1
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Okay.

2
00:00:01,440 --> 00:00:05,010
Now it's time to make the choices.

3
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All right.

4
00:00:06,300 --> 00:00:08,160
And we're going to do these Swedes.

5
00:00:09,060 --> 00:00:10,720
Let's do this with coats.

6
00:00:10,740 --> 00:00:14,520
So let's make a path curve's path curve.

7
00:00:14,760 --> 00:00:15,810
This is going down.

8
00:00:17,700 --> 00:00:21,150
And then by now, you know how to do it.

9
00:00:21,160 --> 00:00:24,420
So you go to object properties and then go to Bevel.

10
00:00:24,780 --> 00:00:30,440
Then increase the bevel and then increase the extrude together shape like this.

11
00:00:30,440 --> 00:00:37,140
Then press r x to rotate that or the other way around, maybe.

12
00:00:42,770 --> 00:00:43,520
There's a reason.

13
00:00:43,520 --> 00:00:44,960
Phil Thompson.

14
00:00:48,810 --> 00:00:51,660
Play around with these values, playing around with the offset, maybe.

15
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All right?

16
00:01:03,770 --> 00:01:04,700
I mean, you're done.

17
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You know, start adjusting.

18
00:01:09,290 --> 00:01:15,350
So I think the is to take some or decrease the bill.

19
00:01:18,080 --> 00:01:18,770
This is for now.

20
00:01:19,040 --> 00:01:22,550
Now, if you go to edit mode, you will get.

21
00:01:25,530 --> 00:01:31,880
This increase the size with this extra extra reduction over here and now.

22
00:01:31,960 --> 00:01:32,680
I think that's okay.

23
00:01:34,140 --> 00:01:39,000
If you go to Esmond, you get these dots over here that you can control the curve.

24
00:01:39,480 --> 00:01:39,930
All right.

25
00:01:40,170 --> 00:01:41,460
Now, that's what we were going to do.

26
00:01:41,460 --> 00:01:43,350
So go to France for you.

27
00:01:43,950 --> 00:01:54,950
Let's go let's go to top view as first and let's adjust these alarms and then let's go to this view.

28
00:01:54,960 --> 00:01:55,980
And then I just.

29
00:02:00,890 --> 00:02:04,340
And parts we can extrude with eight.

30
00:02:32,940 --> 00:02:50,490
And there's option for curves is a key Q shortcut is is controlled T so by person control T and with

31
00:02:50,490 --> 00:02:55,500
adult selector you can change the rotation of the that part.

32
00:02:56,640 --> 00:02:58,110
And it's a very useful.

33
00:03:02,380 --> 00:03:10,570
This was in the roots and the end of the circle of the curve.

34
00:03:14,270 --> 00:03:17,480
You can also use this to scale them.

35
00:03:37,500 --> 00:03:49,920
So I'm using controlled C to rotate it or to disburse the N control T to rotate G to move your game

36
00:03:49,920 --> 00:03:55,390
control to rotate things like

37
00:03:58,750 --> 00:04:03,930
losing control to press, consulting it to rotate.

38
00:04:03,930 --> 00:04:10,920
This one's all these weights and then g to move them off and adjust them.

39
00:04:12,660 --> 00:04:16,920
So it gets a little bit easier to learn how to work with curves and how to adjust them.

40
00:04:17,100 --> 00:04:20,550
But the end result is pretty awesome.

41
00:04:22,230 --> 00:04:30,570
Okay, so let me add another x extrusion over here and we're good to go.

42
00:04:31,260 --> 00:04:41,820
So we add this shoelace can adjust like this and then we can duplicate that like this

43
00:04:45,030 --> 00:04:46,800
and then duplicate that here.

44
00:04:48,240 --> 00:04:53,490
I mean, need to adjust once more in this area.

45
00:05:13,420 --> 00:05:16,150
All right, let's duplicate one more.

46
00:05:29,390 --> 00:05:31,430
Let's have one more over here.

47
00:05:48,670 --> 00:05:49,000
All right.

48
00:05:49,690 --> 00:05:51,850
Now, I think are shoes really?

49
00:05:51,850 --> 00:06:02,710
We can assign material to this whole shoe here candidate by going to here, then new and then shoe.

50
00:06:07,810 --> 00:06:08,210
Let me go.

51
00:06:08,210 --> 00:06:12,730
Go to viewport display and sets color for a shoe.

52
00:06:13,480 --> 00:06:18,130
So maybe I want this to be all this would be gray.

53
00:06:19,300 --> 00:06:20,200
And

54
00:06:23,050 --> 00:06:28,750
let's let's actually join these together, these parts of the shoe together.

