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Welcome back, guys.

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So let's finish the blocking of this guy.

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So in this with you and then go into the race apology.

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First I look at my last class save when we mirrored this Schiller here real links.

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The modifier of this path but this part doesn't have any solidified modifiers so these these paths over

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here lost their solidified whatever.

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So we're just going to do the mirroring one by one.

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So let's merge this one.

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And the choices also doesn't have any solidified modifier.

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So you can just select them and, and so l to link modifiers.

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Copy modifiers.

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This pass also doesn't have any solidify let's copy modifiers.

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And then I think although the pass does have sort of defined modifier.

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Yeah.

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So let's select them.

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Let's either solidify, modify or fall off this path like these part as a mere modifier actually for

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these parts.

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So let's go here, go to modifiers, add the modifier and click on the party, or now it is mirrors

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to the other side.

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So now we can copy the modifier easily.

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So like the one we added the mirror motherfucker as last and then control.

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Oh, and copy on the first.

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And now we have a mirror.

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It's sure to check if everything is correct.

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We can select each pass and then move it.

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As you can see, this part is not mirrored.

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So it's just.

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Select one that doesn't have a solidify and copy my first.

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So these are all mirrors.

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That's good.

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This means if you want to make changes, for example, if you go to here, go to a scope both here and

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then change here, this or here or change as well.

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So you just have to modify 1/1 and all the sun will be changed.

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One of the thing is that if you want to if you go to shoes over here, the shoe has all the bits.

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It goes a little bit upward like this.

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So we don't have those right now.

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It's it's a straight A thing we will fix that later is better.

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But if you want to fix it's right now you can go to object mode, select all the shoe parts, don't

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select the body, just the shoe parts like this.

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All right, then go to edit mode and then enable or push editing.

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Select these parts.

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We'd actually alter the to select the extreme world to go out of the and then we can bring this up like

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this.

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We can rotate it too with our like this.

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Well, we can also do that later when we have when we have the joint all these parts together.

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So I'm just going to undo that.

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So and later, we don't get into any problems.

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So that's a for the shoes.

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They can also go ahead and remove the toe, the toes part, the first part over here.

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But you can also keep it if you want to bring it into the shoes.

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Go to Scopes mode and select pause brush and then just grab this area and bring it in like that.

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All right.

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Doesn't have to be accurate, but it does show us where the food is going to sit, too.

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So, for example, I can go to the tongs over here and then with the grab brush I can just grab it to

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bring it on top of the foot's area.

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Just.

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He's.

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All right, that's good enough.

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Let's just bring this part of the bidding war.

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And I think that is good enough for now for the.

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And let's go ahead and add the things that we already don't have don't have it right now.

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So one of the things I want to add is ice over here.

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So.

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Eyes over here.

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If we go to references over here, the iron ore here is you can see this is the custom for the eye is

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very big.

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So let's go ahead.

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I used the matter of masking.

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So this mosque, this area, it's I go to press one to go to front of you.

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To go exactly to the front you.

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So it's should be this is the nose, the middle part, and I should be something around here

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and just try it out.

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It's.

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So let's see how big it's going to be.

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So I'm just drawing out what area, the red area.

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We are going to do that later.

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So

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let's fill it with the mask brush.

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Zoom out to see if it's enough for the white area.

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Think it's enough for now?

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Later, when we have extracted it, we can always go ahead and it to grab brush, move it around and

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all that.

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So let's extract the first.

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I'm going to press a sharper chop in this area, then go to mass mask extract and click on, okay,

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the set off, set to one and then disable the solidify.

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And then we can go and smooth the edges.

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She?

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Although there is a lot of smoke, we can enable solidifies.

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We can see what we get.

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And then we can go and.

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Increase the solidify like that.

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All right.

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Now we have the voice aerial.

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We can we can adjust that.

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So let's go to.

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This area right here.

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With crap brush we can.

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Selected and adjusted based on our reference.

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Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh,

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shh.

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He.

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All right.

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Want to add the material for this?

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So I'll see better how it looks.

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So this other material to I and we can add the whites material dust.

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That's good enough.

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So it's whites now.

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We can now see it better how it looks.

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So first of all, the thickness is too much of things.

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So it's shift and clicking to decrease this amount of thickness.

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And then now that we have the.

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The shape quite.

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There.

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We can go ahead and make the right area.

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But let's do let's spend all this a bit more time shaping this area as it's a very big area in the face.

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It's quite important that we get it as much accurate as possible.

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She?

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All right, so now let's go and make the red area.

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We can go and mask this area over here around.

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This area and then solidify what's the best way I think is then we don't need to it's and all that is

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to model these areas this is a simple area that we can easily model and get the shape so out of a plane

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let's rotate it's and the x axis 90 degrees in the x axis spring is for now.

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I need this face to be the front face.

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So let's enable a face orientation and make sure that this is the front face and that's the case.

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So now I want to add modifier cold's

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change up modifier.

