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We have multiple scripts, so imagine we have two script work.

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Like, for example, we are escaping this area and we want to scrape this and then it's good.

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Like there's a line over here, you want to scrape this area and skip this area, and this does kind

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of the same thing.

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All right.

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So if I present.

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If I do it with the brush, it's going to do this.

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It's going to scrape these both areas, but it's going to keep the line between.

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And it can get a very interesting effect like this.

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They can use maybe for clothes or maybe even maybe for this area.

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Right.

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And then it's with that.

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But yeah, that's another brush you can use.

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The pinch brush is very useful combined with the crease brush.

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So I can remember we can use creases.

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He's brush to make creases.

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So for example in this area on the nose, if I use crease and then if I use pinch, it's going to pinch

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this area and it's going to make the surfaces closer to each other.

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So it's going to make this surface to this surface closer to each other.

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And if I now pre-contract, as you can see, it's going to make this much more closer.

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But as you can see, the effect is too much right now.

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So we need to we need to really be cautious when we're using these these brushes, like these brushes

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over here.

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The they should be very subtle.

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They have grip brush.

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One of the most useful brushes in sculpting.

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The whole sculpting were for boys to add volume, geometry and volume over here.

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And the first time for grab and grab, it moves around and then again add volume.

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All right.

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So Grab Brush is one of those useful brushes and the shortcut in.

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Here is G.

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So it's G number G.

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It's the same thing we have for moving the object in object.

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So if he or she, it's going to move on the same thing.

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We have ura efficient g while we are in other brushes.

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It's going to switch to graphs while also like what we have in the object menu, in any menu in blender.

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You can right click on any of these brushes or even maybe.

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The settings.

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All right.

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Maybe these settings.

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For example.

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Okay, you can right click and add to quick favorite as you can see, quick fare with ease enabled by

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press and Q and then you have these quick fairy stories up and now I have draw a three case strip and

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draw shot.

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So when I'm sculpting, I don't have to go here and then click on it and do a score and then click on

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this and do and the click on graph and do it sculpts.

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I just press Q Quickly change draw.

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I use this Q Playing strips Q draw shop Q trace Q directions.

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Then this way I can easily.

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Change with the brushes.

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But you want to use shotguns.

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You can do this.

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Click on as one should contact.

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Then Blender is going to say that assign a shortcut and you can use a number.

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For example, what I like to use is one, two, three, four, five for the five brushes I used most.

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So you set shortcuts to one, two, three, four, five or those brushes?

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Both.

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For the sake of this course, I'm going to use just curious, too.

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So you see what brush I'm using all the time?

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All right, so that's it.

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Grubb As I explained previously, news, if you go to brush or option over here, you can set it to

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auto mask and supposedly save it.

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For example, grab brush if you go here to the hands and you could on hands is going to only detects

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the.

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The topology that is connected to each other.

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All right.

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Is very handy in some push some situations where, for example, you have a routine area and you want

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to only grab one area.

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I don't want to graph, for example, like this with topology of you're going to grab all this area

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together.

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If it's topology, it's going to grab the area that is connected and the other area is now being affected

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because of the fall of right here, this circle.

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But the effect is much less.

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Right.

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So you can use something like this to your advantage.

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Then we have a recipe for.

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It's going to make some.

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Like it has the same thing with Graf, but it's going to be much more elastic, much more like free

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form, let's say, like it's kind of like crap, but it's much more like free.

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You have more freedom to do stuff like this, right?

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We have a snake hook.

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Very slow fun to use.

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It's thank you is going to grab the area and like rehab is like snake cook right.

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The names is perfect.

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So if I click on this area, they grab it.

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It's going to make something like this.

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And imagine if we want to make a creature and if you want to add horns or we had to have it is click

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the snake click and then do this right pretty easy.

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So let me have some.

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Not very useful.

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I think.

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Never used it, but maybe in some cases you find it useful.

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As you can see, this is the effect it does.

