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Hello, guys.

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Before going to compositing, I figure I show you another way to make your scene a lot more interesting.

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And it is by adding particles to add particles.

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We are going to do the same thing we did to add volume.

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So we will press shift a mesh, a cube, and then a scale up to the same.

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Sighs I've seen or actually where the camera is going to be seen.

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So it's a it's not going to be just all the scene.

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We just have to make it sure that it's in the camera.

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So like this.

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Something like that is enough.

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And then we are immaterial over here.

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And then we remove this material, this shader.

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I go to volume as the volume.

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Volume is scatter.

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But this one, this volume is not going to be a volume that is going to change the the how the scene

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is going to be.

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It's going to act as a volume.

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So we're going to change it to zero.

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We are just going to make sure that this cube is not going to be seen in the in the scene.

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It's not going to be seen in the scene.

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So next we go to the particle properties, plus we go to hair.

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Well, I'm going to do now I'm in cycle so this change vectors maybe well I'm going to do it now it

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is now adding some hair particles around the Q I'm going to tell Bender that I want the particles to

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be inside the cube.

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So if I go to the opposite, the wireframe is emitting from the normals, from the outside the surface

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of the cube.

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All right, then I'm going to change the image from in the source sub panel to volume.

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Then it's going to add one that is going to add some hair shapes the inside of the cube.

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The next thing I need to do is to add an object that I can tell whether that I want this object to be

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shown inside, inside this, inside this cute.

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Let's change this, the cube name to particles so we don't

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lose it or anything.

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Then as I was saying before, I want to tell wonder, does I want an object to be shown in this volume,

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not to hurt?

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So let's make the object shift a mesh and let's go to our sphere and then let's go to this zoom in and

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I want it in the lowest possible subdivisions like that because we are going to this this party of the

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whole thing, if the party is going to duplicate the duplicate around an object.

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So let's go to L.A. and let's actually change a little bit about the shape of this, like a sphere,

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something like this.

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We want to make some particles inside the scene, so it's going to be something random like this.

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And then I'm going to select my kill my particle cube and then go over here to render and change the

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render as from path to object.

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And then I'm going to select my objects with this eyedropper over here so you can just selected or here,

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or if you have an object, you just select eyedropper and this object, which in this case it's like

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a sphere.

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So I'm going to select my orchestra.

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And as you can see over here, when the is showing this orchestra inside this cube.

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All right.

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So if I go around here, as you can see, this cube is playing as just a placeholder for all this,

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these particles.

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The same thing we did with the volume.

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All right.

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So we can change the the lens and the radius of these shapes with this over here, how large what we're

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going over to render and change the scale randomness to 100%.

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So it is making smaller scale randomness to the shapes.

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And then I can change the scale over here.

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Like this.

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Let's go to a camera view with zero and then let's go to cycles.

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Now let's see the chefs.

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As you can see, these are the chefs around.

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My character is going to make some changes to the lightings as well, especially if you add materials

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to add material to this party.

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I'll just select your origin object and go to material.

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Add the material.

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And then now if I change the color and as you can see, the color of these particles would change as

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well.

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Okay.

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So what I want to do is to change back to I want to add some emission over here, but it isn't good

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at reading this note over here.

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This emission over here is not going to apply a lot of different things over here that I can see.

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But if I change it to cycle, and especially in e view, its emission is going to destroy the whole

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shape of the object.

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Change two cycles.

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Now let's set the color of the emissions and once they keep their base color to something low like this,

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maybe something like this and then go to emission, and now I can change the color of my particles like

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something brown maybe might walk in this, see something like this is it emits something brownish color

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over here and then you can go ahead and maybe darken this color.

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I don't want it to take a lot of a lot of attention's.

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Something like this.

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Then make it dark here as well.

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It's just something like this.

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It's going to add a lot to the scene.

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It's going to make it a lot more interesting.

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But we need to adjust the adjust numbers so you can adjust the numbers over here.

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It's set on 1000.

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You want it to be less.

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You can just see anything you want.

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I think I think now is enough.

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But the scale needs to be a little bit more.

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It needs to be a little bit more smaller.

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So.

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008005.

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Yeah, that looks okay.

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So we have some, some particles floating around the area and now that is much more interesting and

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much more appealing to the poor.

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So I'm going to run there is out I made some more changes to the volume over here.

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So in cycles it was making a lot of attention.

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It was taking all the attention and making strong effects to the whole scene.

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So I just decrease the density over here and for them, for the main lines, I just made some adjustment

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for the power.

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All right.

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And that's it.

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So yeah, I'm going to render it out.

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And then in the next year we're going to do the compositing.