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Oh, good.

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In this video, we are going to take our contacts so we can pose this character and then render it before

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them.

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And then let's fix this problem over here.

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So as you can see, we lost issue here.

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But if we zoom in, you can see that that is like two shoes over here, right?

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So this is the problem.

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We have it more and modify it.

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So I guess when we join this, the pounds eight may make this problem for us.

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So we have to choose the mirror object again or here.

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So choose a mirror object.

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The parts for me are mirror objects.

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Now let's do the same for shoelaces like this.

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All right, now.

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Now, that is fixed right now.

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Let's let's start doing the rigging process.

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So first and then we can do it this queue because boom, we're done with and right now so we can just

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delete them.

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I want to introduce to you in new feature in New Adam.

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So if you go to Armatures, there are some basic armatures that you can use in the in the fundamental

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section I showed you how to use armatures, arms to parents, your objects to the arms and the use to

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those simple rigs.

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Well, I want to show you another way to read a character and especially a humanoid character like this

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one.

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We have a human character.

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So if you go to Adam's and then search for Rick, there is something over here called Redefine and you

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need to enable it if you like to be disabled.

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If you go to brush shift A and go to Ahmed images, he gets just a single point which we go and enable

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it.

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Then you will have some other options.

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Over here is if I press shift A and go to armatures.

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As you can see, we have a human metric animals, some basic metrics.

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All right.

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So what the mean is this rig RFI adds on that comes with BO and allows you to make simple fast readings

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for humans and simple for like the creatures ants.

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And then with one click over here, you can generate an advanced rig, which I'm going to show you how

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to do that.

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So first of all, before doing the rigs, we need to make sure that everything in our scene is in the

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same scale.

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So if I go here and go to view, go to item, I can see that the shirt over here doesn't have the universal

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scale, which is one.

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And we discussed this in the fundamentals.

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So if we get phase one, these will shoot these.

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The hair also needs to be a skill to reset the scale, the parts also.

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So you need to select all which.

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Okay.

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And then we have to apply a scale for something like the curves.

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We might get into some problems, but let's see what is what we get.

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If we have some problems, we need to fix ourselves, go on first scale.

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And as you can see, the shoes issue got a little bit or the ground actually I think it got a little

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bit smaller.

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Yeah.

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Because of the modifiers I think here because of the modifiers it we can always if it is smaller so

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we can adjust the scale over here, something like this and Google, this is a placeholder.

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We're not going to use this in the final render, I think.

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So we're going to use a simple plane just so you know.

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So the shoes also needs to be a skill applied skill control, a skill as you can see, you have no problem.

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And the shoelaces also.

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So we don't have any problem.

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And the pants, as you can see, I think they're sold if I'm ready for change a bit.

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So we need to increase the thickness of the family four over here and we're good to go.

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And then the shirts also.

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So also we need to increase the salt if I modify for the shirt and check if everything's all right.

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All right.

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And then the buckle.

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I usually just press all control, but just so you know that there might be some problems because of

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this, or if I might, for other modifiers, maybe you maybe you would want to do them more, number

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one.

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And then the face is.

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All right, let's do these shapes also.

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So we have a problem here.

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I think, again, because of the solidifying modifier, maybe we need to make two degrees to solidify

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our here.

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So I think that's fine.

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Yeah.

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And then in the shrink shop modifier, we need to change the offset over here.

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It's moving up and.

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Change in offsets.

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Or is that changing.

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Maybe because we need to have old snapping to.

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I responded back to zero and Oren is not is disabled.

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So yeah, this this icon over here is the disabled, which means that in the viewport I don't see it.

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So let's change

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the also before that let's turn snapping to off so we don't get a lot of.

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Distortions.

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Let's change offices here to zero and things.

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Good.

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I didn't want.

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Let's edit the eyebrow.

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Something like this.

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Let's see if the faces are in the right direction.

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As you can see there is so.

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It tries to touch to this surface over here.

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Maybe by enabling something to a little bit easier.

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Yeah.

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So now it's much easier to see just the shape.

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Right.

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I think that's good enough.

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So the skill is one that's good.