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I think we discussed about this one before, but what it does, it wraps the shape we have around the

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shape that we're going to we are going to select.

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Then I'm going to enable this knob to lower here with face option over here and then with project individual

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elements.

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And all these options on this will make sure that the object is going to is not on the surface of another

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object.

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Now I got to shift up.

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I changed to project enable negative where he has a negative and positive need to be enabled both importance

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and then on target.

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I click the face all here.

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Now this plane has been wraps around this the face over here.

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But to see it we need to go to object properties over here and then go to viewport display, go all

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the way down and enable interrupts.

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Now we have a plane that is wrapped around the face.

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As you can see, I move moving.

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It is just moving.

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Move around the face mesh and that's what we want.

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So in I think art is a mirror modifier, so I'm going to add a mirror modifier and the mirror object

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to the face.

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So now these are two different objects.

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Two, until we have two objects over here for the two I.

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And now I want to make the shaper now.

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So let's model.

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Model.

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Let's get this edge over here and extrude.

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Let's bring the Miramonte fir up so we don't get any problems.

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So now the movement for it applies first and then the shooting settlements for.

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She is disabled.

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I think it's it's making some problems for us right now for rotating this edge so now we can easily

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rotated.

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Now this just extrude and rotate.

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And as you can see, the edge is over here.

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But the mesh is there is because of shrink wrap modifier.

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The edge position is here, but the face has been wrapped around that.

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It's just a visual thing and you apply the change of modifier.

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It's going to move the edge or the to the face area.

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But if you want to see it better, you can select on this cage button to just make it visually better

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for you.

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And now was continue with extruding.

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All right, let's hide the Spurs over here so we see better where we are putting geometry.

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So right now, let's bring these a a bit down.

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You can also add justice later, but it's always better to have good starts when doing these things.

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I remember you have many methods.

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You can also do this with curves.

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You can do this with all the other options you have.

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You can even add maybe a Torres already on that.

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Adjusted many options or births.

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Choose whatever you're happy with.

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And if one option doesn't give you a good result, like with this model technique, it doesn't give

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me a good result.

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I'm just going to do it again.

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All right.

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Don't.

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Just be happy that if you didn't, the result wasn't what you expected.

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Just don't worry and do it with another method.

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So now that we have added this area over here, Alexis, it may be bigger than what we want, but after

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we add do subdivision modifier, it kind of shrinks it.

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So let's have it like this and then let's add a solidify, modify it to add some thickness, then change

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the offset to one and then some thickness and it should be very thin like that is enough.

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Then let's go and add a subdivision surface one for.

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And a make it to two seats with like full glory.

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So I know I want to add another material.

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I call it I.

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I read.

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Then we can go to the color and change the color.

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You can also, if you want to steal it from some of the references we have, like for example here,

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which is the poster of the movie itself.

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And it has the kind of the right color.

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All right.

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This is just the white area as well.

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So I think it's it's not just whites.

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It's probably would settle this.

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Well, you see, this opens its value but if you click here.

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As you can see, the pure here has changed a little bit and it's 8.6, 8.86.

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You need to copy paste this to the base color.

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All right.

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Now we can go and shade this once these areas, and I think that's good enough.

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Uh, let's disable the inference.

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And this area needs to be adjusted.

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So it's just it's.

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You could also do this area after we suppose it is going to be much easier because after this apology,

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you have a good chance right now for the eye for the white area because we mask this.

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If you enable wireframe, we don't have a good geometry.

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As you can see, the edges are not good enough for us.

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So we have to is apologies this area later but you can for this area after it's apology at this area

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to have a better mesh.

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All right.

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Now we can.

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Apply the shrink wrap modifier first.

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This means some problems are here.

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So it's applied to me and my father first.

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And then that boy, this modifier.

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Let's first applied the escape control.

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A skill that did a lot of problems for us.

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Is the skill not?

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All right.

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This girl is nuts.

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Universal's doubts she may make some problems at the strange of mother for now.

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That doesn't make any problem for us.

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But with other skill, it's going to make this because of the solidified modifier we have over here.

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Let's disable solidify modifier.

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And now this.

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We've got scale.

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Now this skill is universal.

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And now let's add to solidify one for and then the substitution for little to answer to one.

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And then can change.

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The thickness.

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As you can see with this method, we don't need to apologise this area later now because if I enable

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wireframe, we have the best wireframe we can have for this area like we associate with the plane and

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solidified.

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This has the best for friend but it gets.

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All right let's bring that other areas.

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And now what I want to do in the shorts or here.

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If you go to the this area over here.

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It has some pockets of back pockets.

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So let's make those pockets.

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Let's first go to supplement and then, you know, will you will symmetry like symmetry and bring out

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this area.

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It's a bit so I'm working from the sun side.

246
00:23:59,190 --> 00:24:05,730
You should have like this the shorts the pants because of the.