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The pause brush is very interesting.

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It was added like a thing, but in the 2491 thing and it is very interesting, it made it seem so much

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more interesting so far for our case.

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I may even just use a pause brush and I'm doing the rigging as a show during periods with use.

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So with pause brush the radius of your brush is going to is.

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The radius of your brush is telling you how much geometry you're going to manipulate.

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So as you can see, if I reduce the radius, there's a line over here.

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All right, this line we're here for, increase the radius.

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The line grows.

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If I increased further, the line grows.

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This line is showing me how much of the geometry from the center points.

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All right.

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From the separate sensor point of brush to the to the radius, to the last point, the radius of the

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brush is going to affect.

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All right.

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So it's going to affect this whole point over here.

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And if I now.

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Click and drag.

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As you can see, it is affecting this area of the brush.

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Right.

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That is very handy.

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So imagine I want to move the hands right here.

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So I just have to do this right.

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And then imagine I want to make the head move.

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All right, so let's just to.

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With the accents off.

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I just do this like some simple head moving.

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I want to move to, like, maybe I just do this.

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Even rotate some areas.

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If I decrease the radius, then in this area I did this.

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It rotates the area.

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Of course, after using this kind of brush, you need to do more sculpting.

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So, for example, you need to smooth out and do much more.

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And then easily making adjusted like for example used the term can decrease it and then go like here.

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And then here, maybe.

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So yeah, you can use this to do some really fast rigging and posing like this.

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But of course, don't forget about the over here.

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You can choose this trench to have much more subtle, like maybe.

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Changes.

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All right.

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That's it for this bridge.

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Now, I figure it's not, again, one of those verses that I really use, but you can use it for, for

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example, this area or example.

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And so if some parts of you were sculpting your you can move the whole mesh in one area to up or down.

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So you use this brush to move it around like this.

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So I'm just knuckles over here I can work with like this.

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She's right, I think is a strange sort of move.

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It's a nudge.

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It's around rotates is going to rotate area.

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So for two days it's going to rotate this area.

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So you just.

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Move your mouse or your pen in a circular motion that's going to make a circle like that.

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Slowly.

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Relax.

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There are some brushes over here that are kinda more useful when you are.

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Maybe books, modeling or even modeling.

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But they are here, I think, because of some maybe

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maybe some courts surfers are sculpting.

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So if I move to this area where yes, I'm at the Met, the great.

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All right, I'll move this area over here and do some changes to the geometry.

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Let us solve some some changes like this.

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So the geometry wouldn't be too perfect.

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Now if I use Slide to relax and move my mouth around, try and go around like this.

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As you can see, the slight brush is trying to make the geometry more even.

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So it's going to make it more even as it can.

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As you remember, I met with grabbers, like made it up like this with the slides.

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Relax and relax.

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The geometry of what he made made it more even and more like each other.

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So, for example, if I go back to our character or here.

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And if I use relax or here is going to relax.

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Geometry is useful in some cases when you are trying to make even surfaces, but you need to understand

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what it does.

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The geometry is going to relax the words towards the have boundary.

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It as far as I know this won't work with the with a organic shape like it never works with an organic

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shape of this for me.

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But again for surfaces like a grid over here, if it go to scope and use boundary and then as you can

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see with the brush, there are some lines over here.

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So if you're familiar with boundary, we have a we have a modifier here called Simple Deform.

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Yeah.

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Oh my God.

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I miss the simple difference.

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If you click on CIF will define fine mesh.

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As you can see, we have some options twists, bends that we can use bend for increase the maybe the

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angles doesn't happen.

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I think if I use temporary for a stretch, if I use twists, I can change how it's going to twist.

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All right.

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So this is the same thing kind of with this one before we it's much more, let's say.

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Freedom.

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All right, so if I click here, I'm going to deform this area.

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We're here.

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And if I click now, it's going to bend it like this.

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Right.

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So it's pretty useful for some maybe some clothing, some doing some clothes, sculpting some clothes,

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maybe doing some blocking of the clothes on all that.