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So let's apply a skill for this one.

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The hers as well.

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And I think I think we're done so to make sure there's always a control, a stress on skill.

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All right.

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So the next stage is that we should meet the armature, but before that, to make the armature before

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making a armature, you need to move move your character up.

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So let's press press all this.

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I show this level, the lights and the ideas about the lights over here, first of all, and let's just

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the camera as well, so we can just delete the camera with another word now.

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And so it's all.

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Don't forget to say first.

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So it's all press g z and go up.

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And you know what?

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I'm going to do this ground over here.

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You don't need it.

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So let's press g z up and then what you will and what you want to do is that you want to the character

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to stand in the in the zeros in the zero.

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So this is zero.

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This is one.

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This is to issue the sun in the zero in this X axis.

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All right.

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So.

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And that is just because when we make the armature is going to it's going to be like this.

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So if a first shift C to reset through the cursor over here and then press shift and then go to armature

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and then go here press on human metric.

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All right.

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As you can see right now, the the armature we made is just sitting on the x axis over here.

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So if I need to scale my armature right now, so let's process and scale its up.

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Scale its up like this.

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So.

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And like this.

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So the main idea about this, the main thing you have to do, we have to put everything, every army,

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every bone we have with this armature pre with this premium armature inside the mesh, we have the mesh

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of our character and then be a parent.

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All right.

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So let's first set the.

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Skill here.

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All right.

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And again, the important thing is to pest control.

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A reset this scale right here.

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All right.

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Now, as I said, we need to adjust these ponds to go inside the character.

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But as you can see, if I'm good at it mode and then I want to move them, I don't see a position of

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each one to see the position.

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Position of each one.

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Let's change the viewport display over here.

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So object properties viewport display and then change it to in France whenever we can see the armature

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to be in front of the character or any other objects.

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So it's easier now to change the location.

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The first thing, the first things I do when it comes to these metrics is I go to edit mode with TAP

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adds an edit, I delete some certain buttons.

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For example, this these buttons over here, these are the nipples or the chest bones.

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All right, we don't need them.

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So just select them and press X and then press on delete in the bottom.

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All right.

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The other ones we don't need is a facial bone, so we don't want.

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These bones are right here.

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The facial bones.

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We want a simple pose.

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We are not doing this for animation.

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But maybe if you're aiming for animation, if you want to make some expressions for the page, for the

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face of your character, you can do this, you can keep this.

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But I'm just looking for some simple posing.

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So let's just select these and press X and press delete in months.

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And then the other ones or the eatables over here, let's select them and then delete them.

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And then there is a bone over here that you can see.

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But if we enable the x ray or here, you can see that there is a bone.

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Over here it is called all right.

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The name isn't seen over here, the face as it says here, metric face.

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So you need to delete this one as well.

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Otherwise it will all make problems and you're probably not going to get a good Rick.

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So let's just click on this one and press X and deletes this one.

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So now I think we are ready to sort out our editing of these bones.

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So let's just start with the head.

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So let's go to France, view it number one, and then go to edit mode of the metric and then click this

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disposal here.

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And let's go to side view with three.

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And then this is the spine six.

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I usually use just one bone for the whole head.

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So let's bring down this, this sphere over here and.

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Like this.

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All right, so let's change it and let's do it the proper way.

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So press G's it to bring it up with this express.

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Let's select these two forms.

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These are the neck bones, the spine five and a spine four.

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So select them and then bring bring both down like this.

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So I give the tip of the of the head bone here.

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This is move it in the y axis and then let's move it.

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You can do the x axis of a straight bone.

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Let's just move it in a very old fashioned way.

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Just move it around like this, and then we can have it in as in a good position.

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So let's just do this and then select this sphere over here and bring it down like this.

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And all right, I see the problem now.

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So I forgot to turn off the snapping tool.

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So it is snapping to the surface of my after effects.

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All right, so if something doesn't work well for use, just fine.

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Problem?

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Don't panic again.

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The key is to through the art and to the anything you want to make through this, do not panic.

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Because a lot of things might go wrong.

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And in a way that you don't want to, you might just panic and say, All right, I give up.