247
00:24:08,170 --> 00:24:10,810
But area of the coast was maximum some.

248
00:24:13,270 --> 00:24:16,180
The muscles over here, which is bulging.

249
00:24:17,950 --> 00:24:22,450
The pounds also goes a bit like this.

250
00:24:25,750 --> 00:24:26,050
All right.

251
00:24:26,420 --> 00:24:30,940
And though it draws sharp, I want to draw this in this area.

252
00:24:31,390 --> 00:24:36,490
I don't know if I'm going to do something like this maybe later on.

253
00:24:36,520 --> 00:24:39,730
After which apology will add details like this.

254
00:24:40,150 --> 00:24:41,340
I still don't know.

255
00:24:41,350 --> 00:24:47,120
So you will find out later as well when you're making characters.

256
00:24:47,560 --> 00:24:50,560
Which parts you want to implement and which ones you don't want to.

257
00:24:50,980 --> 00:24:59,080
If it's if it's a freelance job, if it's something that is you've been assigned to do, then you have

258
00:24:59,080 --> 00:25:00,520
to do every thing.

259
00:25:00,640 --> 00:25:06,490
But if it's an artwork, if it's with a character you want to make, and then you you can make your

260
00:25:06,490 --> 00:25:07,930
work how you want.

261
00:25:08,220 --> 00:25:13,270
So it's not like you need to add things necessarily because it's there.

262
00:25:13,330 --> 00:25:16,900
You can add things, remove things like like here.

263
00:25:16,900 --> 00:25:25,480
I think the thing over here, this is an artwork by someone else and he added some other stuff or if

264
00:25:25,480 --> 00:25:33,030
you think and yeah, there's some more details or here and all that.

265
00:25:33,040 --> 00:25:40,030
So you decide which details you want to have, which the details you don't want to have, but for unless

266
00:25:40,570 --> 00:25:43,480
make care, make a dent over here.

267
00:25:44,950 --> 00:25:50,880
And then I want to make some some fold some simple fold these some nuts final.

268
00:25:52,090 --> 00:25:56,340
All these are just for visual.

269
00:25:56,350 --> 00:26:01,900
So after this apology, you're going to add the folds.

270
00:26:03,130 --> 00:26:06,060
Now, make the back pockets.

271
00:26:07,750 --> 00:26:13,150
Make sure to the symmetry is enabled and doesn't just draw this area.

272
00:26:17,800 --> 00:26:23,860
The positive proof was of just grizzle positive.

273
00:26:24,130 --> 00:26:32,920
So let's go ahead and make the back pocket of this in this area or here and just try it out.

274
00:26:44,610 --> 00:26:45,660
And Phil, it's.

275
00:26:50,990 --> 00:26:51,350
Six.

276
00:26:54,570 --> 00:27:02,100
We've all smooth later on, but we need something sharp in this area and in this area.

277
00:27:02,490 --> 00:27:05,520
So with control and removing some of the masks.

278
00:27:17,020 --> 00:27:18,580
Just like that.

279
00:27:21,440 --> 00:27:25,720
Or in this area, we don't have a good mask.

280
00:27:25,840 --> 00:27:26,560
I don't know why.

281
00:27:26,560 --> 00:27:28,240
Because of the geometry, maybe.

282
00:27:30,670 --> 00:27:35,500
But we'll probably remove them over that area later on.

283
00:27:35,500 --> 00:27:40,480
So a and sharpen the mask and the mask extracts.

284
00:27:41,260 --> 00:27:47,920
Then as you can see, we have we forgot to remove the last mask so we can just go to edit mode press

285
00:27:47,920 --> 00:27:49,840
L and this X to do it.

286
00:27:49,840 --> 00:27:55,750
This person that originally was in the geometry to bring the origin geometry to the middle and then

287
00:27:55,750 --> 00:27:56,680
we have this.

288
00:27:57,130 --> 00:28:04,630
So if I modify it, bring the offset to one, and then we can play around with the solution modifier.

289
00:28:04,630 --> 00:28:14,290
But first let's disable modifier could hurt it more, go to the scopes more and then smooth the edges,

290
00:28:14,500 --> 00:28:26,440
this swath brush or holding them shift onto and just make the shape over here based on your references.

291
00:29:12,990 --> 00:29:13,700
She?

292
00:29:21,220 --> 00:29:21,630
All right.

293
00:29:21,630 --> 00:29:22,440
That's good enough for now.

294
00:29:23,160 --> 00:29:25,110
So this will remove this one.

295
00:29:25,140 --> 00:29:32,310
This is a good shot, but not as good as far as the mouse claws don't work in their eyes and the way

296
00:29:32,940 --> 00:29:35,640
they can always move in the later less enabled.

297
00:29:36,660 --> 00:29:47,550
So if I grow out of the solid mold and just that based on the whole shorts, I'm going to bring it up

298
00:29:49,500 --> 00:29:50,250
like this.

