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Welcome back, guys.

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In this video, want to show you different ways that you can use bonds to make bass measures for your

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sculpt.

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So as we speak and as we talked in the last with you, we usually start with primary forms for our sculpt

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and then go to secondary forms answer to your reforms.

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So to make that primary forms, we need a bass mesh.

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So the first stage is actually to make a bass mesh of the thing that we're sculpting, the character

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that we sculpt a it may be a human, it may be a creature, it may be a for the future.

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For example, you may you may be anything.

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But first, you need to block out the silhouettes, block out the primary forms, the main forms.

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All right.

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To do that, there are some various options you can use in Blender.

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So the first thing is to simply make it cue and then we can go to edit mode and then in vertex mode

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match all of them.

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So we have a single.

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Bertice, then we can go to modifiers and add a skin modifier.

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So now we have this Q or A here, but we can go to subdivision surface and the subdivision surface.

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We can have an increase of one more and then go back to it more.

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Now we have one more to see with skin and maybe let's try to make a human base shape like a very rough

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one.

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I don't want to put enough time, puts a lot of time, but let's see what we get with this matter.

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So let's press E that takes that apart.

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Let's press this right to see a market as roots.

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Then let's go up and eat that

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and let's do another one, he said.

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Let's press all the Z to go to X Ray Moore, and that's maybe make a subdivision or subdivision, and

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then let's enable x symmetry and press e x to extruded along the x axis of E x.

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So it didn't synergize.

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But that's okay.

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If you had any problem in this area, just remember that with the vertices, single vertices, there

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are some hotkeys which I explained in the first part of the course, but for us this is its control

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a to escalate down or else scale it down or up as much as you want to.

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Like, for example, like this scale it down over here.

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Not too much.

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Then e x the x.

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So this one is for the elbow.

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Maybe bring it.

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Well, it's a bit backward.

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Then this is the arm, and then we can go for the finger.

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They were off.

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So, e once I'm over here, the ones I'm not there.

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Right here.

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So ee e so that's three fingers, four fingers and five.

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And then select these fingers over here and press control A to scale them down.

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Now we can go move it around like this.

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It doesn't have to be perfect.

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Remember?

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Remember that we fix this stuff in this government.

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We can always go here and do something like this.

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Maybe.

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And the geology is not important for us.

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Remember, we are going through Raemisch everything we get here, so it doesn't matter.

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How they are connected to each other.

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Like.

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Like these areas, even.

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It doesn't matter to us because we don't remeasure these problems.

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We're going to are going to fix itself to get going to fix this stuff.

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They can go to end again and then proceed.

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And we are going to make an nick.

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So let's press control A to scale it down and then press again that console a scale like this.

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All right, then between these two point, let's make a subdivision and then let's press control.

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It would be smart to make it a little bit more round like a very rough head.

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Right.

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So you can go here now and we can press on control A, B, or actually we want to mirrored this.

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So let's move its.

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And the mirror is perfect right now, as you can see.

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Then we go to edit mode and the press e to make the links may be.

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Something like this.

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It doesn't have to be perfect.

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Maybe something like this.

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Now, he's a slender man, so.

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But it depends on what you are creating.

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We are just going to.

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Just for demonstration.

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Just going to.

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Do this, but maybe this is some cartoonish stuff.

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But you need to always.

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Attention to proportions.

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All right, now we get something like this.

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Okay, then now that we're happy with this one, then we are happy with this.

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We can go here and press control, a visual geometry to mesh.

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Now all the modifiers is applied, and now we get a mesh like this.

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But as I said, we don't care about the mesh because now we are going to sculpt what we're going to

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Raemisch Pierson on this eyedropper verse anywhere we want.

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And now weather has identified the work so size.

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Now we can press shift R and set the boxes, size ourself and then press control R to reach.

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Now we get a base mesh like this that we can work on because the fingers prints make it like the

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the distance between them will not apply to the image we did.

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We can go back and do maybe with more resolution.

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That is not otherwise though.

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If you do more resolution you will get like these fingers as well.

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But usually you have to start with the lowest amount of polygons when you are at the start.

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So I'm just going to not that much.

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I'm just going to do this that's okay for me.

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And then go to smooth, bring down the strange and smooth the geometry like this.

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I can enable symmetry as well.

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Then I can go and smooth it like this and then I can go around to PSG to foreground and then play around

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with the geometry to play around with with anything I have to make.

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Major.

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Major.

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Manipulations like major changes.

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So it depends on what character you're making.

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Can go and do anything you want, actually.

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And that's it for this book.

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So this is the first book.

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The first the very first part of your sculpting.

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So we made this with.

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Let me bring it down.

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Bring it over here.

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We met this way.

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It's a skin modifier.

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With a single verse of Sarah the skin modifier and ask to the second method of thinking.

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You can always go make a Q and then go to.

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So there's a surface.

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I make a softer surface.

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One of the easier, easiest methods for modeling.

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And then go select this face and press.

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E to extrude the press into extrude and then make a loop over here with control r.

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And then over here there's this face and pressed the X and S to scale it down.

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And then, you know, that's real, like make the arms, maybe something like this.

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If you're not happy with the scale, you can always select a press as the scale or press alt as to scale

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the vertices alt as versus vertices.

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You can also like make moves over here and then bring out the fingers.

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I'm not going to do that.

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But you can always try do this all the way to make a loop over here.

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And I select these face extrude.

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It's like this.

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It's got it down, maybe.

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Sick extra that down there make the cuts.

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We're here just trying to make a quick human waste wash just to show you what is the woeful form.

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Maybe not the best.

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I'm not.

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Maybe I'm not gonna make the best base mash, but just to show you how it's done.

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All right.

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And then we can add a mirror modifier to have this.

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Then we can go and extrude over here for the head.

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Or we can just maybe just extrude the neck right here.

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And then a skeleton with this.

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And then just in the edit mode while the face are selected press shifters to select that.

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So the cursor is here and then press shifts a and make a UV.

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So if you have a US sphere here as G that bring it up.

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And yeah, that's probably you can also play around with the proportion right now.

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So grab an edge.

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Maybe I'll grab the whole edges over here and break it up.

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Maybe do whatever you want, like make love cuts in there, maybe.

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Maybe the knee area, bring it forward and we'll make it look good in the belly area or bring it forward

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or maybe scale it down even for women, for example, or maybe skilled this up and maybe so like these

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faces and bring them forward like this for the.

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Or it's just the area and all the things you can do.

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Like, for example, in the back.

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Something like this.

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And the lower back to bring it forward like this.

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So do some proportions and older.

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Or you can always do that in the in the sculpts menu.

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All right.

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That's a quick base switch now.

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Now, I can just go and press control A and then press on Visual Jones.

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Now I have to smash over here.

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Quite a good.

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Quite a good geometry.

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So these areas, we want to match anything, so we always use Raemisch.

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So this is Raemisch with his eyedropper.

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Click on here.

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So under identifies the works the size of the mesh and then let's unify the works of size between the

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whole mesh with remission.

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So I'm going to press control over and now I get this charge.

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Now I got to smooth maybe bring up the strange and then I try to smooth various.

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Like this.

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Maybe it's not bad to put a price on symmetry and symmetry from Force X minus a special central star,

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a centralized space machine.

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And then you can start your book, your kings and your changes from now from this stage.

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All right.

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So that's another way to make base wishes.

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Let me bring it over here.

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And this was sweet.

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So this was we.

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Let's it here.

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So this was with the Cube subdivision.