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So keep that in mind because clean these up a little bit.

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So as I said, this is the bone for the head.

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The top bone and the other pawns are the pawns for the for the neck over here.

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So let's kill them down and then bring this up.

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We're good to go now, I think.

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Yeah.

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So also, these spheres need to need to have some attachments each other.

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All right.

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Now let's enable examines for you here as you see up here over here and have a symmetry.

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So we only work on one side and the other side gets the other side also moves around if you forgot to.

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In any case, if you forgot to enable this X symmetry and then you walks on these bonds off of one side,

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and then we're done with this one side, and then you rotate that on so that you don't have you have

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to do the other side again, too.

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So there's option enabled again for the armature as we have for any object or armature.

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You have a switch, right?

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So if you don't seem to arise, you can see which from any direction you want.

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It's the same thing with any objects.

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I didn't want that you can see.

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Right.

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So let's move these bonds over here.

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This is the pawn for the shoulder.

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All right.

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And then for these moons, I forgot to enable symmetry.

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So it's just plain and cement.

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I play the symmetries and the numeral symmetry.

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So this is the shoulder wound.

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And so it's a just like this.

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Like this.

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And then this is the ultimate form.

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So it pushes the the important bones, like the elbow bone, the hipbone, the knee bones.

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These are the important bones because they are joints that are the major jones in body.

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So you have to place it, you need to place it back.

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So it does have this kind of angle.

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So the shoulder bone and the wound, this kind of angle and then this kind of angle for the four.

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All right.

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So it doesn't need to be straight because you need to bend it this way.

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You better break the same thing goes for the knee.

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So you have you need to have a little piece of of angle.

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So this place is or here.

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So this is our elbow and the spring of our hands over here.

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Oh, it's just a justice.

242
00:18:41,870 --> 00:18:45,140
This should be around the wrist area.

243
00:18:45,530 --> 00:18:51,260
And let's see of the other angles that the -- is actually inside that mesh.

244
00:18:52,100 --> 00:18:52,710
All right.

245
00:18:52,760 --> 00:18:57,560
It needs to be inside the mesh to go around and check that for yourself.

246
00:18:58,610 --> 00:19:02,660
And then we have to move these balloons around.

247
00:19:02,660 --> 00:19:08,800
These are maybe the hardest ones in the in the rigging in this part.

248
00:19:08,810 --> 00:19:11,540
And we are adjusting the bone location.

249
00:19:11,540 --> 00:19:21,780
So you have to go around each of these finger bones and then adjust accordingly to you, to your finger.

250
00:19:21,780 --> 00:19:23,240
If the finger of your character.

251
00:19:27,780 --> 00:19:30,590
So as to that, let's select this.

252
00:19:30,600 --> 00:19:36,870
This is this is going to be my knuckle bone of of the time.

253
00:19:36,870 --> 00:19:40,200
And this is going to be the tom itself.

254
00:19:41,190 --> 00:19:47,340
And it's a kill if if the experience is going to be outside of the mesh.

255
00:19:48,030 --> 00:19:48,450
All right.

256
00:19:48,960 --> 00:19:55,200
But it shouldn't be something like this, because then you can move around this part of your mesh.

257
00:19:56,910 --> 00:20:01,040
So let's do something like this and check from every angle.

258
00:20:01,050 --> 00:20:06,080
That's the Bourne is actually inside the mesh.

259
00:20:06,090 --> 00:20:09,690
And then let's click on this finger Bourne.

260
00:20:09,690 --> 00:20:15,930
So I click on one Bourne and then press L to select all the connected bonds.

261
00:20:16,260 --> 00:20:24,540
All right, so let's rotate that first like this, and then this is going to be my knuckle bourne,

262
00:20:26,760 --> 00:20:27,060
okay?

263
00:20:28,080 --> 00:20:31,050
This is going to be my knuckle the knuckles over here.

264
00:20:31,470 --> 00:20:33,630
This is going to be the joint over here.

265
00:20:33,630 --> 00:20:36,000
And this is going to be the Jones over here.

266
00:20:36,010 --> 00:20:37,500
And this is going to be outside.