299
00:29:53,300 --> 00:29:55,430
Don't worry about these edges over here.

300
00:29:55,640 --> 00:29:57,050
This is because of the geometry.

301
00:29:57,650 --> 00:30:04,730
We are using the Remus geometry, which is not good for production or rendering and all that.

302
00:30:06,170 --> 00:30:11,210
But later we are going to treat apologize this and service apology.

303
00:30:11,210 --> 00:30:12,980
These edges will be fixed.

304
00:30:16,710 --> 00:30:21,160
So we are not going to put a lot of time on this.

305
00:30:21,170 --> 00:30:23,120
Just the shape is enough.

306
00:30:23,150 --> 00:30:25,610
Remember, this is only the Boy Scouts.

307
00:30:25,730 --> 00:30:28,760
The shape, just the making.

308
00:30:28,760 --> 00:30:30,060
The shapes is enough.

309
00:30:30,890 --> 00:30:32,780
And don't try to add details.

310
00:30:33,260 --> 00:30:35,300
Any details will be unnecessary.

311
00:30:35,300 --> 00:30:42,430
And it's just going to make sure they make all those items to make and bring in.

312
00:30:42,920 --> 00:30:47,810
Maybe you realize you have to delete those details later on.

313
00:30:48,260 --> 00:30:49,430
It's going to make problems.

314
00:30:49,820 --> 00:30:52,460
Details will be gathered after his apology.

315
00:31:04,370 --> 00:31:04,600
She?

316
00:31:08,490 --> 00:31:09,120
To keep.

317
00:31:22,060 --> 00:31:24,010
I'm going to call it good for now.

318
00:31:24,010 --> 00:31:27,070
So let's add the also at the

319
00:31:29,920 --> 00:31:32,230
button or here this button.

320
00:31:32,740 --> 00:31:41,200
I'm going to add a Q rotator rotate of those skills that control a scale substitution surface modifier.

321
00:31:41,200 --> 00:31:47,650
It's a little to go to the cube, go to edit mode s Y to scale in the y axis.

322
00:31:53,020 --> 00:31:53,680
So it's why.

323
00:32:10,240 --> 00:32:15,460
Let's select this face over here and bring it.

324
00:32:19,090 --> 00:32:21,400
Bring it toward the other face.

325
00:32:22,060 --> 00:32:26,150
So the skeleton works was giving me weird results.

326
00:32:26,200 --> 00:32:28,090
So let's just do that.

327
00:32:28,090 --> 00:32:28,920
All right?

328
00:32:29,170 --> 00:32:30,640
I see the problem light right now.

329
00:32:30,640 --> 00:32:35,620
The snapping still is on, so just make sure to disable it.

330
00:32:44,560 --> 00:32:48,650
And then we come to scale it based on how it looks.

331
00:32:52,590 --> 00:32:56,450
With their own skill at sea for far.

332
00:32:58,720 --> 00:33:00,040
Let's disable the oil.

333
00:33:00,310 --> 00:33:00,750
And then.

334
00:33:02,180 --> 00:33:04,700
Skeletal on the skull at like this.

335
00:33:06,230 --> 00:33:09,390
I'm moving around and I think that's good that's smooth.

336
00:33:09,410 --> 00:33:16,610
It enabled only a gain to see very select thing and then add a mirror modifier.

337
00:33:19,070 --> 00:33:20,600
So that's good enough.

338
00:33:21,500 --> 00:33:25,100
We can also go on.

339
00:33:25,160 --> 00:33:25,850
Oh, that's good enough.

340
00:33:25,850 --> 00:33:26,960
I wanted to parents as well.

341
00:33:26,960 --> 00:33:28,940
It's just good for now.

342
00:33:29,480 --> 00:33:34,280
So now we have all the all the things we needed right now.

343
00:33:34,850 --> 00:33:47,060
So we have the jacket, we have the two jackets, we have the eyes, the face shorts and the shoes.

344
00:33:47,060 --> 00:33:50,140
And the other thing this character has a.

345
00:33:53,190 --> 00:33:55,740
Sucks, but no, it doesn't hurt us.

346
00:33:56,580 --> 00:33:57,540
So that's good enough for now.

347
00:33:57,570 --> 00:33:59,760
So what want to do now?

348
00:33:59,790 --> 00:34:00,330
Let's.

349
00:34:02,840 --> 00:34:12,260
It's good to stop want for our checks over here are now as you can see it's not fitting with how the

350
00:34:12,260 --> 00:34:17,239
clothes are and that's I'm going to bring the biliary bits forward.

351
00:34:18,889 --> 00:34:20,310
So it's subtle.

352
00:34:20,330 --> 00:34:21,260
Not so much.

353
00:34:22,420 --> 00:34:26,440
To not break any of those proportions or anything.

354
00:34:27,940 --> 00:34:28,760
That's good enough.

355
00:34:28,780 --> 00:34:32,170
Let's go to the close over here and bring it forward as well.