55
00:06:29,440 --> 00:06:37,120
So I click on all of these and then are selected on my shoe for active installation and then control

56
00:06:37,120 --> 00:06:43,930
j to, uh, to join these selections.

57
00:06:44,830 --> 00:06:45,250
All right.

58
00:06:45,250 --> 00:06:47,190
I still have my curves and all that, sort of.

59
00:06:57,460 --> 00:06:58,740
Now, what I can do is.

60
00:06:59,080 --> 00:06:59,700
These are.

61
00:06:59,710 --> 00:07:03,340
This is only one objects.

62
00:07:04,510 --> 00:07:04,930
All right.

63
00:07:04,930 --> 00:07:07,660
So this is only one object or not.

64
00:07:08,050 --> 00:07:17,110
So what I can do is I go to I go here, and I want to assign different materials with these for this.

65
00:07:17,110 --> 00:07:22,000
For this, for this part, this part, this part and this part.

66
00:07:22,420 --> 00:07:31,030
So I'm going to go to edit mode and then press on this or here and then presto, this will select all

67
00:07:31,030 --> 00:07:33,160
the connected vertices.

68
00:07:33,220 --> 00:07:33,550
All right.

69
00:07:33,910 --> 00:07:45,100
And then select on this plus Watson under the main shoe option and then press plus and then click on

70
00:07:45,100 --> 00:07:45,460
New.

71
00:07:46,060 --> 00:07:49,410
And I have a new material under my shoe material.

72
00:07:50,860 --> 00:08:00,090
Then I can while this part is selected, I can assign this part to this part to another material.

73
00:08:00,100 --> 00:08:08,410
So like this, I can go here and choose something like black or here, right?

74
00:08:08,950 --> 00:08:10,420
And I can do the same right here.

75
00:08:10,430 --> 00:08:21,880
So this part is selected with L, so selecting with L and then make again another material, select

76
00:08:21,880 --> 00:08:28,450
your mesh and then assign the less colors.

77
00:08:28,750 --> 00:08:32,580
So something like red

78
00:08:36,000 --> 00:08:37,230
sheets.

79
00:08:38,169 --> 00:08:42,100
And then we can go here again for this material.

80
00:08:42,100 --> 00:08:42,549
L.

81
00:08:44,480 --> 00:08:56,330
Plus new sign color in this way and then put do anything we want.

82
00:08:58,280 --> 00:09:00,230
And then for this area as well.

83
00:09:00,380 --> 00:09:04,100
Well, I have faith selection, that's all.

84
00:09:04,310 --> 00:09:07,280
And click shift all shift.

85
00:09:07,280 --> 00:09:11,180
I'll click shift, I'll click and shift of click.

86
00:09:11,810 --> 00:09:15,290
I was assigned another material for these as well.

87
00:09:15,290 --> 00:09:17,030
So let's go here.

88
00:09:17,270 --> 00:09:19,970
Plus new sign.

89
00:09:20,880 --> 00:09:30,620
Now let's sign a roughness material over here black that's with a less.

90
00:09:32,800 --> 00:09:34,750
With a more roughness.

91
00:09:35,170 --> 00:09:37,390
So which is this one?

92
00:09:39,400 --> 00:09:41,080
So is this material?

93
00:09:41,470 --> 00:09:47,050
I can decrease the roughness of this one so I get more deflection.

94
00:09:47,920 --> 00:09:51,100
So they can change those areas as well.

95
00:09:54,980 --> 00:10:01,490
I think we need to add this part as well to the material as it's so control.

96
00:10:06,270 --> 00:10:16,290
Control Click, Alerts click and then added to the last month's Read All Remains, which is your seven.

97
00:10:17,230 --> 00:10:19,170
And then it will be like this.

98
00:10:24,080 --> 00:10:29,300
We can scale it down with us and we can do anything we want.

99
00:10:30,440 --> 00:10:36,680
So let's adjust these curves again.

100
00:11:45,800 --> 00:11:46,550
So we are.

101
00:11:49,530 --> 00:11:52,200
Let's change the material of the show itself.

102
00:11:52,500 --> 00:11:53,700
I don't like the color.

103
00:11:55,770 --> 00:11:57,840
So let's go to pure whites

104
00:12:01,320 --> 00:12:03,300
for the tongue as well.

105
00:12:03,480 --> 00:12:05,010
So I was pretty tongue.

106
00:12:08,220 --> 00:12:09,270
Until you five

107
00:12:13,400 --> 00:12:16,080
change it to something like Brown.

108
00:12:19,840 --> 00:12:22,070
And this one to.