267
00:20:39,360 --> 00:20:39,830
All right.

268
00:20:43,250 --> 00:20:45,950
You can do the same thing over here as well.

269
00:20:46,310 --> 00:20:49,300
This is going to be the knuckleball of the Tom.

270
00:20:52,050 --> 00:20:54,210
And these should be just over here.

271
00:20:54,270 --> 00:20:57,240
These are the kind of the tendons over here.

272
00:20:58,230 --> 00:21:00,870
They replicate the tendons of the hands.

273
00:21:02,830 --> 00:21:04,810
To bring them down like this.

274
00:21:06,610 --> 00:21:10,940
And then let's go for the other finger press o rotator.

275
00:21:13,480 --> 00:21:14,320
And then just.

276
00:21:16,810 --> 00:21:20,710
Do the same things that this is going to be the knuckle bone over here.

277
00:21:22,210 --> 00:21:27,250
This is going to be the first joint and this is going to be the second joint.

278
00:21:28,060 --> 00:21:32,110
This is going to be the last one that goes outside of the mesh.

279
00:21:33,040 --> 00:21:35,260
Let's bring them down like this.

280
00:21:36,060 --> 00:21:39,250
Let's let this a spirit connect to each other.

281
00:21:39,280 --> 00:21:39,700
All right.

282
00:21:40,810 --> 00:21:45,820
Let's go to the to this finger over here and let's do it.

283
00:21:45,820 --> 00:21:46,780
Rotated again.

284
00:21:50,400 --> 00:21:52,820
And it's rotated like this.

285
00:21:52,830 --> 00:21:54,450
This is going to be not a one.

286
00:21:55,020 --> 00:21:59,850
This is going to be the first joint and is going to be the second joint.

287
00:22:13,540 --> 00:22:14,000
All right.

288
00:22:14,020 --> 00:22:16,810
Now is like the last one.

289
00:22:18,190 --> 00:22:21,940
Let's go to a front to tell people that's the rotated.

290
00:22:25,590 --> 00:22:27,720
Let's bring it over here and.

291
00:22:34,320 --> 00:22:35,570
Let's do the same thing.

292
00:22:35,580 --> 00:22:38,730
So this is going to be the knuckle bone or here.

293
00:22:41,230 --> 00:22:42,610
It's going to be the first joint.

294
00:22:43,060 --> 00:22:47,680
Second joint, and it's going to be the third one over here.

295
00:22:50,150 --> 00:22:58,050
Let's bring them down like this, then rotate and make sure that they are inside the mesh.

296
00:22:58,060 --> 00:22:59,650
That's the most important thing.

297
00:23:00,100 --> 00:23:11,110
If even one of the bones are not inside the mesh, you have some problems when you're applying the applying

298
00:23:11,160 --> 00:23:11,470
to all.

299
00:23:12,630 --> 00:23:13,590
The parents think.

300
00:23:15,820 --> 00:23:16,390
All right.

301
00:23:16,420 --> 00:23:17,610
Now, that is.

302
00:23:17,970 --> 00:23:19,340
That is it.

303
00:23:19,710 --> 00:23:22,780
Well, now we can.

304
00:23:23,530 --> 00:23:24,810
Let's go around now.

305
00:23:25,120 --> 00:23:26,590
Let's shake everything.

306
00:23:26,590 --> 00:23:27,010
So.

307
00:23:28,370 --> 00:23:30,520
So they would be inside the mesh.

308
00:23:30,530 --> 00:23:32,750
I think that's good for now.

309
00:23:33,500 --> 00:23:42,200
Don't worry if you if you like miss something like like I did over here and even if you pirated and

310
00:23:42,200 --> 00:23:49,550
do the rigging, you can always go back and edit your your report here and then the parents again.

311
00:23:49,550 --> 00:23:57,610
So not to worry, but the key is to be patient over here in the good rake.

312
00:23:57,620 --> 00:24:01,190
Let's save work then let's go to the heap.

313
00:24:01,190 --> 00:24:01,700
Her yard.

314
00:24:01,700 --> 00:24:03,890
These are the pawns for the heap.

