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Hello again in this video, we are going to take a look at all these brochures in this company.

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I'm going to explain them all to you so you better understand what each one of these brochures do.

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What are the uses before that?

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This this best mesh I'm going to use for this purpose, of course, is made by Chris Johns.

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So if you're interested, you can go to common roads and go to Chris Jones page and can find his base

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measures.

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So I wanted to say that before starting the video, use the space finish for like everything I do.

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Geometry is really good.

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I like how all the things are come together in this space mesh and you can even use the reek that comes

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with this space.

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Manage to do animations and all that sort of stuff.

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All right, let's go to Scott.

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Seeing a on on an object go to scope mode and then we have all these brushes over here.

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First of all, you need to not get overwhelmed with all these brushes because in your sculpt things,

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you only use four or five brushes all the time, or maybe even two or three.

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And all the other brushes are just very, very specific.

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Like for a very specific situation, we need to do something specific to do.

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All right.

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So don't get overwhelmed with all these brushes over here.

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You're just going to use some very few brushes.

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All right.

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The first prize is draw.

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And as the name implies, it will add geometry, add to the geometry right here.

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And again, it is by saying at geometry, it is not going to add any geometry.

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All right.

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It's just going to make some make the geometry inflate.

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If we hold control, it's going to deflate the geometry like this.

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All right.

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So that's what drawbridge does.

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It's going to add to the area, to the surface.

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Surface, if you hold control, is going to remove from the surface.

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Okay.

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Then we have just shop, which is one of the most useful brushes.

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And this brush will make a shop.

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That shop dents on a shop surface.

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So if I click on it like this, like in this area.

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Let me let me subdivide this model.

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So why subdivision?

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Because for the shop to work better, you need more geometry.

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And if I do this now, as you can see, there's a very sharp, dense over here in anywhere in the surface.

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If I draw, I want to make the sharp edges like this.

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All right.

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Very useful.

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And one of the most useful brushes that you going to use in your sculpts.

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And then we have clay again.

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These first brushes are most useful brushes over here.

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Clay includes strips of the most useful brushes that you're going to use all the time.

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All right.

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So Clay uses a round oval to make the shape if I make it over here, for example.

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As you can see, it is adding volume but in a very smooth way and very round shape.

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So if I go maybe somewhere else, maybe here, add something over here with the X of.

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As you can see, we have a round shape.

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It is adding geometry, but in a very smooth, a smooth way.

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All right.

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So let me add this area with the clay brush.

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Then go to the school to quiz cyclist rates.

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On the other hand, it's not going to make it smooth shape.

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It's going to make a very actually very sharp edges shape with sharp edges.

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And it uses some kind of a square alpha or as that shape is squarish.

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So if I click on it now, as you can see.

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All right, this is clear strip a very square area and this is quite good.

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So he uses the clay brush, uses a very round for a very smooth area.

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And the clay strips uses a.

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Square often makes sharp edges and is very useful.

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For example, if it holds control with clear strips, it's going to make an area like this.

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And as you can see, this makes a very interesting shape for work.

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Maybe for every sculpts, let's say a clear strip is very useful.

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And I love this brush.

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This is my main brush.

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All right?

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This is the brush that I go to for sculpting anything.

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So just do some sculpt with this one.

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This ad, the just at you is very smooth.

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Then go use this or not this smoother.

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Actually, I maybe subdivide that to get more geometry and then go to sculpt more and use it any way

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you like.

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Draw to get how much roll them.

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I was speaking of volume with clay with not the clay as you can see how much volume we're adding.

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Like if you do this, you're seeing how much volume you're adding while sculpting.

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But with other brushes like clay, your other eyes here are correct, but you don't see like how much

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all the m now it is added.

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Like you have to go around and like make sure that you're not adding too much volume or adding not enough

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volume.

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All right.

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And the same goes for draw, for example.

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So Clay Strips solves this for us to give us an idea like how much volume we are adding to the shape.

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And this way we can we can add or remove volume very easily, like in this area.

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If I hold controlling, I want to remove volume from this area of control.

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Click clear strips if I 100 stretch and as you can see, it's very easy to remove volume from these

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areas now.

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Right.

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And then I smooth that shift, then I got this shape.

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So it's a very easy and it's actually very fun to to use this brush.

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So definitely play around with this brush and draw anything you want.

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They have great tone.

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I don't use as much, but if you want you can just draw some draw some shapes with Clay's from like

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like move.

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Just move the geometry around.

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If I enable wireframe, it's going to give this effect to the geometry, even you.

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Drag your mouse.

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All right.

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And it is going to be helpful in some situation.

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But not very.

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Not something you're going to use much.

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Do we have to use this?

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Brush is very useful for hot surface sculpting.

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For organic sculpting, not so much.

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But what it does is going to add a very a very constant shape, a shape that is very constant in edges.

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It has the same angle, all that.

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So if I do this, I get this shape over here with one hand.

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And if I go to, like, decrease this trench and make another shape, as you can see, it's going to

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make this if I go and make something like this.

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It's going to make an area like this.

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I only try to play around with the fall off, maybe use a constant and then this is very useful for

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us of the sculpting.

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I can make very interesting shapes like this and then if I want that, I'll get something like this.

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All right.

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So the next one is inflate for it.

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A lot of other very useful brushes.

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I see that you're going to use a lot.

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So inflate as the name implies, it's going to inflate the geometry.

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So for inflate this area, well then drag.

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As you can see, it inflates this area so I can use it everywhere I once.

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And yeah, so that infers it.

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If I enable geometry so you can see better.

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It pulls out the geology with this.

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And then we blood is kind of the same as in Flint, but is more precise as which area you are inflating.

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So if I did this, I am doing I'm inflating this area.

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But if I turn around, as you can see, it is keeping this area much deflated like it is more precise

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in what you do and maybe a better option in this situation.

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Honestly, I use inflate I rather to use inflate and to do it like myself, like you use inflate to

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inflate these areas.

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But you can in many in some cases, many people be useful.

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Then you have crease.

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Crease is kind of the same as Russia, but with less strange, let's say.

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So as you remember I used draw shot in the corner of the nose in the in this area but if I use crease

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as the name implies is going to make a crease in the area that I draw.

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And it's much the same, much pinched in compared to Russia.

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If I use this, as you can see, it is more wide and this one is much more pinched.

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Right?

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So that's when we actually increase the subdivisional level.

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Now we have 250,000 courses.

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And yeah, as I was saying, it's going to make a very something like this increase like this with Russia.

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Well, with Chris, you get a very narrow Chris like this.

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It is definitely useful.

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But, uh, I don't think I do too much.

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I don't think I like Russia because it enables me to do very fine details without worrying that or with

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Chris, I did too much and I have to smooth it and all the.

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All right, so that's that.