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Hello.

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In this video, we are going to do some material on some color to our character.

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So we model architects and then we model some clothes and then we finish last is making a shoe.

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All right.

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So before giving some material and making some material, let's do some final adjustments.

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So, for example, I don't like the nose over here, so let's just let's just delete that and then use

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this cube we made here with the there's level and let's try to make them more stylized, more simple.

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No.

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So nothing fancy.

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All right.

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So let's go to edit mode, select the face

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and then g x, let's turn off the original design.

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All right.

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Then let's position it wherever you want.

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So select this first g y and then maybe let's rotate in the x axis.

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All right, now let's increase the subdivision level to something like trees.

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And also, I think there was a smooth it right click, say the schools.

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Now let's go and move these vertices a little bit toward the x axis

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or actually y axis.

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So on the y axis, they move them inside of.

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It's a bit to.

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Then it's two rounds.

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So

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select these edges and then skill, skill them in the x axis.

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Let's look around, see what we have.

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Make some changes over here, maybe.

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All right.

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I think I like this one a lot better now.

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Very simple.

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I was knows.

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Now let's go to the shoe.

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And I want to first disabled the mirroring for all of these.

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Now let's do some more adjustments or here some final adjustments, and then we are going to convert

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them to mesh.

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This emergency?

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I think it's not necessary.

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That's actually home to the kid that projects where it takes back.

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It made some really sharp edges over here.

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Right.

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Let's make some some changes over here.

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Let's move these towards this is a little bit inside.

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All right.

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This one is too high.

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So let's bring it down.

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G.

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Z.

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She's.

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I just rotated this one.

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The end part is not.

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It is distorted over here, but we don't care because it is going to be seen.

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So.

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Let's move these two down right like this then let's move these tree

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down.

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We gz and then that's rotate.

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We need to control t.

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Then move them a little bit.

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And this move, this one down as well.

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This one down over here and then rotate with control to.

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All right.

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I think that's more cleaner now.

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Can do some more adjustments here as well.

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But this one is the throttle control.

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See?

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And bring this one on to be down.

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This one as well.

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So.

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All right.

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So let's take a look at the case panel and go around your character and see if you see and look for

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flaws and maybe look for something that you can change.

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For example, I think the years here can go a little bit toward insight like this

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is too much so.

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All right, so we can change the width of these eyebrows.

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Okay.

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All right.

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Small is one down.

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It's a bit.

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Let's go to work.

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This is one queue, right?

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Let's make it look over here and then let's bring the teeth in the middle down so it would make care

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like this.

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All right.

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We can scale it a little bit.

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So skeleton does access the brain to the.

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Okay.

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That's sure.

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This was this part.

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And she.

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This was this part.

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And the bolts looks good.

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All right.

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I think we were ready to start the material.

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We can always go back and adjust things, but at some point, you need to stop and say, okay, that's

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that looks good to me and go to the next step.

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Right.

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So.

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All right.

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Now, what I'm going to do, I'm going to first say with this control s and then I'm going to make another

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save for because I want to convert these curves or here and over here to mesh and then to apply all

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of these all these modifiers.

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So once I once I want I'll just say far enough.

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So to do that control shift s and this window will be all and then press these plus button over here.

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Okay, this plus what.

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Don't make a number in front of your circle and then save us.

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All right.

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And this is now a new set file.

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And we can always, if we do some mistakes, go back as a pens or here are other objects from the other

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so far.

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Okay.

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Now, let's get into the converting of converting these curves to the that leaves them all.

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And I think that's it's right.

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That's all the curves we have.

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Then go to object and converts or right click and convert to convert to mesh.

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And now if you go to this mode, you can see we have this nice mesh over here and over here.

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These are the measures we have.

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And then we can go to we can select these

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shoelaces and then select the one we want to join them and then control J to join them on.

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So now these, these shoelaces are joined and then let's add origin to geometry and then a minimum before

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I knew it mirrored in the body I think.

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Yeah.

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So it would be mirrored toward the other shoe

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and we can keep this mirror for now.

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So let's go.

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And you come over to this one and all this starts joining these areas over here.

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So we have this one with so there's a little too let's see our solution a little too.

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So general tree, acting level tree.

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It's good enough.

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We don't have to apply for the help from now, so let's just leave it as it is for the IRA as well.

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We don't have to apply it.

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All right?

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We can just do this to the more organized.

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So when we organize modifiers, this is our file right here.

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This is our nose.