315
00:24:03,890 --> 00:24:05,930
So let's bring them out.

316
00:24:05,970 --> 00:24:07,220
It's a little bit like that.

317
00:24:07,550 --> 00:24:14,780
And the phones, the angle between the hip phone and the knee joint is something like this.

318
00:24:14,780 --> 00:24:18,620
So this is the hip, this is the knee.

319
00:24:19,160 --> 00:24:22,100
And then this goes for the for the the leg.

320
00:24:22,580 --> 00:24:26,450
The the the leg over here.

321
00:24:26,450 --> 00:24:29,720
The bugle and the tibial bones.

322
00:24:31,650 --> 00:24:38,340
So this is the same as bring it back over here.

323
00:24:40,790 --> 00:24:47,780
Let's make them to attach to scenes that they don't attach to each other like this.

324
00:24:49,130 --> 00:24:50,760
Let's bring them out.

325
00:24:50,780 --> 00:24:52,070
Always a bit like this.

326
00:24:53,760 --> 00:24:54,660
Are we good to go?

327
00:24:54,690 --> 00:24:59,070
I think that is a good enough angle.

328
00:25:00,540 --> 00:25:05,960
Now is due to the knee knee bone and he joins.

329
00:25:06,000 --> 00:25:10,520
So let's go here and.

330
00:25:12,880 --> 00:25:14,050
So if this one.

331
00:25:19,780 --> 00:25:24,230
You have this angle here that I just described to you.

332
00:25:25,160 --> 00:25:27,980
And then let's go to the foot area.

333
00:25:27,980 --> 00:25:30,870
This is the -- for cocaine use.

334
00:25:30,890 --> 00:25:33,920
I believe this is the bone for the back of the foot.

335
00:25:34,640 --> 00:25:37,100
So leave it.

336
00:25:37,400 --> 00:25:37,580
Leave.

337
00:25:37,640 --> 00:25:38,900
It's just over here.

338
00:25:40,140 --> 00:25:42,690
So this should be in the back of the foot.

339
00:25:43,050 --> 00:25:43,470
All right.

340
00:25:44,720 --> 00:25:46,850
This is the bond for the back of the foot.

341
00:25:47,510 --> 00:25:50,540
And then this just goes down like this.

342
00:25:50,810 --> 00:25:53,150
I think it's okay like this.

343
00:25:53,150 --> 00:25:58,100
And then this is the tip of the toes over here.

344
00:25:59,160 --> 00:26:02,600
Then this is forward for to.

345
00:26:04,160 --> 00:26:05,420
Last for more here.

346
00:26:08,050 --> 00:26:21,340
And if your character is barefoot so it doesn't have any any any shoes or any earrings or here you can

347
00:26:21,340 --> 00:26:22,090
add bonds.

348
00:26:23,150 --> 00:26:25,940
It's the same thing over here with the hands.

349
00:26:25,960 --> 00:26:31,680
You can add bonds and you do that by selecting a bond and then pressing E.

350
00:26:31,750 --> 00:26:34,420
And then you can extrude forms like this.

351
00:26:34,850 --> 00:26:37,000
Okay, so that's it.

352
00:26:37,030 --> 00:26:42,750
I think we could for now, we can start the financing.

353
00:26:42,760 --> 00:26:44,050
But before doing that.

354
00:26:45,410 --> 00:26:51,500
The important thing is this first, change the location of this one.

355
00:26:51,500 --> 00:26:56,570
I want it to be here to be in the same location as this.

356
00:26:57,020 --> 00:27:01,200
If we see the side of you, we'll be like this.

357
00:27:01,490 --> 00:27:02,870
Let's see.

358
00:27:02,870 --> 00:27:04,310
The skin is right.

359
00:27:04,310 --> 00:27:06,200
So the skin is okay or not.

360
00:27:06,200 --> 00:27:08,240
So we don't have to worry about that.

361
00:27:08,780 --> 00:27:15,050
Let's click on this in front and see if any bone is just outside of the match.

362
00:27:15,050 --> 00:27:16,550
We can check it like that.

363
00:27:17,120 --> 00:27:19,850
I think this one is two outside.

