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Okay.

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Let's start the blockchain out with the head.

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Let's make a.

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Let's make Uv-C over here and then go to front of it.

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The one now it's good to scrub smalls.

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All right, so, Scott, what are these?

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I want to show you how to properly make your head like a good head for a Spiderman.

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So first, let's remember, with this button over here or controller, I'm just going to press control

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controller and then I have this sphere.

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So if you go and search the.

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A skull, the human skull.

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You see that this area over here, this area is more flood.

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The area that's to the ear is over here in the sides for good side view.

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This area over here is more flat.

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So we're going to do that of it's bulk stream.

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Let's just do the bulk stream over here.

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But stream and I'm going to enable X Cemetery and then I'm just going to bulk stream this over here.

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Not too much.

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Like don't go this way.

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We don't have anything to work with.

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Just a little bit to the sides like this.

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All right.

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Now we have a flat area where here we can go and control our image.

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This.

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And then we have this sphere.

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But the head is not a sphere shape.

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A sphere shape.

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The head is not round like this.

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The head is more like this.

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All right.

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But a voice may be.

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Not grabbing the Jones from this area when I'm doing this.

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All right, we can go and use a mask like this.

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Let's go to this.

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Go to front for you first.

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And this mask, this area of its box mask and then go let's go to side view and then let's just mask

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this.

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So now we can freely and pull this area out before the others.

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Press eight to bring out the mask pie menu and then press on the sports mask.

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Also a couple of time under grab a get the grab brush with G and then with exclamatory on just tick

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this part of the sphere and bring it out like this.

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So the head is more like this.

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Right now we have the shape and now we have a good head.

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Now we can go to the front view and bring the fronts also beat like this.

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So it has a shape like this.

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Definitely use some references for the head like in the appearance, bring some references of the hairs

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of the skull to understand more of how the shape of the head works.

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Well for us.

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Enough.

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And then we can remove the mask with alt m or it's a like mask, I mean, and clear mask.

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And then we have this and we can go ahead and smooth it.

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Well, let's check the smooth brush stress.

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This is too much for this mesh.

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Let's bring it down and we can smooth it.

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Also in any brush we are, we can just shift and click to smooth area.

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Then I can go here and press M for the mask brush and the mask.

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This area I want to pull out the neck.

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Remember that without a neck you don't have a face.

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You can make a face actually, because like it doesn't work like that.

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Let's bring let's get the grab, brush the G and pull out this part of the head.

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And the neck is not straight like this.

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All right.

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If you search some references for the hair, like from the side view, you can see the head.

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The head and neck has this kind of angle.

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All right.

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That's good enough for now.

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We can press control r to Ramesh.

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Let's press control z.

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If you don't want your mask to be removed after each, Ramesh, you can go to Ramesh and then click

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on Paints Mask.

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Then if you control based on control or we can still have the mask here.

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We can we can just like maybe do more of adjustments like this.

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All right.

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And then we can press control.

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I so invert the mask or a and then this over here to invert the mask so we can do some more adjustments

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for them.

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Let's go to South View and let's bring up the back of the head like this.

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The spring, the forehead is a bit too forward like this.

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So the forwards should have something like this from an angle like this.

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It shouldn't be round like this.

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The forehead of women are more round.

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The former head of men are more angular like this.

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So let's do that.

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Let's make a forehead that has an angle like this that we can bring out there.

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This is the nose area.

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It goes a little bit forward in this area then.

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You have this and then this is the mouth area.

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And then we have to define more the serious injury right now.

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If this is the middle of the head, in the middle of the head, there is the ear or here.

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Then we can click on Russia press control to invert the direction and then just mix some.

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Like define more.

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There is the job.

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Like the job is over here.

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Maybe for my character right the now with the help of clear strips or actually the person not make things

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messy, we can just use the clap grab brush to define these areas, pull them inside like the areas

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to make some contrast between this area and the surface area is more inside than this.

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This area, which is the jaw area.

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And now, as you can see, the Jo Jo line here is more defined.

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And then we can go and smooth it very carefully.

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Not too much.

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I'm --.

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I'm holding control.

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I'm holding shift.

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Sorry.

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And I'm defining more the gelling than I can bring it.

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These two only two feet toward each other.

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And then this area needs to be a little bit outside to pull out this area also.

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And because our character doesn't have facial features like we only have a hat or.

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Yeah, because he's wearing a mask.

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So that makes our job easier.

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We don't have to sculpts the faces, but if you are going to make a face sometimes in future.

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Be sure to gather as much references for anatomy as you can.

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And maybe.

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Yeah.

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Some good references.

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There's a book called Anatomy for Sculptors.

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And this book is a very good.

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Very good book.

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If you are really into if you're really into sculpting, you want to improve your skills in the sculpting

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and all that because you need to know.

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And that's to me like, why is this the shape of heads like this?

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All right.

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Like, where is the where is the eye?

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And you understand that then the eye is in the middle of the head.

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So if this is the height of the head that I should be in this area.

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All right.

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So this is not a straight line with the eye should be in this area.

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So then I understand that they should make the eye in this area and then this is the nose and that these

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are the lips.

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And then I maybe pull out over here to make some space for the jaw or here.

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All right.

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And then now the the proportion of my head is correct.

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And also, you will understand, like, where is the the area of the ears?

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The ears are in this area between the eyebrow line and the nose.

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So you'll understand that the ear and this is in this area.

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And as you can see, the proportion of our character is correct.

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And then we can start sculpting and adding more.

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Not details like bringing out the primary, primary school, secondary and all that.

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All right.

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Now, but again, because my character is, uh, like, how the mask.

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I'm just going to go and smoke these various.

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That's always helpful to know where the features of the head is.

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This.

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All right.

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So now that we have confirmed that the proportions of at the hip is kind of good, because right now

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it isn't 100% accurate, we can always go back and change the proportion while we're making the rest

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of the character.

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For example, I think the this or here is not correct.

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This should be like this maybe.

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The angle is way too much.

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I can go and do this.

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All right, then the batteries.

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Because the the time for this with use are shouldn't be that long.

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I want to put in as much information that's I know and tell you about those, but it shouldn't be too

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long.

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But just be sure to gather references like I can't emphasize more that search has and not so many search

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like body anatomy, like foot anatomy and anatomy, and see references and compare them with your sculpts.

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That's what I'm going to do.

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Like, I have another screen.

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All right.

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You can do that, too.

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Like bring your pair after your other skin if you have one, and, like, compare constantly with what

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you have.

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Right.

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So that's what I'm going to do, like in the next with you, we are going to do the proportions of the

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rest of the body and sculpt the primary forms like the block of the body and all that.

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So it's all next with you.

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Goodbye.