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So we can we can join the ears and the nose of the face right now.

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Okay, so let's do that.

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If you want to make adjustments to the ear, we should do that right now.

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So I think that's good enough.

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So if we if you maybe rotated in the X axis or the Y axis or a thing, is it's good enough for now,

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right?

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This is a stylus character.

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Let's select the ears.

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Let's try to know the necessary the face and then control J to join them all.

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And now this is one object.

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Okay, I did the mystic.

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I have to first apply this mirror modifier.

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So let's move it up like this and apply the the subdivisions as well.

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So let's see which subdivision is good for us.

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I think Subdivisional level two is enough where we can go with three as well.

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So let's go with three and apply the mirror modifier, apply the subdivision modifier and now the ears

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are here and then we can go to the nose as well.

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Why the nose?

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The tree, I think, is enough.

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Yeah, three is enough.

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That's why it's a select ears.

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So, like the nose, like the face and control j and then this face is connected.

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Right now that is connected.

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We can use the whole face for colouring and all that.

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We can also join this body over here.

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We don't have a modified for the body.

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If you go to edit mode, we can see that we have this geometry.

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But as you can see, this part of the body cannot be seen.

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So if I go to extreme mode, you can see that this part is not going to be seen.

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So this is just this is just unnecessary geometry.

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They can't slow down our computer so we can go to France view and then go to the edit mode.

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And then also, Zain, to enable the remote and then let's box select these areas that we don't need.

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So this area, maybe some symmetry on here, these areas, I think.

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Let's see.

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Yeah.

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These areas, we can just delete them with X and vertices, so we just delete that, those areas that

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we don't need and we will help us with a better and a smoother

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viewport.

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Right now all we can do is to select select the hands so like the face and then join these two as well.

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So first, yeah, let's so perhaps only the first and join these two with control.

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J It will apply.

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It will also apply and it was obviously modified for the hands.

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Maybe that's not what we want.

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So let's undo those first.

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All right?

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So just undo it and let's let's do this for joining these parts for the last one.

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So let's apply the mirror modifier for this one, the one the first for this one.

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So first the moon was four, then solidified, then subdivision.

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So let's see if the subdivision level is too high.

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Maybe we can go lower than this.

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She?

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So I think at least four is need us for this part.

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So let's select around to apply all the modifiers.

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Let's see what all the rooms know.

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To apply all the modifiers you just have to from the hold control a and then visual geometry to mesh.

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All right, now all the modifiers of this part is applied.

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Then we can go here and delete this one as well.

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We don't need it.

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So go ahead.

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First to delete can delete every object, every mesh that you cannot see in the scene.

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So.

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All right.

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Now I think we're ready.

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First, let's apply this one as well.

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We can keep them because we probably won't be doing anything so fancy about these one.

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So let's just keep the modifiers applying them will make and we'll make it make it more hard to go around

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the view protocol.

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So let's just keep them.

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And then so we have this and then we can have this one as well.

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So I'm aiming to be I'm actually aiming to use both material and vertex painting in this part.

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All right.

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So in the next path, then I can go to texture, painting and show you the texture painting.

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So I'm going to do some parts with just material and the procedural materials.

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And then so the face, for example, in the hand we can go with versus painting and I as well.

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Maybe so.

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So then we don't have to apply the modifiers for this one.

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So let's just go back then get the modifiers of this area back.

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So let's go back.

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All right.

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Now we have the modifiers of this pass back, and then we can delete this one again so we can minimize

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them like this.

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So I want to apply and modify or apply a material position, material here and position on material

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over here so we can or we can have them modify it out.

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All right.

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We don't have to apply them.

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But for vertex printing, we have to apply this subdivision because unfortunately the blender can't

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yukon's where it expands in blender with the subdivision level in some other subseries you can do that

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and I hope that this feature to just add subdivision level and starts painting.

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So then let's check the other parts.

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All right.

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I think we're good.

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So let's minimize the modifiers for the shoes as well.

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And all right, let's start with the materials over here.

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So let's go to shading for save first.

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Let's go to shading.

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And then we are in the shading in the material viewport menu.

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So this is the principal the principal stuff we have.

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I want to make some procedural material for these codes over here.

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So let's first go to YS, then I want to make some textures.

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So let's go to the textures.

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Let's go to I think one, I will be good for us and then let's color up this distance to find if I see

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and then let's continue this whole control shift.

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Click to see the effect of these wandering texture.

