So I thought, guys, let's get into the compositing model.
Last parts of this part of the course and I'll see how we get.
So this is the raw render right here that we got the cycle engine.
So render that in the cycles.
So if we close it and let's go through the screen and then there's a tab over here compositing which
gives you this thing, this note over here, if you don't see the notes go up here and enable notes
to see the notes and then have the backdrop on over here on the.
Otherwise you don't see the image in the back there, in the back of the of the scene of the whole compositing
itself.
So everything we do here is will be applied to the to this one, the default viewport over here.
The second window is drop sheet.
Let's just change it to image editor to change how to change the to change the once you see the results.
So also by browsing over here, go to your notes.
Now we just see what is going to be applied to this render layers over here.
So this is solved by pressing shift a now again like shading over here we have some nodes.
So we have some inputs like image of some textures.
You can add some other spots.
And what I'm most interested in is these nodes are the color.
So in the color section, we have some color correction, color balance combos, contrast, hue, colors
and all these.
This is what I'm interested.
And the next things I'm interested in all the filters.
So you can add some blood filters and glare filters and yeah, some denotes some filter.
The main filter you can add for is softness or sharpening.
And then we have this this sort of option that you can use.
The main thing I'm interested in is the lens distortion.
If you use other applications like Photoshop and you're familiar with how to compositing your picture
in there, you can do the same thing.
But as this is one of the course, I figure this might be a good idea to just composite it inside Blender
and it has really good things that I can use to composite things.
All right, let's just start with the filter and add the filter over here and then drop it between those
these two things.
And then the default filter is stuff.
Then you can change it to anything you want.
For example, if you change it to this one, you may get some other results as you took this one or
even this one and all.
Yeah.
So we are viewing this layer right now to view this layer.
Just press control shift and left click on this to view it in this light.
So now we are viewing this one, as you can see.
Now, the shadows are very, very hard, like we have the hard shadow right now.
So then we can change it to this one to see the effect like this or this one and so on.
Well, what I'm interested is in this sharpen.
So to sharpen the image immediately, as you can see, it makes it too much.
You need to decrease it to a fair amount, like I think.
All point 15 is a good amount.
And then we can see if if we need more or less.
So this is zero.
And this is all points one.
I think just all points.
One is enough for us.
All right.
The next thing is I'm going to show you is good.
So let's put it over here.
And what those what Glenn does, it makes the parts of the parts of the image that are more reflective.
So it increases that reflection of all that.
Okay.
So if you change the change the fade over here.
Exactly.
Look at the eyes over here.
And if you change the test, hold.
Maybe that makes.
It's making a lot of things in this area.
So maybe if you change the streets to glue.
Let's see.
Without the clear.
So not many changes.
If we change that threshold, maybe, you know, it's not making any changes.
All right.
But we can use it to make some more reflective areas around the picture.
Now, the next thing is, let's use a lens distortion.
Where here I say, if I use it over here, let's attach these ones right here and then Control Shift.
Click on this one to see it in the view or not.
Now, as you can see, we have some distortion.
No, actually, we don't have any distortion because it's on zero.
So let's put some like crazy amount like five and also five for the other one.
And as you can see, the image will change really so much.
So this lens distortion will help us to achieve a much more photorealistic picture.
So this puts a really low amount like 0.1 points one and now is still still to.
So this go for all five and all five.
Too much to see or to
sell or to thing or to is enough.
Maybe even maybe even
one or two is enough in as some of a bit distortion to the picture.
And it makes it all more interesting.
So if I change it better here without the distortion, you can see the effects right here.
I think it's still too much.
So let's go for 4.1.
Yeah, I think 0.1 is doing great right now.
Okay.
And then let's see what other things we have we can do to we can make some blah if you want to put things
on with the filters and also go to color correction.
So in the color we have so options to correct our colors and change our clothes.
So the first thing over here is bright contrast.
And with this option you can change the whole brightness of the picture and the whole contrast.
So if I increasing like this and you can see the brightness increases as well,
if it decreases, decreasing the brightness of the whole picture will decrease.
All right.
And then we have contrast to add more contrast over here.
Good.
The next thing is color balance.
You can change the whole color of the picture with this color balance.
The first thing over here is for correction of the shadows.
The second thing is for the metal and the last thing is for pilots.
So let's go and change the shadows over here, maybe into something like.
Maybe we need to something cold or something warm, and we need to decide if you want something cold
or something you want warm.
I think this one is good enough, like a pink one.
And then we can change the meetings over here to something like.
Here.
Very, very subtle.
And.
Something like this.
All right.
Americans see the change without the color by control shift.
Clicking on the last one opens with shift.
Clicking a duplication of this one.