356
00:34:34,449 --> 00:34:34,810
All right.

357
00:34:35,900 --> 00:34:41,830
Now I think it's time to add the hands to.

358
00:34:44,860 --> 00:34:46,100
The body in.

359
00:34:47,260 --> 00:34:53,260
Let's apply the moon metaphor so that the hands select the body and then control G.

360
00:34:54,159 --> 00:34:56,620
All right, let's go to solar monitor now.

361
00:34:56,620 --> 00:35:04,630
I want to remeasured, but to remedy that, first, I need to remove the first.

362
00:35:04,750 --> 00:35:05,770
Well, let's have it for now.

363
00:35:07,120 --> 00:35:13,540
Let's go to Ramesh, rumored to have the first of all, if you have faces that you want to get and now

364
00:35:13,570 --> 00:35:20,140
I want to check this eyedropper and check on the body to see what's the geometry over here.

365
00:35:20,590 --> 00:35:25,180
Now, because of the hands over here, we need the much lower geometry.

366
00:35:25,180 --> 00:35:26,850
Let's let's say first.

367
00:35:26,850 --> 00:35:32,650
So I just save that before remission to a lower value and then let's go to the lower.

368
00:35:32,650 --> 00:35:36,640
So it was two points or seven, I think.

369
00:35:36,640 --> 00:35:44,290
So I just got two points or five and then console R to see what I get now it's not good enough.

370
00:35:44,290 --> 00:35:46,780
So let's go to something like.

371
00:35:47,750 --> 00:35:51,650
Oh points three and then control are.

372
00:35:53,870 --> 00:35:54,990
So this is this.

373
00:35:55,000 --> 00:35:55,520
This works.

374
00:35:55,520 --> 00:36:00,740
But this is a very high geometry, so make sure your computer can handle it.

375
00:36:01,370 --> 00:36:02,030
So very nice.

376
00:36:02,030 --> 00:36:03,080
Very high.

377
00:36:03,140 --> 00:36:09,290
As you can see, this is all black because it's very high geometry.

378
00:36:09,800 --> 00:36:13,070
So my computer can handle it, but make sure that you can.

379
00:36:13,070 --> 00:36:13,370
How?

380
00:36:13,370 --> 00:36:13,990
Do not see.

381
00:36:14,090 --> 00:36:21,550
So if it doesn't just go with the amount that you can, I just want the the hand area to be arranged

382
00:36:21,770 --> 00:36:22,490
correctly.

383
00:36:23,000 --> 00:36:29,480
So now that we have the hand and we have the body connected, we have to have some water to to join

384
00:36:29,480 --> 00:36:30,320
these areas.

385
00:36:30,470 --> 00:36:31,720
This is smart first.

386
00:36:32,420 --> 00:36:45,430
So just small areas that are connected with this heat, watch these

387
00:36:48,350 --> 00:36:48,810
shoes.

388
00:36:49,940 --> 00:36:55,100
And then we, based on the character, we saw how much detail we add in this stage.

389
00:36:55,640 --> 00:36:58,360
The character is building the customer here.

390
00:36:58,370 --> 00:37:05,510
So not very much money or very details, but the details like the knuckles

391
00:37:08,240 --> 00:37:10,670
are kind of important to define.

392
00:37:11,600 --> 00:37:14,090
The shape of the hand, though.

393
00:37:14,100 --> 00:37:17,390
Let's sort these muscle or here.

394
00:37:20,570 --> 00:37:21,430
And then a small third.

395
00:37:25,690 --> 00:37:28,070
And now I think we need to adjust.

396
00:37:28,480 --> 00:37:30,340
It's in this area over here.

397
00:37:31,120 --> 00:37:32,640
So it's spring.

398
00:37:32,650 --> 00:37:33,910
It's a little bit.

399
00:37:35,240 --> 00:37:40,220
To sign SOS Goods option and enable face states.

400
00:37:40,520 --> 00:37:46,650
This make sure that only the that that we are hovering on is going to be changed.

401
00:37:46,680 --> 00:37:49,970
So right now this is going to be changed or not is going to be changed.

402
00:37:50,480 --> 00:37:56,420
So I want to move this or the bit inverted without changing the other area like the lake area that I'm

403
00:37:56,420 --> 00:37:57,050
seeing.

404
00:37:58,580 --> 00:38:00,710
That's the good thing about face.

405
00:38:00,770 --> 00:38:01,160
It's.

406
00:38:06,730 --> 00:38:08,050
And I just.

407
00:38:10,190 --> 00:38:16,040
It's just the look of the fingers and the hand itself.

408
00:38:19,220 --> 00:38:19,480
It's.

409
00:38:23,360 --> 00:38:26,540
She was supposed to go to class reps.

410
00:38:28,270 --> 00:38:32,380
Let's go to a scrape and scrape the side of the.

411
00:38:34,280 --> 00:38:35,270
For Tom over here.