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If there are some options in the brush settings or here as well, it's the same thing.

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You can set that information to the gym as your closet simulation is going to change a little bit.

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I think it's useful, actually.

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And now it is actually using the pool and the physics system to bend this like a cloth.

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So this is acting more like a cloths.

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Right.

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Then we have over here the formation we can use bend, grab, twist and inflate and expel.

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So if I use tweezers, you can see you can use it to twist this mesh like this.

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Then we have the fall off first and the loop is going to do another effects.

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Okay.

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At some point as far.

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I play it?

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I can see now it is a war.

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So as far as I understand, the boundary kinda works more with the with the flat surface.

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It doesn't work with double double phase geometry, for example, here or here it should have a very

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simple geometry like this.

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So.

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The other thing is class.

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So if a coherent and you use sphere.

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Then that's subdivisions surface to more apply it and the go to sculpting signal in the high frame.

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And then with this cloth brush we try to do something crazy like this.

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If a click now as you can see it is making some folds on the geometry.

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And now I added Chino for subdivision.

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As you can see, it's still not very high risk.

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So for this brush to work so this brush, as the name implies, is going to make some growth effects.

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So it's going to make some folds in your areas and all of that.

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All right.

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00:17:00,440 --> 00:17:07,410
But it needs a lot of GM that this this brush that should be used in your last stages with sculpting

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and you're adding material and adding all subdivisions and all that.

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All right.

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Now, with this falls, if I increase the resolution of a subdivision.

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Now, as you can see, the details are coming out, but very, very cool brush.

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It's one of those very cool brush that was added in like I think the 2.92.

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I think so, yeah.

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That's a.

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But there are some options for this process as well.

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If you go to brush sitting or here or here.

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There's some options or he can use a simulation area to local, global, autonomic, and it's going

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to change the effect of a bit.

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And he can use the simulation limited simulation full of to add more.

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I think this.

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You can use the information site.

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It is on pitch point.

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Right.

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And I can use.

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Drag, for example.

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It's going to make an effect like this.

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Different.

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Throw out all the other options and see the side effects for yourself and play around with these warriors

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the next time you have it.

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Simplify.

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And for this one to explain to you first enable an option called going to point the next.

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With this, I'm going to expand to the night zones up over here.

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Well, let's expand the use and support over here.

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In some cases, your sculpting.

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We need more geometry.

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All right, then we don't support.

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We can quickly add geometry.

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So if I go here and decrease the pixel over here.

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So it's on six or seven.

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I can now.

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I jumped to the area they want.

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So, for example, I'm walking on the ice and I need more geometry to add more detail.

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So if I now with this simple click on here, I'm adding more geologists.

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As you can see the geometry in this area that's I use my drop rush to draw this area is much more than

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the geometry in this area all right.

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But sometimes suddenly said, well, the wireframe.

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Now, as you can see, if I use Joshua, for example, this has much more resolution, this area.

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It's very much clear that this area has very much resolution in this area.

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But sometimes when we are doing sculpting, then you realize, no, I want a simplified version of this.

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All right.

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And making you simplify.

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Simplify only works with time.

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So for us, you need to have your ten so far.

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All right.

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So with this brush, if I go to my family, the one frame I want to simplify this area, I just go here

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and then maybe increase the pixel.

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So by increasing the pixel over here with its ending set to relative.

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More about this later, I'm going to decrease the resolution.

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Don't get confused, but with this brush I'm going to delete these geometry over here.

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If I did this, then the geometry is going to be deleted and this area is going to be more simplified

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like this.

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So this is more simple without less details.

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That's all it does.

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I'm going to expand the masks, first sets for the last part of this video, because they're the most

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important of the most important things.

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So let's go to the next one.

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The mortuaries split up.

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And so we have something called mortuaries that I'm going to explain to the next videos.

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It's one of the workflows in Berlin that you use for sculpting.