364
00:27:19,860 --> 00:27:21,290
So let's do that.

365
00:27:22,460 --> 00:27:23,690
And.

366
00:27:25,360 --> 00:27:26,500
Yeah, I think that's okay.

367
00:27:28,180 --> 00:27:38,950
And and now we can, we can start the parenting process, but before that, we need to make the generate

368
00:27:39,010 --> 00:27:40,000
advisory.

369
00:27:40,660 --> 00:27:41,020
All right?

370
00:27:41,920 --> 00:27:49,630
To generate the advisory, you need to go to this properties to I'm sorry, to this property over here.

371
00:27:50,230 --> 00:27:53,230
The object is a property of the rake.

372
00:27:53,740 --> 00:27:58,260
And then there's a button over here that is called generate rake.

373
00:27:58,900 --> 00:28:01,150
So what's what happens when I do it?

374
00:28:01,150 --> 00:28:13,120
The rec it it actually this Adam will make a rake and advance rake around the area of the bones that

375
00:28:13,120 --> 00:28:13,690
are here.

376
00:28:14,320 --> 00:28:26,800
Then we will parents are objects to that generated rake and we would we will have a pre-made weights

377
00:28:26,800 --> 00:28:31,240
painted brick that is easily done.

378
00:28:31,240 --> 00:28:39,850
So in the past you would just make this bone over here and just be just one bone like this and then

379
00:28:39,850 --> 00:28:50,020
you would just extruded and then make this one over here and then you would paint paints to the thing

380
00:28:50,020 --> 00:28:50,740
over here.

381
00:28:51,190 --> 00:28:51,400
So.

382
00:28:51,830 --> 00:28:59,470
BATES Paints you will make paints every bone to the area of the mesh, and then you would get the same

383
00:28:59,470 --> 00:29:02,490
results as you get with this metric.

384
00:29:02,500 --> 00:29:03,550
With this redefined.

385
00:29:03,550 --> 00:29:07,810
Adam Let's just click on generate again.

386
00:29:07,810 --> 00:29:15,790
I can emphasise again emphasize more that you have to check your is scale to be the right amount if

387
00:29:15,790 --> 00:29:18,580
it's not the right now, what if we increase it like this?

388
00:29:19,090 --> 00:29:24,580
If it's not rise amounts and you do you how you will have problems.

389
00:29:24,580 --> 00:29:28,840
The same goes for your mesh when you are going to parents.

390
00:29:29,080 --> 00:29:32,650
So let's go here and geometric.

391
00:29:36,210 --> 00:29:38,070
And we have a problem over here.

392
00:29:38,250 --> 00:29:45,540
So if it happens or panics, it says that error over here, ball number four is not attached to anything.

393
00:29:46,140 --> 00:29:47,550
So if you go here.

394
00:29:48,510 --> 00:29:53,460
I'll go over here and bond the spy for is this one.

395
00:29:54,330 --> 00:29:57,720
So let's bring it up a little bit.

396
00:29:58,800 --> 00:29:59,720
Something like this.

397
00:29:59,730 --> 00:30:01,380
I think it might be.

398
00:30:02,850 --> 00:30:06,720
It might be because it's not yet.

399
00:30:06,810 --> 00:30:08,250
So let's go here.

400
00:30:10,100 --> 00:30:11,570
And do something like this.

401
00:30:12,320 --> 00:30:12,830
All right.

402
00:30:14,600 --> 00:30:17,900
All right, let's do it again to see if the problem is fixed.

403
00:30:18,560 --> 00:30:21,030
Bonus point number four can not connect.

404
00:30:21,050 --> 00:30:22,820
Shane, let's.

405
00:30:23,110 --> 00:30:24,830
Let's go to Egmont Gang.

406
00:30:33,310 --> 00:30:35,530
These two needs to be connected.

407
00:30:35,620 --> 00:30:36,180
So.

408
00:30:36,550 --> 00:30:38,680
So let's go here until it is formal here.

409
00:30:38,680 --> 00:30:47,890
And then this press e to extrude and then this press shift with this one and then control Peter to parent

410
00:30:47,890 --> 00:30:49,030
these bones together

411
00:30:53,860 --> 00:30:55,300
and these ones together.