109
00:12:26,700 --> 00:12:34,350
More white, I think is better white with more openness.

110
00:12:35,460 --> 00:12:35,790
All right.

111
00:12:36,240 --> 00:12:40,560
The next thing I want to do is to join these curves together.

112
00:12:40,560 --> 00:12:42,810
So I used up my control j again.

113
00:12:43,950 --> 00:12:48,270
Okay, let's press control a scale and then control J.

114
00:12:49,200 --> 00:12:49,670
All right.

115
00:12:49,680 --> 00:12:55,170
It is towards the location, so maybe you control a transform.

116
00:12:59,540 --> 00:13:06,620
And maybe, maybe this was not to join them, but select them and then select the shoe and then control

117
00:13:07,250 --> 00:13:12,020
key to to parent them.

118
00:13:12,530 --> 00:13:12,920
All right.

119
00:13:12,920 --> 00:13:17,330
And then Sally to keep transform so they don't change.

120
00:13:21,200 --> 00:13:25,010
She doesn't change the transformation.

121
00:13:25,280 --> 00:13:31,160
So when I move the shoe right now, the curves will move the location as well.

122
00:13:33,770 --> 00:13:38,420
So it sets the shoe adherence at the scale.

123
00:13:49,030 --> 00:13:50,350
Something like that.

124
00:13:50,590 --> 00:14:00,820
I want to remove these parts over here because I think it's a bit good for a purpose control plus to

125
00:14:01,660 --> 00:14:13,390
increase the selection and then control drag to uh, to on selects so control and drag it's also like

126
00:14:13,390 --> 00:14:18,460
these faces this go to supplement to not accidentally

127
00:14:21,790 --> 00:14:33,760
delete these faces and then let's press X and faces then let's go to edge mode and select these with

128
00:14:33,760 --> 00:14:42,460
all the Greek and press f to fill this hole over here, this slash again and now this position, the

129
00:14:42,460 --> 00:14:44,680
shoe right here.

130
00:15:05,870 --> 00:15:08,270
Because the foot is inside the shoe.

131
00:15:08,300 --> 00:15:15,440
We can just go here and move these arms or even need to be seen.

132
00:15:15,900 --> 00:15:20,420
No, we can make this go up like this.

133
00:15:22,070 --> 00:15:22,610
So.

134
00:15:22,610 --> 00:15:23,000
Yeah.

135
00:15:40,040 --> 00:15:41,720
It is very hard and

136
00:15:45,740 --> 00:15:48,350
move this path always have been for the.

137
00:16:03,780 --> 00:16:04,230
All right.

138
00:16:06,390 --> 00:16:13,290
And I think this is as over here, it's too much inside.

139
00:16:13,290 --> 00:16:21,380
So it's a scale that we along with this it's so it's a skillet.

140
00:16:22,520 --> 00:16:23,640
See what happens.

141
00:16:24,060 --> 00:16:25,080
Well, we can just.

142
00:16:35,320 --> 00:16:36,970
So I scaled this force of its.

143
00:16:38,310 --> 00:16:41,700
And now things are going to be sure.

144
00:16:42,390 --> 00:16:44,880
So we don't get that sharp edge.

145
00:16:53,050 --> 00:16:55,180
Shh, shh, shh.

146
00:16:55,940 --> 00:16:56,300
All right.

147
00:16:56,480 --> 00:17:01,040
Now can create a subdivision and see if we can see any changes.

148
00:17:04,430 --> 00:17:06,650
And right here, we have a problem.

149
00:17:06,650 --> 00:17:08,119
Is some whites over here.

150
00:17:51,360 --> 00:17:51,660
All right.

151
00:17:54,470 --> 00:17:55,980
Is good for now.

152
00:17:58,910 --> 00:18:01,760
For a very small issue.

153
00:18:04,970 --> 00:18:07,790
Yeah, we can see them going around and

154
00:18:11,120 --> 00:18:16,550
rotating the mistakes and we can fix them.

155
00:18:25,300 --> 00:18:34,540
So in 3D, everything at first will look about and you do a lot of a lot of adjustment just going back

156
00:18:34,540 --> 00:18:39,100
and then you think, yeah, this is a really good work.

157
00:18:39,100 --> 00:18:44,410
And then the next day you can just see the flaws and the cycle continues.

158
00:18:45,820 --> 00:18:50,620
You have to keep adjusting and keep adjusting and have patience.

159
00:18:51,850 --> 00:18:54,240
And we just have patience.

160
00:18:54,250 --> 00:18:57,840
You can make a really cool looks.

161
00:19:02,920 --> 00:19:05,740
And talking to it in his kitchen.

