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So I thought, guys, let's get into the compositing model.

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Last parts of this part of the course and I'll see how we get.

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So this is the raw render right here that we got the cycle engine.

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So render that in the cycles.

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So if we close it and let's go through the screen and then there's a tab over here compositing which

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gives you this thing, this note over here, if you don't see the notes go up here and enable notes

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to see the notes and then have the backdrop on over here on the.

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Otherwise you don't see the image in the back there, in the back of the of the scene of the whole compositing

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itself.

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So everything we do here is will be applied to the to this one, the default viewport over here.

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The second window is drop sheet.

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Let's just change it to image editor to change how to change the to change the once you see the results.

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So also by browsing over here, go to your notes.

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Now we just see what is going to be applied to this render layers over here.

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So this is solved by pressing shift a now again like shading over here we have some nodes.

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So we have some inputs like image of some textures.

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You can add some other spots.

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And what I'm most interested in is these nodes are the color.

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So in the color section, we have some color correction, color balance combos, contrast, hue, colors

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and all these.

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This is what I'm interested.

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And the next things I'm interested in all the filters.

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So you can add some blood filters and glare filters and yeah, some denotes some filter.

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The main filter you can add for is softness or sharpening.

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And then we have this this sort of option that you can use.

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The main thing I'm interested in is the lens distortion.

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If you use other applications like Photoshop and you're familiar with how to compositing your picture

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in there, you can do the same thing.

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But as this is one of the course, I figure this might be a good idea to just composite it inside Blender

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and it has really good things that I can use to composite things.

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All right, let's just start with the filter and add the filter over here and then drop it between those

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these two things.

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And then the default filter is stuff.

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Then you can change it to anything you want.

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For example, if you change it to this one, you may get some other results as you took this one or

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even this one and all.

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Yeah.

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So we are viewing this layer right now to view this layer.

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Just press control shift and left click on this to view it in this light.

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So now we are viewing this one, as you can see.

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Now, the shadows are very, very hard, like we have the hard shadow right now.

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So then we can change it to this one to see the effect like this or this one and so on.

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Well, what I'm interested is in this sharpen.

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So to sharpen the image immediately, as you can see, it makes it too much.

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You need to decrease it to a fair amount, like I think.

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All point 15 is a good amount.

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And then we can see if if we need more or less.

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So this is zero.

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And this is all points one.

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I think just all points.

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One is enough for us.

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All right.

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The next thing is I'm going to show you is good.

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So let's put it over here.

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And what those what Glenn does, it makes the parts of the parts of the image that are more reflective.

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So it increases that reflection of all that.

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Okay.

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So if you change the change the fade over here.

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Exactly.

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Look at the eyes over here.

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And if you change the test, hold.

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Maybe that makes.

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It's making a lot of things in this area.

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So maybe if you change the streets to glue.

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Let's see.

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Without the clear.

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So not many changes.

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If we change that threshold, maybe, you know, it's not making any changes.

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All right.

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But we can use it to make some more reflective areas around the picture.

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Now, the next thing is, let's use a lens distortion.

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Where here I say, if I use it over here, let's attach these ones right here and then Control Shift.

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Click on this one to see it in the view or not.

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Now, as you can see, we have some distortion.

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No, actually, we don't have any distortion because it's on zero.

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So let's put some like crazy amount like five and also five for the other one.

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And as you can see, the image will change really so much.

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So this lens distortion will help us to achieve a much more photorealistic picture.

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So this puts a really low amount like 0.1 points one and now is still still to.

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So this go for all five and all five.

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Too much to see or to

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sell or to thing or to is enough.

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Maybe even maybe even

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one or two is enough in as some of a bit distortion to the picture.

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And it makes it all more interesting.

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So if I change it better here without the distortion, you can see the effects right here.

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I think it's still too much.

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So let's go for 4.1.

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Yeah, I think 0.1 is doing great right now.

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Okay.

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And then let's see what other things we have we can do to we can make some blah if you want to put things

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on with the filters and also go to color correction.

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So in the color we have so options to correct our colors and change our clothes.

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So the first thing over here is bright contrast.

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And with this option you can change the whole brightness of the picture and the whole contrast.

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So if I increasing like this and you can see the brightness increases as well,

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if it decreases, decreasing the brightness of the whole picture will decrease.

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All right.

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And then we have contrast to add more contrast over here.

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Good.

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The next thing is color balance.

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You can change the whole color of the picture with this color balance.

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The first thing over here is for correction of the shadows.

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The second thing is for the metal and the last thing is for pilots.

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So let's go and change the shadows over here, maybe into something like.

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Maybe we need to something cold or something warm, and we need to decide if you want something cold

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or something you want warm.

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I think this one is good enough, like a pink one.

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And then we can change the meetings over here to something like.

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Here.

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Very, very subtle.

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And.

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Something like this.

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All right.

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Americans see the change without the color by control shift.

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Clicking on the last one opens with shift.

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Clicking a duplication of this one.