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What's a short explanation is that, for example, if we make two spheres like this and we use subdivisions

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surface or here and even increases for the surface.

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Then with subdivisions surface now as a geometry, I can use it to maybe do more like that, for example.

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Right.

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But as you can see over here, we can not very much use other versions or here for ourselves.

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And the subdivision surface modifier is not recording how a kind strokes is, not really making the

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process said.

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It's not really giving us much more option than just adding subdivision.

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All right.

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On the other hand, look at mortuaries, multi mortuaries.

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The resolution modifier as a more advanced subdivision surface this one's for is.

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Made for like sculpting so this is the modify it to go for sculpt this it is like the subdivision modifier

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is you can subdivide but you have to click on subdivisions.

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If I click on southward, it's going to make one more subdivision.

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It's going to show Invert Frame.

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If I do too, I it's going to make more subdivision three times.

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Going to make a lot of substitutions.

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All right, then we can actually subdivide if we apply the money for it.

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And if we add multi resolution on frame and we use on subdivide, it's going to on subdivide the mesh

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for us.

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So it records the subdivision and we can even use even after applying the modifier, we can unsolved

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divide the mesh like this to use.

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All right, so if I apply this.

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Like the trees subdivision.

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Actually, something like this.

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All right.

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To get our ocean on mesh.

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And if I use subdivision too small to subdivision, which is called mode, again, we can use it to

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draw and do anything we want.

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And the view on most of the subdivision level and then do this then in some parts of my.

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It's cuts in process a once.

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This sculpting.

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I want to get to lower resolution to do some major changes for for example in this sculpting area effectiveness.

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Maybe if I do small thing in very higher subdivision like in four or five or six, this happens.

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But if it happens, I hear it.

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Small thing.

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Right now I have my estrogen at 1.3 and maybe lower that.

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And then when you are a small thing, it's not a small thing much.

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So you want to have a much more smooth.

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Well, it does, as I said before, is going to record you as cutting.

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So if I click on this arrow in the scopes.

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When you were here and go to live in one subdivision, now have more mesh in level one.

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And if I do this now.

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Smooth like this with the same amount of stress, as you can see, is much easier for me to smoke or

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much easier for me to draw things like this as well.

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Right.

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And then if if I go up again, it is saving all my brushes.

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So this is the one I did in the sculpture tree.

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And this is what I did in a sculpt level one.

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All right.

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So this is a great combination to use and very helpful.

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And then again.

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You can change the viewport and sculpt a render.

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All right.

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So this is for viewport, sculpt and render.

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So if you want our sculpting, for example, in level two, we can have a level two that will help.

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You want to have a viewpoint, level one that are rendered in the highest amount, see for good to object

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without notice of viewport.

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So it's going to be in level one AR object.

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If we go to Scotland, it's going to be in level two as we have made it so right.

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So let's get back to the thing I was explaining.

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If I go to add more resolution, which is called add on subdivide, if I add subdivision on a scope,

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one is going to only add that Scott are render.

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So keep that in mind.

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That's the usefulness.

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So if you add a couple of subdivisions and you go to object what you get with Zero Viewport, if you

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want that subdivision, just click on that.

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All right, then.

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I make some changes with this.

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Any sense of what's in the fit, the mortar resolution?

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As I said, it's going to record my my changes.

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All right.

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Then I realize after sometimes that these changes are not what I want.

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So this is the brush that you want to go to.

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So this is the multi-use displacement eraser.

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And maybe as if course, it's going to erase the changes we did with the motor resolution.

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So if I click here now, it is all raising all the brushes, all of the strokes they use while the motor

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resolution on the final.

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Right.

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This dance over here, we have water resistance.

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Also, this brush can't do an effect because we don't have the recordings with this one before.

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And I said, this is the smear destroys that smear process.

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So for something like this and use.

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Smear as a smear.

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It is going to smear the brush like this.

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I clicked as the smear brush I had been using.

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Want to risk?