162
00:19:05,740 --> 00:19:06,580
You always

163
00:19:09,250 --> 00:19:12,300
you get a good result at first as well, right?

164
00:19:12,310 --> 00:19:19,810
It gives you sketches and it looks good going through the it doesn't look good as first like you have

165
00:19:19,810 --> 00:19:27,820
to work on anything else to make make it progress step by step and then.

166
00:19:30,260 --> 00:19:39,210
You see, the result is going to be all that you get first is going to be so ugly that every model is

167
00:19:39,860 --> 00:19:42,590
going to look so ugly.

168
00:19:43,250 --> 00:19:43,960
All right.

169
00:19:44,150 --> 00:19:46,460
I think that's good for now.

170
00:19:50,750 --> 00:19:51,800
I think that's good for now.

171
00:19:52,310 --> 00:19:54,530
It's moving up right here.

172
00:19:56,480 --> 00:20:00,590
And let's add a mirror modifier.

173
00:20:02,730 --> 00:20:05,000
Let's bring it up over here.

174
00:20:05,710 --> 00:20:06,950
This select object.

175
00:20:08,030 --> 00:20:09,930
We can use the parents, maybe.

176
00:20:09,960 --> 00:20:16,710
No, let's use the body.

177
00:20:20,060 --> 00:20:21,320
Then let's go.

178
00:20:23,560 --> 00:20:26,140
Just like to be in the middle.

179
00:20:30,160 --> 00:20:32,650
And then we can do the same for these curves.

180
00:20:32,650 --> 00:20:41,870
This lake down there is like the SHU and then control L and copy modifiers, but it will copy the solidify

181
00:20:41,890 --> 00:20:42,490
as well.

182
00:20:42,490 --> 00:20:50,270
So maybe, maybe do just one mirroring or here selecting the body.

183
00:20:52,720 --> 00:20:55,330
Then we select all the other curves.

184
00:20:55,480 --> 00:21:02,530
So like this curve though we might mirror on the far and then go control L and then copy modifiers.

185
00:21:02,590 --> 00:21:07,300
Then the modify the all the curves have to modify it.

186
00:21:07,820 --> 00:21:09,490
Okay, that's it for the SHU.

187
00:21:09,490 --> 00:21:10,300
For now.

188
00:21:10,300 --> 00:21:12,130
We can modify it later as well.

189
00:21:14,140 --> 00:21:17,500
I think maybe scaling down will be a good idea.

190
00:21:18,280 --> 00:21:22,680
I think something like this may be better fits this kind of character.

191
00:21:22,690 --> 00:21:22,990
Right.

192
00:21:23,710 --> 00:21:26,170
And then scale it in the y axis maybe.

193
00:21:28,480 --> 00:21:28,810
Yeah.

194
00:21:30,400 --> 00:21:39,430
Now it's not too big to get the support issue I did was I wanted to do something else about the shirts

195
00:21:39,430 --> 00:21:40,030
over here.

196
00:21:40,030 --> 00:21:41,590
So let's go to store mode.

197
00:21:41,740 --> 00:21:45,940
And I think these measures, these bills I made are too much.

198
00:21:46,600 --> 00:21:48,250
And so let's click on it.

199
00:21:48,760 --> 00:21:57,880
Let's, uh, grow the selection with control plus and then let's just delete these faces.

200
00:21:58,390 --> 00:21:58,780
All right?

201
00:21:59,470 --> 00:22:06,190
And now we have this edge, select this edge, and then scale it down like this.

202
00:22:07,030 --> 00:22:10,510
I think this way it looks better, right?

203
00:22:11,030 --> 00:22:13,420
Looks much cleaner.

204
00:22:14,320 --> 00:22:19,630
And let's adjust this were to see here as well.

205
00:22:28,440 --> 00:22:31,920
You also do this by proportional using right here.

206
00:22:33,000 --> 00:22:40,500
Proceed g and then selection and then that just in the geology.

207
00:22:50,510 --> 00:22:51,230
Like this.

208
00:23:07,100 --> 00:23:07,450
Yeah.

209
00:23:07,460 --> 00:23:08,210
That's it for now.

210
00:23:09,030 --> 00:23:12,680
I think that's it for this character.

211
00:23:13,010 --> 00:23:15,550
I wanted to make a simple character which just modelling.

212
00:23:17,000 --> 00:23:22,400
We can add something else to like maybe some accessories.

213
00:23:23,210 --> 00:23:24,580
But for now, this is it.

214
00:23:25,670 --> 00:23:26,480
Next with you.

215
00:23:27,590 --> 00:23:28,100
Goodbye.