412
00:38:35,750 --> 00:38:36,080
It's.

413
00:38:38,100 --> 00:38:41,670
Because it's kind of flat in the site.

414
00:38:42,540 --> 00:38:45,210
It's also flat for the fingers.

415
00:38:46,050 --> 00:38:52,200
So to have a much more defined fingers, you might want to do this.

416
00:38:54,090 --> 00:38:55,140
Not too much, though.

417
00:38:55,500 --> 00:38:57,990
But if your character is.

418
00:38:59,590 --> 00:39:00,250
Cartoonish.

419
00:39:00,250 --> 00:39:04,020
Stylized makes the character we're going to do is okay.

420
00:39:04,030 --> 00:39:12,640
If things go well, it's a bit more exaggerated because whenever the fingers are round like this.

421
00:39:14,190 --> 00:39:15,820
It just doesn't make sense.

422
00:39:15,900 --> 00:39:19,530
It's just something goes off with the fingers and it's two rounds.

423
00:39:23,030 --> 00:39:25,040
So this area, we made some mistakes.

424
00:39:25,080 --> 00:39:31,640
So it seems let's go back and just undo this and let's go to this area.

425
00:39:33,110 --> 00:39:36,500
We probably made some mistakes.

426
00:39:36,890 --> 00:39:40,970
Add in the other scrapes over here is the into the other finger.

427
00:39:52,880 --> 00:39:53,250
She?

428
00:40:01,800 --> 00:40:04,070
Just connecting the fingers like this.

429
00:40:05,490 --> 00:40:05,830
Just.

430
00:40:13,120 --> 00:40:20,350
And then this area it needs to be Mr. to is a bit dense, but right now it's too dense, I think.

431
00:40:22,960 --> 00:40:26,860
So let's add a little bit of volume in this area.

432
00:40:29,150 --> 00:40:31,330
This area, it's a bit down.

433
00:40:34,350 --> 00:40:35,850
And this area.

434
00:40:38,790 --> 00:40:40,830
Let's make the shape of the.

435
00:40:49,190 --> 00:40:51,960
Of the hand in this we.

436
00:40:55,140 --> 00:40:58,500
Six months.

437
00:41:10,410 --> 00:41:10,790
Maybe

438
00:41:14,260 --> 00:41:15,240
I just sit here.

439
00:41:38,310 --> 00:41:45,960
Draw a sharp one and this area between the thumb and the first finger.

440
00:41:46,860 --> 00:41:49,900
I think that's enough for now.

441
00:41:49,920 --> 00:41:55,530
If you go to observe more to see what we get as a whole object.

442
00:41:56,160 --> 00:42:00,480
Of course, this area is is not smooth enough.

443
00:42:01,380 --> 00:42:03,180
It's not shaped enough.

444
00:42:03,180 --> 00:42:09,120
But as I said in the last videos, we're not going to see this area.

445
00:42:09,120 --> 00:42:09,990
So it doesn't matter.

446
00:42:10,590 --> 00:42:13,770
Don't puts a lot of times in the areas that doesn't matter.

447
00:42:14,770 --> 00:42:22,240
That doesn't isn't going to be seen if, for example, you actually are making an animation and in some

448
00:42:22,240 --> 00:42:25,950
point you have thinking that your character is going to take off the clothes.

449
00:42:26,610 --> 00:42:29,770
Then you have to pay attention to all those details.

450
00:42:34,170 --> 00:42:37,400
All right, let's go outside to Solomon to see how it looks now.

451
00:42:38,220 --> 00:42:42,660
The whole object is going to be the hand.

452
00:42:42,660 --> 00:42:48,060
We can always go and change stuff.

453
00:42:48,270 --> 00:42:49,320
Really simple here.

454
00:42:49,320 --> 00:42:51,780
I think it needs to be able to push it forward.

455
00:42:56,350 --> 00:42:58,320
And it's a bit upwards.

456
00:43:15,160 --> 00:43:17,460
It's like this.

457
00:43:18,780 --> 00:43:19,430
This is.

458
00:43:40,060 --> 00:43:44,710
She lets out some scrapes between the fingers.

459
00:43:47,700 --> 00:43:48,630
Here, for example.

460
00:44:01,970 --> 00:44:05,610
To make it out of his flats between the fingers because it is flat.

461
00:44:05,960 --> 00:44:06,990
It is not round.

462
00:44:07,010 --> 00:44:11,730
It is more like if you look from the.

463
00:44:12,830 --> 00:44:15,290
From this area, for example, it is more like this.

464
00:44:16,280 --> 00:44:16,610
All right.

465
00:44:16,850 --> 00:44:23,870
It is not round like this area, for example, which is looking very round.

466
00:44:31,520 --> 00:44:31,810
It's.

467
00:44:39,020 --> 00:44:39,300
He.

468
00:44:54,250 --> 00:44:54,520
All right.

