> 00:05:56,340
So if I remove this solidify from this mesh and then let's go to edit mode and this selects all the

75
00:05:56,340 --> 00:05:59,010
phases with a all right.

76
00:05:59,550 --> 00:06:04,920
And then we have an option shortcut, which is also

77
00:06:07,530 --> 00:06:17,520
E and if I hold alt and then E and then I have these options or what I'm interested in is the second

78
00:06:17,520 --> 00:06:22,050
option, the extra spaces along normals.

79
00:06:22,050 --> 00:06:26,100
It will add a similar thickness as we had in the.

80
00:06:28,410 --> 00:06:35,190
So if I'm with the force, if I do this, we will add a thickness right like this.

81
00:06:40,440 --> 00:06:42,480
All right, now we're having a shrink.

82
00:06:42,480 --> 00:06:46,110
My modifier thing is interfering with sequencing.

83
00:06:46,530 --> 00:06:48,780
Well, let's disable the screen craft.

84
00:06:48,780 --> 00:06:49,200
Maybe.

85
00:06:50,250 --> 00:06:51,420
Let's do that again.

86
00:06:52,560 --> 00:07:03,030
Now, you can see that is adding thickness to our mesh or if we again enable the shrink wrap with this

87
00:07:03,030 --> 00:07:03,360
one.

88
00:07:03,780 --> 00:07:05,880
So like this.

89
00:07:07,200 --> 00:07:07,980
Yeah, it will.

90
00:07:08,010 --> 00:07:12,420
It was snap into the geometry, so maybe that's not what you want.

91
00:07:12,750 --> 00:07:16,860
So but that's the other other method that you can use.

92
00:07:16,860 --> 00:07:24,030
I wanted to show you this because this can be very helpful, especially when making clothes and in the

93
00:07:24,030 --> 00:07:24,990
sculpting mode.

94
00:07:25,470 --> 00:07:33,090
I'll probably use this method to alter E to extrude out clothes and make clothes.

95
00:07:33,240 --> 00:07:36,030
So let's look at this one.

96
00:07:36,360 --> 00:07:46,050
So we have the the good thing about solidifies is that we can always go here and change the thickness

97
00:07:46,050 --> 00:07:47,280
as much as we want.

98
00:07:47,880 --> 00:07:55,080
And I usually select this one option as the only way this will insure me.

99
00:07:55,080 --> 00:07:59,640
That's I don't I will not have double faces.

100
00:07:59,640 --> 00:08:02,820
So so it will give me all this geometry.

101
00:08:02,820 --> 00:08:03,180
All right.

102
00:08:03,180 --> 00:08:07,230
So this is only these faces over here are added.

103
00:08:07,320 --> 00:08:07,780
All right?

104
00:08:08,730 --> 00:08:14,430
Now, if I move my eyebrow, it's for me to see the inside.

105
00:08:14,550 --> 00:08:17,370
This is not the geometry, all right?

106
00:08:18,150 --> 00:08:23,310
So it will be really good for optimizing for games and all that.

107
00:08:23,310 --> 00:08:26,700
So I usually keep that.

108
00:08:29,880 --> 00:08:35,010
All right, so that's it.

109
00:08:35,010 --> 00:08:36,150
We'll stop in again.

110
00:08:37,620 --> 00:08:40,440
And now we can always go and

111
00:08:43,049 --> 00:08:46,050
change eyebrows like this.

112
00:09:09,910 --> 00:09:11,820
We can use proportional editing too.

113
00:09:11,830 --> 00:09:23,080
So as for personalizing this press g and with the mouse will come and we can come from the selection.

114
00:09:23,800 --> 00:09:27,760
Then we can move towards this around like this.

115
00:09:34,910 --> 00:09:35,210
Okay.

116
00:09:35,630 --> 00:09:35,990
Don't.

117
00:09:36,250 --> 00:09:43,040
Again, there's a mere modifier and a select object to watch face.

118
00:09:44,330 --> 00:09:46,340
Okay, now let's make the her.

119
00:09:46,340 --> 00:09:53,150
So I have this or here is a Q as you remember with the subdivision level modifier list, duplicate it

120
00:09:53,270 --> 00:09:58,100
and bring it over here on top of the head.

121
00:09:59,120 --> 00:10:01,700
Then let's as that is going down.

122
00:10:01,970 --> 00:10:03,830
GZ Bring it down.

123
00:10:04,490 --> 00:10:10,310
Let's go to edit mode and now let's do some adjustment to her.

124
00:10:10,340 --> 00:10:10,700
All right.

125
00:10:11,330 --> 00:10:22,240
So I'm going to make I want to get a top like this and to side hers like that and one for the back.

126
00:10:22,250 --> 00:10:25,310
So one, two, three, four, four cubes

127
00:10:28,190 --> 00:10:31,100
is the same or proportional thing.

128
00:10:36,480 --> 00:10:38,710
And also is disabled.

129
00:10:39,150 --> 00:10:40,170
It's not being here.

130
00:10:40,350 --> 00:10:42,870
This is making some problems.

131
00:10:52,230 --> 00:10:52,580
It's.