412
00:30:56,440 --> 00:30:57,490
This control p.

413
00:31:04,610 --> 00:31:06,590
Now see if the problem is fixed.

414
00:31:06,770 --> 00:31:07,040
Yeah.

415
00:31:07,790 --> 00:31:11,540
So, as I said before, don't panic if a problem occurs.

416
00:31:11,990 --> 00:31:16,100
If you can't solve the problem, just search for is on the internet.

417
00:31:16,100 --> 00:31:20,000
There are a lot of people, good people who will answer your question.

418
00:31:20,000 --> 00:31:23,060
We might get into some problems, maybe in the neck area.

419
00:31:23,960 --> 00:31:28,070
I probably won't need to work in this area or here.

420
00:31:28,070 --> 00:31:29,090
This is fine over here.

421
00:31:29,090 --> 00:31:31,940
I only need the this this one.

422
00:31:32,660 --> 00:31:33,440
This one over here.

423
00:31:33,440 --> 00:31:38,780
But if we get into a problem, the more you can always even do as you would.

424
00:31:38,780 --> 00:31:41,150
Rick So let me explain it to you.

425
00:31:41,150 --> 00:31:44,090
So this week is made for us right now.

426
00:31:44,270 --> 00:31:44,630
Okay.

427
00:31:45,200 --> 00:31:46,160
This is a

428
00:31:49,700 --> 00:31:57,800
pre-made week for us just ready to use and all the at is this is will be how we can.

429
00:31:58,280 --> 00:32:00,230
By using this we can just

430
00:32:02,780 --> 00:32:04,640
move our character on, pause on character.

431
00:32:05,120 --> 00:32:11,490
So as I was saying in anywhere or anywhere in your progress or bringing if you're using to any problem

432
00:32:11,490 --> 00:32:17,060
we can just go to the main armature, which is this one, and then move things around and then again

433
00:32:17,060 --> 00:32:23,720
go to object properties of your armature and then press on the rick and it will make you a new rig.

434
00:32:23,720 --> 00:32:29,600
So this is the rig recall and you can see that because the bones are in the right direction, this addon

435
00:32:29,600 --> 00:32:36,800
can now identify that this over here is the is the leg and this is the femur.

436
00:32:36,800 --> 00:32:39,710
This is a tibia and fibula and all that.

437
00:32:39,710 --> 00:32:46,730
And it can now like know that this is which one is this one?

438
00:32:47,600 --> 00:32:56,300
And all we have to do is to first select our character and then select the armature and then press control

439
00:32:56,300 --> 00:33:07,250
P and then go here and there is a option over here, colts with automatic weights and you have to click

440
00:33:07,250 --> 00:33:12,230
on this one to get the parents and correct.

441
00:33:13,070 --> 00:33:20,480
Well, before that, we may need to apply some of these some of these modifiers.

442
00:33:21,140 --> 00:33:32,570
For example, we may need to we may need to change the curve, the the curves over here to to mesh so

443
00:33:32,570 --> 00:33:35,630
we don't get into any trouble later on.

444
00:33:36,170 --> 00:33:43,370
So let's just first apply this mirror modifier and then apply the mirror and modify it also for this

445
00:33:43,370 --> 00:33:43,610
one.

446
00:33:48,890 --> 00:33:50,450
And then the size of one fire.

447
00:33:51,740 --> 00:33:52,220
All right.

448
00:33:52,430 --> 00:33:59,480
Let's just go back now, because I want to have this final word here with all the modifiers.

449
00:33:59,480 --> 00:34:04,090
So if he gets into any trouble later on, you need to practice this as well.

450
00:34:04,100 --> 00:34:10,580
If you need more funds, meaning you are doing something like this.

451
00:34:10,670 --> 00:34:16,250
When you are applying the modifiers, you need to be aware that you won't get them back later on.

452
00:34:16,250 --> 00:34:24,139
So it's just save another font with control shift s and then go here important selects plus Watson so

453
00:34:24,139 --> 00:34:30,350
we have and you fall over here and now every time I press control s and save it what we save on the

454
00:34:30,350 --> 00:34:36,139
new file and going last fall is just I have this file as well.