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Then we can adjust this one like this from like this.

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The wanted scale is up to make some cells like this.

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These are some cells.

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All right, then we can go ahead and change the material here.

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So let's make all those shirts.

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No.

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Let's make.

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Call it of the dot to something like may be.

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Maybe some.

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Maybe some yellow.

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All right.

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And then let's kill it off.

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Even more like something like even I can go two, one, one, one, 1,000th.

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And yeah, I think that's good.

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All right.

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Now, to see the effect on the hormones or your control, she clicked on the boost.

252
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Obvious yet to apply it well and then connect the color to base color.

253
00:22:05,550 --> 00:22:07,980
And then one day is going to calculate the changes.

254
00:22:08,010 --> 00:22:09,810
And this is what we get.

255
00:22:13,160 --> 00:22:13,670
All right.

256
00:22:14,180 --> 00:22:20,600
So we can also make another texture or he has a mic and let's bring in a decent look and noise picture,

257
00:22:21,410 --> 00:22:31,520
and then let's make a new color around with black and white and then connect these two together.

258
00:22:31,520 --> 00:22:35,810
And then consumers should click on this one to see how this will be.

259
00:22:35,810 --> 00:22:36,590
This will look.

260
00:22:36,980 --> 00:22:40,690
So let's change this skill here and change the detail.

261
00:22:40,700 --> 00:22:44,120
Randomization, distortion, maybe.

262
00:22:44,120 --> 00:22:48,200
No, I don't like the distortion, so let's research into default value.

263
00:22:49,310 --> 00:22:52,220
Let's change these values over here as well.

264
00:22:54,720 --> 00:22:55,140
All right.

265
00:22:55,300 --> 00:23:00,420
Now, all we can do is add, uh, Meeks or JP.

266
00:23:00,420 --> 00:23:03,270
So let's search for Meeks, IGP.

267
00:23:04,110 --> 00:23:05,200
Let's put it over here.

268
00:23:05,220 --> 00:23:10,050
So this is called a one, and then let's connect these two to color two.

269
00:23:10,860 --> 00:23:12,120
And now this is mixed.

270
00:23:12,270 --> 00:23:12,600
All right.

271
00:23:12,600 --> 00:23:13,720
Let's to see that.

272
00:23:13,740 --> 00:23:18,220
Let's go and click on this control shift.

273
00:23:18,240 --> 00:23:22,110
Click on this and let's see what we get.

274
00:23:22,200 --> 00:23:24,120
So we get this shade over here.

275
00:23:24,120 --> 00:23:28,470
So this is a mix between the nice texture and the warm night texture.

276
00:23:28,470 --> 00:23:32,690
We can change the color of this over here.

277
00:23:32,700 --> 00:23:36,720
So let's change the color here and see what we guess or what's blue.

278
00:23:37,800 --> 00:23:40,850
And this is mixing these two textures.

279
00:23:40,860 --> 00:23:46,380
We can also go here to the blending type and go to add and see what we get.

280
00:23:51,070 --> 00:23:51,520
All right.

281
00:23:54,160 --> 00:23:55,330
Let's go to multiplayer.

282
00:24:03,220 --> 00:24:06,630
To multiply is too much a thing on screen.

283
00:24:06,670 --> 00:24:07,090
See?

284
00:24:14,330 --> 00:24:17,330
The screen is giving some cool effects.

285
00:24:17,330 --> 00:24:19,160
So let's change this color.

286
00:24:21,760 --> 00:24:26,140
And change it to something like green maybe.

287
00:24:28,420 --> 00:24:28,810
All right.

288
00:24:28,810 --> 00:24:31,110
Now is increased this skill

289
00:24:34,870 --> 00:24:37,300
and increase this one as well.

290
00:24:53,990 --> 00:24:55,640
We can change the values over here.

291
00:24:55,640 --> 00:24:58,280
So I want some subtle changes on the shirt.

292
00:24:59,300 --> 00:25:01,460
I don't want it to be too much.

293
00:25:05,700 --> 00:25:06,020
All right.

294
00:25:06,030 --> 00:25:10,220
And then the saturation of this color here is too much for me.

295
00:25:10,230 --> 00:25:13,080
So let's just bring down the value.

296
00:25:16,340 --> 00:25:19,250
A little bit and then bring down the situation here.

297
00:25:28,050 --> 00:25:31,770
All right, let's play around with the noise, texture.

298
00:25:36,540 --> 00:25:40,390
You know, this bring down the situation of this color here as well.