469
00:44:55,210 --> 00:44:56,320
It's good enough for now.

470
00:44:59,860 --> 00:45:00,460
That's all right.

471
00:45:02,350 --> 00:45:03,650
Now, this is for the stadium.

472
00:45:06,190 --> 00:45:07,090
Well, I think.

473
00:45:09,340 --> 00:45:11,300
Yeah, I think that's for now.

474
00:45:12,790 --> 00:45:16,150
Maybe some changes for the face.

475
00:45:17,120 --> 00:45:23,170
Just don't want to exclude anything as this is a mass.

476
00:45:23,180 --> 00:45:26,320
This is always a is hard to define.

477
00:45:26,320 --> 00:45:31,750
Like which part I want it to be to be seen and which I don't want to be seen.

478
00:45:32,120 --> 00:45:34,690
It was like, this is a real life version.

479
00:45:34,730 --> 00:45:38,560
As you can see, it's just a round faced face.

480
00:45:39,130 --> 00:45:46,840
But maybe just to add a little bit more soil into it, we can disable the cemetery.

481
00:45:46,840 --> 00:45:51,940
And as you can see, this is the nose area and it goes over here like this area.

482
00:45:52,360 --> 00:46:01,330
We can always a bit rural in this area or as it is going to be very subtle, but it makes a shape like

483
00:46:01,330 --> 00:46:03,100
here that is going to be the nose.

484
00:46:03,100 --> 00:46:11,620
And after we are to redo the the texturing is going to be more, more visible.

485
00:46:11,620 --> 00:46:19,120
So right now we don't have any texture after and textures looking more visible are also less of the

486
00:46:19,150 --> 00:46:27,410
bit of volume over here because it just doesn't make sense that these is all the way forward like that.

487
00:46:27,410 --> 00:46:30,840
So it is more smoothly going right now.

488
00:46:30,850 --> 00:46:36,670
So this right here with the grab brush, we can change it like this.

489
00:46:36,670 --> 00:46:46,180
So it is like this and therefore the chin area for the area we can just just that's all.

490
00:46:46,180 --> 00:46:47,260
It's a bit more.

491
00:46:55,420 --> 00:46:59,710
And I think the NEC let's hope this part

492
00:47:03,430 --> 00:47:06,970
NEC area I think needs to be able to put forward.

493
00:47:12,160 --> 00:47:12,520
Yeah.

494
00:47:12,520 --> 00:47:15,310
The Nigerian needs to be a bit much more adjusted.

495
00:47:15,700 --> 00:47:18,190
Let's bring up the face here.

496
00:47:18,190 --> 00:47:19,210
Let's say first.

497
00:47:19,870 --> 00:47:20,200
All right.

498
00:47:21,130 --> 00:47:23,470
And if we do changes it.

499
00:47:23,470 --> 00:47:26,620
If we don't like we just closed down, then.

500
00:47:28,760 --> 00:47:29,810
Bring up the safe.

501
00:47:30,380 --> 00:47:32,570
So this area, it shouldn't be like this.

502
00:47:32,800 --> 00:47:33,060
All right.

503
00:47:33,080 --> 00:47:41,240
If you look, some of the Army officers, the between the face, the area and the neck, it should be

504
00:47:41,240 --> 00:47:42,710
something like this.

505
00:47:42,950 --> 00:47:43,310
All right.

506
00:47:43,730 --> 00:47:45,560
It shouldn't be around like this.

507
00:47:46,580 --> 00:47:48,440
So let's make adjustments.

508
00:47:48,620 --> 00:47:50,780
Let's make over here.

509
00:47:50,780 --> 00:47:52,610
And then it should go over here.

510
00:47:52,620 --> 00:47:54,470
I think so.

511
00:47:54,510 --> 00:47:55,760
So do that.

512
00:47:56,360 --> 00:47:57,440
Something like this.

513
00:47:57,440 --> 00:48:03,650
And then grab the front of the neck and bring it forward.

514
00:48:06,270 --> 00:48:06,600
All right.

515
00:48:19,190 --> 00:48:20,090
All right, that's better.

516
00:48:20,600 --> 00:48:27,380
As you can see, something as simple as this makes a lot of difference when you're looking at the character.

517
00:48:27,420 --> 00:48:27,980
I like that.

518
00:48:33,820 --> 00:48:34,440
She's.

519
00:48:38,600 --> 00:48:38,970
Okay.

520
00:48:39,290 --> 00:48:42,500
I don't need the faces right now because I want to see it as a whole.

521
00:48:42,500 --> 00:48:44,300
So it's just disabled.

522
00:48:44,300 --> 00:48:45,240
The face sits.

523
00:48:45,860 --> 00:48:49,070
So now we see it's like this.

524
00:48:49,670 --> 00:48:51,530
Let's make sure it's face smooth.

525
00:48:53,960 --> 00:48:54,950
And then.

526
00:48:57,160 --> 00:48:59,180
I want to call it a bit.