132
00:11:07,020 --> 00:11:10,350
I was just about adjusting the words.

133
00:11:10,350 --> 00:11:14,240
This is moving them around, making a block out first.

134
00:11:14,250 --> 00:11:16,560
Don't go to adding a little geometry.

135
00:11:17,310 --> 00:11:19,230
Just do the block out first.

136
00:11:20,940 --> 00:11:29,910
This is a very important and important part where the most important parts say just block out the location

137
00:11:29,910 --> 00:11:30,570
of the her.

138
00:11:31,260 --> 00:11:38,550
And then when you're happy, you can add look cuts and geometry and

139
00:11:42,150 --> 00:11:45,120
make some more detail there.

140
00:11:52,780 --> 00:11:54,740
So again, I don't have a preference.

141
00:11:54,780 --> 00:11:58,720
I'm just playing around with the shapes and

142
00:12:01,930 --> 00:12:04,240
around to get something that I like.

143
00:12:11,590 --> 00:12:20,860
All right, now let's increase the subdivision and let's add the at in the middle, right.

144
00:12:21,850 --> 00:12:22,720
Like this.

145
00:12:24,400 --> 00:12:26,620
And that's added over here.

146
00:12:27,620 --> 00:12:32,770
And then there's another little cut over here.

147
00:12:37,100 --> 00:12:39,950
All right, now let's

148
00:12:46,820 --> 00:12:48,590
move these ones down.

149
00:12:50,420 --> 00:12:51,080
This one.

150
00:12:56,960 --> 00:12:57,590
All right.

151
00:13:02,500 --> 00:13:03,880
Something like this.

152
00:13:06,550 --> 00:13:08,740
I want to achieve a stylized.

153
00:13:11,380 --> 00:13:11,800
Her.

154
00:13:21,760 --> 00:13:24,010
Let's make it instead in the top parts.

155
00:13:30,930 --> 00:13:36,180
And now making one bevel with control be all right.

156
00:13:42,460 --> 00:13:43,330
Let's move it.

157
00:13:44,140 --> 00:13:46,090
The y axis is to France.

158
00:13:53,280 --> 00:13:53,610
Okay.

159
00:13:54,030 --> 00:13:56,250
These are the sides here.

160
00:13:57,960 --> 00:13:58,710
We're here.

161
00:14:02,100 --> 00:14:03,000
That's s.

162
00:14:03,300 --> 00:14:06,330
S x to go at the x axis.

163
00:14:07,080 --> 00:14:08,630
And then there's that.

164
00:14:08,640 --> 00:14:10,350
And there are some sides.

165
00:14:15,630 --> 00:14:19,500
Now let's move the face around.

166
00:15:12,950 --> 00:15:13,370
Excellent.

167
00:15:14,540 --> 00:15:14,870
All right.

168
00:15:15,470 --> 00:15:21,260
Cinco is a subdivision to see how smooth it is and.

169
00:15:28,250 --> 00:15:34,550
Let's add one lookat over here.

170
00:15:38,460 --> 00:15:42,720
And then to scale it down like that.

171
00:15:44,470 --> 00:15:48,420
Let's just to her in this area.

172
00:15:52,840 --> 00:15:54,710
Let's add the look over here.

173
00:15:54,740 --> 00:15:56,770
I want more control in this area.

174
00:15:58,520 --> 00:16:00,460
I'm going to do something like this.

175
00:16:16,120 --> 00:16:16,420
Shh.

176
00:16:17,650 --> 00:16:17,910
Shh.

177
00:16:57,090 --> 00:16:58,830
Playing around with the shapes.

178
00:17:00,000 --> 00:17:04,530
Seeing what results I can get with just moving around.

179
00:17:04,530 --> 00:17:05,280
Vertices.

180
00:17:12,190 --> 00:17:12,490
All right.

181
00:17:13,000 --> 00:17:16,869
That's true for the other sons.

182
00:17:28,089 --> 00:17:28,750
For this one.

183
00:17:28,760 --> 00:17:36,640
Let's try and see to highlight the upper part of the ear, to see what result it will get.

184
00:19:31,090 --> 00:19:32,050
For now, we've got this.

185
00:19:32,050 --> 00:19:40,450
We can always go and justice may want to add an then or here.

186
00:19:44,800 --> 00:19:45,230
All right.

187
00:19:45,250 --> 00:19:47,530
And then just move it.

188
00:19:49,510 --> 00:19:55,450
Toward the outside, skill it down, have a shape like this.

189
00:19:58,480 --> 00:20:09,280
I'm switching to X-ray mode with all to Z to see how the measures are walloping each other.

190
00:20:16,080 --> 00:20:19,200
Let's bring these two faces down.

191
00:21:26,250 --> 00:21:29,550
Let's do some more adjustment for this side of the hair.

192
00:21:33,810 --> 00:21:34,080
Yeah.

193
00:21:35,130 --> 00:21:38,160
So that's most of them with right click the smooth.

194
00:21:42,840 --> 00:21:44,160
All right, we got something like this.

195
00:21:44,160 --> 00:21:45,660
We can always go back and change it.