455
00:34:37,659 --> 00:34:42,610
Let's just go over and apply the mirror modifiers of this one and appoint a solid, firm, most fun

456
00:34:42,620 --> 00:34:49,659
of this one, and then go here and apply them on the player for the shoelaces and then go here and apply

457
00:34:49,659 --> 00:34:52,060
the Saudi firm as the foil is checking in.

458
00:34:52,060 --> 00:35:01,870
If it's okay right now, we can again change the thickness, but I think that's okay right now for us.

459
00:35:02,320 --> 00:35:06,250
We just wanted to say this area was important to us.

460
00:35:06,580 --> 00:35:07,930
This just applies.

461
00:35:07,930 --> 00:35:12,100
And so if I'm on the forum, we can keep the subdivision modifiers because.

462
00:35:15,590 --> 00:35:18,500
Yeah, you can even decrease this of the general level.

463
00:35:18,500 --> 00:35:22,280
So you have a very much more usable scene.

464
00:35:22,280 --> 00:35:29,930
So our scene with a like if you computer is in good, you can always check this level viewport and you

465
00:35:29,930 --> 00:35:31,310
can decrease the subdivision.

466
00:35:31,310 --> 00:35:34,280
As you can see, we have a very low resolution.

467
00:35:34,280 --> 00:35:40,070
If I go to zero, you can see this is what we started with with our pants over here.

468
00:35:40,520 --> 00:35:44,960
So let's go just to two for the pants and for this shirt.

469
00:35:44,960 --> 00:35:48,350
Let's just apply the solidify, modify and then go for.

470
00:35:50,700 --> 00:35:51,080
Yeah.

471
00:35:51,090 --> 00:35:53,130
Just two works for me here.

472
00:35:55,220 --> 00:35:59,270
After the face and the hand in the last video he applied the money for a.

473
00:35:59,630 --> 00:36:03,140
We don't need anything else where the hurricane just decrees.

474
00:36:03,140 --> 00:36:04,760
It's like this.

475
00:36:07,400 --> 00:36:10,580
Or actually it's actually very low geometry.

476
00:36:10,590 --> 00:36:14,450
So keep that tree and the wren as well.

477
00:36:14,450 --> 00:36:15,170
This is important.

478
00:36:15,170 --> 00:36:22,880
If we read the viewport, we see the three levels, but in the render it says too.

479
00:36:22,880 --> 00:36:25,700
So you will be in there to be two levels.

480
00:36:25,700 --> 00:36:29,240
As you can see, we have some jagged lines over here and we don't want that.

481
00:36:29,750 --> 00:36:33,440
So it's just keep the same level offering the viewport.

482
00:36:37,250 --> 00:36:38,180
For the eyes.

483
00:36:38,180 --> 00:36:43,100
We can just keep them your think or actually supply.

484
00:36:43,580 --> 00:36:47,570
We may get into some problems in the rigging process.

485
00:36:48,410 --> 00:36:49,880
So we're ready now.

486
00:36:50,060 --> 00:36:50,600
We can.

487
00:36:50,870 --> 00:36:56,900
You can also, if you want to avoid subdivisions as well, press A and then press control A and then

488
00:36:56,900 --> 00:36:58,700
go to visual geometry to mesh.

489
00:36:58,700 --> 00:37:02,990
It will apply all the modifiers for from each mesh you have.

490
00:37:04,610 --> 00:37:07,220
All right, now, we don't need this rig over here.

491
00:37:07,220 --> 00:37:13,760
As you can see, this is over here as we made our our advanced rig that we want.

492
00:37:14,120 --> 00:37:16,880
So let's just go here and then hide it.

493
00:37:17,540 --> 00:37:24,920
If we have any problem with this rig, we can always unhide this and then change the values, the locations

494
00:37:24,920 --> 00:37:27,680
of these balls and go over here and generate another week.

495
00:37:28,100 --> 00:37:32,960
All right, so now we only work with Generator Week or here.