299
00:25:48,930 --> 00:25:49,140
Okay.

300
00:25:49,200 --> 00:25:52,320
Let's go to render and see what it looks like in the render.

301
00:25:53,310 --> 00:25:56,100
As you can see, there are some textures over here.

302
00:25:57,720 --> 00:26:03,220
So all right, for now, I'm happy with these things.

303
00:26:03,360 --> 00:26:07,500
I want another texture here for the form, for the normal.

304
00:26:07,500 --> 00:26:12,180
So these are less are not as six year ones may be.

305
00:26:14,460 --> 00:26:15,270
I think.

306
00:26:18,460 --> 00:26:19,360
Musgrave.

307
00:26:19,390 --> 00:26:19,930
Or we could.

308
00:26:19,970 --> 00:26:20,260
We are.

309
00:26:20,440 --> 00:26:25,000
So it's another colour around here to see the changes.

310
00:26:26,260 --> 00:26:29,710
Let's connect these two and control shifty here.

311
00:26:30,190 --> 00:26:32,740
And this is going to add this type of effect.

312
00:26:32,750 --> 00:26:34,660
So let's change the scale.

313
00:26:38,770 --> 00:26:41,020
I want something to hide.

314
00:26:41,260 --> 00:26:42,330
So, like.

315
00:26:42,480 --> 00:26:46,660
Like this and then change the detail over here.

316
00:26:46,990 --> 00:26:52,480
All right, then I'll go shift again and search for swamp vector.

317
00:26:52,480 --> 00:26:57,220
Say this is a one vector and then connect the color around to the picture.

318
00:26:57,220 --> 00:27:01,090
And I connect the bump to the normal over here.

319
00:27:01,890 --> 00:27:02,710
All right.

320
00:27:03,580 --> 00:27:09,310
Is going to calculate when that is going to calculate and make some bumps over these white areas.

321
00:27:10,240 --> 00:27:18,640
And then if I click shoot to shift on this, this is going to be the color and this is going to be the

322
00:27:18,640 --> 00:27:20,440
bump node over here.

323
00:27:20,440 --> 00:27:20,860
So

324
00:27:23,590 --> 00:27:27,370
as you can see, there are some bumps on the texture.

325
00:27:27,370 --> 00:27:30,430
So if you go to this material, you.

326
00:27:33,090 --> 00:27:39,270
And let's increase the lights over here.

327
00:27:41,450 --> 00:27:41,750
All right.

328
00:27:42,110 --> 00:27:43,820
This is clearly too much.

329
00:27:43,820 --> 00:27:48,170
So we can go here and decrease the stress to something like 4.5.

330
00:27:48,860 --> 00:27:49,220
Let's go.

331
00:27:49,270 --> 00:27:50,930
4.1.

332
00:27:56,640 --> 00:28:03,320
And we have to connect this color to the height, so so we can see the effect.

333
00:28:04,340 --> 00:28:06,070
You have to consider color to height.

334
00:28:06,590 --> 00:28:10,760
So it wasn't affecting the surface very much.

335
00:28:10,760 --> 00:28:15,110
So now we can see how it affects the surface over here.

336
00:28:15,320 --> 00:28:16,850
And this is too much.

337
00:28:16,850 --> 00:28:24,800
So I'm going to go to four very subtle, like zero, very subtle zero or one.

338
00:28:26,300 --> 00:28:27,470
Maybe that's going to be.

339
00:28:28,700 --> 00:28:31,580
Yeah, things can go higher.

340
00:28:31,580 --> 00:28:35,720
So zero or as you treat.

341
00:28:36,230 --> 00:28:36,530
All right.

342
00:28:40,000 --> 00:28:41,710
I think that's fine for now.

343
00:28:42,430 --> 00:28:43,450
Let's change this.

344
00:28:43,450 --> 00:28:53,140
Points like to an aerial light and go here and then control T or shift the story to change the direction.

345
00:28:55,120 --> 00:29:00,100
This is kill it and let's increase the power to something like 100.

346
00:29:02,730 --> 00:29:04,230
Let's change the color.

347
00:29:06,390 --> 00:29:08,460
Let's change it to 1000.

348
00:29:08,940 --> 00:29:18,050
And you have more lights over here to see the changes is very subtle, and that's very much what adds

349
00:29:18,060 --> 00:29:21,420
variation to your clothes.

350
00:29:21,510 --> 00:29:21,870
All right.