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Maybe not, actually.

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Actually, you have to select the note and the whole note.

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You have to attach the whole note, I think.

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Yeah.

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So this is without any of these notes and this is with the notes.

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All right.

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So without with the note conversion of clicking on these and without a note the role the role render.

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All right, let's delete this, actually, and then let's go to color correction.

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Or actually, I'm going to talk about the color correction as the last one, because the exposure is

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a simple one you touch.

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If you attach exposure, you can change the exposure.

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The same thing we did with the with the bright contrast room.

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So the next one is the.

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Q Correct.

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So you can change the whole colour of the picture with this one.

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All right.

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So you can see these are the dots over here.

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You can remove them with clicking on them and removing, and you can just change the color of the picture

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within the within these color, like the this is the yellow over here.

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We can make it more or less saturated or more saturated with going up or down.

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And this is the full color, as you can see, or here we can make it more saturated or less saturated

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like this.

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And these won't as well.

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All right.

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And that is that note and which in this note is very helpful as well.

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This is the main note.

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If you want to do some real quick changes to your picture, you go to this note so you can change the

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hue of the whole picture.

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So for me to do something like this, you can change the whole picture like this.

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And if I change the situation, you can change institute situation like this.

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Although interesting in this situation over here is if I decrease the situation, as you can see, I

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now have very good control over how much situation I want.

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So the default value is this one.

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I can make it in like 1.5 or 1.1.

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And this is more such a thing.

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I need to decrease the situation with a with something like this maybe.

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Right, or something like 1.9501.9.

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So a little bit decrease in length and saturation.

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And then we have value again, it's like the brightness of the whole picture is decreasing a little

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bit like this.

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It's just all right.

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And that's about hue saturation.

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Then we can also combine all these and we can do another color balance over here and then then change

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the colors again, something like this.

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But what I'm interested in is this color correction.

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This note is giving you all the things you need to change the color of your picture.

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So this is the master, the highlights, the MI tone and the shadows.

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And these are always gave you the gain belief, the gamma and the contrast so far.

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If I want to change the mid tone that if I, if I want to change the contrast of the mid tones of my

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picture will go here, me tones contrast and then change the whole contrast of the picture.

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But you want to change the contrast of the highlights.

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I'll go here as you can see, the highlights over here change as well.

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Right.

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If I want to change the conscience of the whole picture, I go here.

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Right.

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Let's change the contours of the shows as well.

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Have some contrasts in every one of these.

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Well, every one of these values helps the picture to be more appealing.

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And not to.

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Not to very cold and all the.

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So we can chew this well.

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Yes.

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Well I'm not sure what it does.

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Maybe it shows a little bit of the exposure here.

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I'm not sure.

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So we can change the gain and add some more interesting effects to our scene.

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So for the shadows, let's increase the gain the C will get.

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And the strange actually goes.

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So if you want to.

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So if you want to have some.

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Really?

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Shells like this can decrease the gain of the shadows over here.

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I also, if you, for example, the loss if you do some rendering and the lights are to like bleeding,

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the edges are not very nice and all you can come over here and change the gain and it helps to soften

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the shadows.

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It's decreased both a bit of the gain of the shuttle's skill to lift.

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And I don't think I need to change anything in this one.

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Maybe the highlights.

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Maybe she's thinking good with that.

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And now I think, you know, we made some really good changes to the whole picture if you want to see

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the.

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Resolve over here.

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Let's do this.

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And as you can see, this is the real render.

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And this is with so few knowns, very, very few simple notes, first sharpening the image, then adding

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some less distortion.

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I think a hue saturation to make some simple changes to the hue situation and adding the color correction

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to make some subtle changes to the colors.

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And with control shifts clicking, you can see that we've made this photo much more appealing to the

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eye.

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Not too cold like what we had over here.

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It's good with particles and some more interesting shapes over here to the scene.

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So it not seemed so.

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Oh, so simple.

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All right.

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I was with a racist painting with others, some cool paintings or these areas, like over these areas,

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I made some variation in this skin color, which makes the whole thing more interesting.

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Ten.

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I render the trade five to all samples can go higher if you want a more clear picture.

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Right.

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And make sure to have the DNA is on.

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You could also add Pitino's the DNA is not over here and over here and make some changes to the to the

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picture.

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Right.

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But I think now I'm okay with this one.

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You can always go back and change the things over here.

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For example, maybe a once more or more lights on my picture.

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So this is too dark for me.

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So I just increase it over here and have it more dark like this, right?

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Maybe it changes the situation.

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I think decreasing the situation is a good idea over here.

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And yeah, that's it.

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I think that's it for this video on this part of the course.

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In the next one, we're going to we're going to go deep into the sculpting in blender and making and

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sculpts, making some and doing some practices in sculpting.

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I'm going to show you how to use all those brushes in the sculpts menu and how to sculpt in general.

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So until then, I hope you enjoyed this part of the course, and I hope you made some cool characters

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and goodbye.