196
00:21:45,660 --> 00:21:52,600
Like, uh, just adjusted them to see what result I think get.

197
00:21:52,650 --> 00:21:58,290
You can do the same or you can look up, you know, on the Internet for some reason, this character,

198
00:21:58,290 --> 00:22:06,930
for some cartoon cartoonish characters to see just what the hair looks like.

199
00:22:07,110 --> 00:22:07,470
All right.

200
00:22:08,850 --> 00:22:13,460
Let's move around, see if we can fix something or here.

201
00:22:13,710 --> 00:22:16,170
I think the nose needs

202
00:22:18,870 --> 00:22:20,070
some adjustment list.

203
00:22:20,070 --> 00:22:21,120
Move it up.

204
00:22:26,920 --> 00:22:27,310
Hmm.

205
00:22:54,200 --> 00:22:59,030
All right, let's see if we can add some kind of a leap over here.

206
00:23:06,380 --> 00:23:07,700
Let's select these.

207
00:23:18,480 --> 00:23:23,130
Extruded on normals we all see.

208
00:23:28,810 --> 00:23:29,150
Yeah.

209
00:23:29,150 --> 00:23:38,630
We have something like leaps around this area known as also select.

210
00:23:38,750 --> 00:23:44,300
If you select on this case, once again, you can see the geometry.

211
00:23:45,170 --> 00:23:48,860
So it's like these edges.

212
00:23:49,940 --> 00:23:54,710
Then I want to move them or scale them.

213
00:24:14,530 --> 00:24:15,250
Like this.

214
00:24:16,240 --> 00:24:19,390
All right, now let's do a better job.

215
00:24:19,780 --> 00:24:28,150
Let's go to site view with three and G and Y and bring this image out.

216
00:24:32,760 --> 00:24:34,290
Now we get something like this.

217
00:24:35,760 --> 00:24:39,000
We have to move these ones as well.

218
00:24:58,820 --> 00:24:59,240
All right.

219
00:24:59,300 --> 00:25:10,610
I think that says for this video, we meant the face right now and nothing like we just once fit our

220
00:25:10,610 --> 00:25:11,450
creativity.

221
00:25:11,840 --> 00:25:20,900
I recommend you to do the same and use these techniques like the Cuban or the merging of the cube,

222
00:25:20,900 --> 00:25:29,030
like making a cube in the vertex mode and center to have one vertices and then extrude with you.

223
00:25:29,030 --> 00:25:31,100
Select all extrude face.

224
00:25:31,790 --> 00:25:41,090
And with this one vertices and you can snap a snap, it's very much more efficient than just like,

225
00:25:41,090 --> 00:25:43,310
you know, you can make it playing.

226
00:25:43,310 --> 00:25:50,390
You may ask like, I can make a plane and then move it around the face and then snaps.

227
00:25:50,960 --> 00:25:58,100
But as you can see, there's nothing for the plane doesn't work very well, but when you use a vertex,

228
00:25:58,640 --> 00:25:59,990
it works very well.

229
00:26:00,200 --> 00:26:02,360
So this is one these ones as well.

230
00:26:03,770 --> 00:26:10,640
And yeah, for now, this is what we get if we go to render view.

231
00:26:11,540 --> 00:26:12,020
All right.

232
00:26:12,740 --> 00:26:15,440
And let's make a plane over here

233
00:26:19,070 --> 00:26:28,580
and then let's change the light to some change.

234
00:26:28,580 --> 00:26:36,290
That's strange to something like 100, maybe 20.

235
00:26:38,890 --> 00:26:39,590
All right.

236
00:26:41,020 --> 00:26:42,040
Something like this.

237
00:26:45,580 --> 00:26:46,780
So I got this.

238
00:26:46,780 --> 00:26:49,240
Ah, the light over here of points light.

239
00:26:53,440 --> 00:26:58,390
And at the right, there's the strange.

240
00:26:59,890 --> 00:27:05,650
There's another fault line for clarity around the mouse.

241
00:27:10,750 --> 00:27:18,430
And we get this thing and I finish the modelling when I finish them, like making the, the body and

242
00:27:18,430 --> 00:27:19,090
all that.

243
00:27:19,090 --> 00:27:30,850
We can go to materials and making material and then give colour to a character like this and it's subsurface

244
00:27:30,850 --> 00:27:31,270
maybe.

245
00:27:32,170 --> 00:27:36,640
And this way it'll look much more alive than it is right now.

246
00:27:37,570 --> 00:27:37,960
All right.

247
00:27:39,130 --> 00:27:42,280
So I was.

248
00:27:42,280 --> 00:27:45,820
I had blond hair.

249
00:27:45,850 --> 00:27:46,630
It'd be all right.

250
00:27:48,370 --> 00:27:49,300
Go through all

251
00:27:52,510 --> 00:27:53,440
materials.

252
00:27:53,920 --> 00:27:54,250
All right?

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I don't want to cover the whole thing, because I want to make the whole body first, make the whole

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character first, and then go for, uh, adding materials and maybe using rotoscoping to paint finish

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character.

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So that's it for this video.

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In the next video, we are going to model the body with a new technique I want to show you.

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So stay tuned.

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And by.