Maybe not, actually.
Actually, you have to select the note and the whole note.
You have to attach the whole note, I think.
Yeah.
So this is without any of these notes and this is with the notes.
All right.
So without with the note conversion of clicking on these and without a note the role the role render.
All right, let's delete this, actually, and then let's go to color correction.
Or actually, I'm going to talk about the color correction as the last one, because the exposure is
a simple one you touch.
If you attach exposure, you can change the exposure.
The same thing we did with the with the bright contrast room.
So the next one is the.
Q Correct.
So you can change the whole colour of the picture with this one.
All right.
So you can see these are the dots over here.
You can remove them with clicking on them and removing, and you can just change the color of the picture
within the within these color, like the this is the yellow over here.
We can make it more or less saturated or more saturated with going up or down.
And this is the full color, as you can see, or here we can make it more saturated or less saturated
like this.
And these won't as well.
All right.
And that is that note and which in this note is very helpful as well.
This is the main note.
If you want to do some real quick changes to your picture, you go to this note so you can change the
hue of the whole picture.
So for me to do something like this, you can change the whole picture like this.
And if I change the situation, you can change institute situation like this.
Although interesting in this situation over here is if I decrease the situation, as you can see, I
now have very good control over how much situation I want.
So the default value is this one.
I can make it in like 1.5 or 1.1.
And this is more such a thing.
I need to decrease the situation with a with something like this maybe.
Right, or something like 1.9501.9.
So a little bit decrease in length and saturation.
And then we have value again, it's like the brightness of the whole picture is decreasing a little
bit like this.
It's just all right.
And that's about hue saturation.
Then we can also combine all these and we can do another color balance over here and then then change
the colors again, something like this.
But what I'm interested in is this color correction.
This note is giving you all the things you need to change the color of your picture.
So this is the master, the highlights, the MI tone and the shadows.
And these are always gave you the gain belief, the gamma and the contrast so far.
If I want to change the mid tone that if I, if I want to change the contrast of the mid tones of my
picture will go here, me tones contrast and then change the whole contrast of the picture.
But you want to change the contrast of the highlights.
I'll go here as you can see, the highlights over here change as well.
Right.
If I want to change the conscience of the whole picture, I go here.
Right.
Let's change the contours of the shows as well.
Have some contrasts in every one of these.
Well, every one of these values helps the picture to be more appealing.
And not to.
Not to very cold and all the.
So we can chew this well.
Yes.
Well I'm not sure what it does.
Maybe it shows a little bit of the exposure here.
I'm not sure.
So we can change the gain and add some more interesting effects to our scene.
So for the shadows, let's increase the gain the C will get.
And the strange actually goes.
So if you want to.
So if you want to have some.
Really?
Shells like this can decrease the gain of the shadows over here.
I also, if you, for example, the loss if you do some rendering and the lights are to like bleeding,
the edges are not very nice and all you can come over here and change the gain and it helps to soften
the shadows.
It's decreased both a bit of the gain of the shuttle's skill to lift.
And I don't think I need to change anything in this one.
Maybe the highlights.
Maybe she's thinking good with that.
And now I think, you know, we made some really good changes to the whole picture if you want to see
the.
Resolve over here.
Let's do this.
And as you can see, this is the real render.
And this is with so few knowns, very, very few simple notes, first sharpening the image, then adding
some less distortion.
I think a hue saturation to make some simple changes to the hue situation and adding the color correction
to make some subtle changes to the colors.
And with control shifts clicking, you can see that we've made this photo much more appealing to the
eye.
Not too cold like what we had over here.
It's good with particles and some more interesting shapes over here to the scene.
So it not seemed so.
Oh, so simple.
All right.
I was with a racist painting with others, some cool paintings or these areas, like over these areas,
I made some variation in this skin color, which makes the whole thing more interesting.
Ten.
I render the trade five to all samples can go higher if you want a more clear picture.
Right.
And make sure to have the DNA is on.
You could also add Pitino's the DNA is not over here and over here and make some changes to the to the
picture.
Right.
But I think now I'm okay with this one.
You can always go back and change the things over here.
For example, maybe a once more or more lights on my picture.
So this is too dark for me.
So I just increase it over here and have it more dark like this, right?
Maybe it changes the situation.
I think decreasing the situation is a good idea over here.
And yeah, that's it.
I think that's it for this video on this part of the course.
In the next one, we're going to we're going to go deep into the sculpting in blender and making and
sculpts, making some and doing some practices in sculpting.
I'm going to show you how to use all those brushes in the sculpts menu and how to sculpt in general.
So until then, I hope you enjoyed this part of the course, and I hope you made some cool characters
and goodbye.