527
00:48:59,200 --> 00:49:00,100
Write this down.

528
00:49:01,510 --> 00:49:02,410
Not so much.

529
00:49:02,790 --> 00:49:03,910
Well, it's a bit.

530
00:49:05,430 --> 00:49:05,910
Like that.

531
00:49:08,920 --> 00:49:10,840
So let's see it from every angle.

532
00:49:53,960 --> 00:49:54,290
All right.

533
00:49:55,490 --> 00:49:59,270
So after smoothing it, I think we got the real good results.

534
00:49:59,880 --> 00:50:03,020
Right now, this is really good.

535
00:50:03,890 --> 00:50:04,610
I like it.

536
00:50:04,990 --> 00:50:08,360
And after you like the shapes.

537
00:50:09,380 --> 00:50:14,450
And now it's time to go and do the apology.

538
00:50:14,900 --> 00:50:16,160
So what is this apology?

539
00:50:16,190 --> 00:50:28,280
So as you can see, if I enable the water frame, the body is too dense and the clause is not optimized

540
00:50:28,320 --> 00:50:30,200
and not good for animation.

541
00:50:30,200 --> 00:50:37,880
Like these areas are not good for animation for like like rotating the arm and all that.

542
00:50:38,720 --> 00:50:39,070
All right.

543
00:50:39,080 --> 00:50:49,680
So we are going to make the topology of our mesh again based on the things that we have made and then

544
00:50:51,380 --> 00:50:55,030
multi resolution and our details on that.

545
00:50:55,040 --> 00:50:55,430
So.

546
00:50:55,870 --> 00:50:58,040
So that's the whole thing about this policy.

547
00:50:58,820 --> 00:51:00,830
This area looks fine for now.

548
00:51:01,490 --> 00:51:03,980
So, yeah, that's it for this video.

549
00:51:03,980 --> 00:51:07,190
Let's go to Random Moment to see how it looks.

550
00:51:12,650 --> 00:51:15,830
Are the topology was because of his equations.

551
00:51:16,010 --> 00:51:23,570
It took always a bit time, like 5 seconds to go to the roundabout, but before those I figured we should

552
00:51:23,570 --> 00:51:25,610
add all the little bits.

553
00:51:26,210 --> 00:51:29,060
Look at the the clothes area.

554
00:51:29,540 --> 00:51:33,080
So we have, it's more like the reference we have.

555
00:51:33,590 --> 00:51:36,920
So let's go ahead and the material over here.

556
00:51:37,340 --> 00:51:40,580
And at the shoe we have the shoe material over here.

557
00:51:41,660 --> 00:51:41,940
Okay.

558
00:51:42,440 --> 00:51:46,640
We can change it based on this.

559
00:51:46,760 --> 00:51:47,930
All right, let's.

560
00:51:49,350 --> 00:51:52,890
Make this bigger, like this one bigger as well.

561
00:51:54,960 --> 00:51:55,230
All right.

562
00:51:55,740 --> 00:51:58,170
Then we can quickly.

563
00:52:01,990 --> 00:52:08,380
Still these materials some added as the viewport display material and whole materials.

564
00:52:08,560 --> 00:52:13,210
This is not good and I think it's because of the quality of this picture.

565
00:52:13,510 --> 00:52:14,950
Let's get it from this one.

566
00:52:15,160 --> 00:52:17,230
And copy and paste.

567
00:52:25,790 --> 00:52:27,620
The tango is.

568
00:52:34,240 --> 00:52:34,930
Is red.

569
00:52:38,140 --> 00:52:39,900
So at the root the area.

570
00:52:48,950 --> 00:52:52,140
And the other areas are all the same as it's Hungary.

571
00:52:52,190 --> 00:52:55,400
We can go ahead and change it actually to red.

572
00:52:55,670 --> 00:52:59,150
So not just be just the tank.

573
00:53:01,340 --> 00:53:03,620
And this is red.

574
00:53:03,770 --> 00:53:06,260
So change it to red.

575
00:53:10,950 --> 00:53:12,930
The France purse is red.

576
00:53:12,960 --> 00:53:14,340
Change it to red.

577
00:53:15,270 --> 00:53:21,150
Later on, we are going to just join these parts together.

578
00:53:21,150 --> 00:53:24,340
So we may have to do this again.

579
00:53:24,360 --> 00:53:29,940
But I wanted to see how looks that is.

580
00:53:31,010 --> 00:53:32,330
See a reference over here.

581
00:53:32,690 --> 00:53:39,990
This part is white, so we can just add it to the shoe material with other parts.

582
00:53:40,010 --> 00:53:48,620
It looks to be blue, but in the references it's actually red and this one is white, but in the poster

583
00:53:48,620 --> 00:53:50,250
reference it's red.

584
00:53:50,840 --> 00:53:54,590
So I'm going to stick to the poster reference to red.

585
00:53:55,400 --> 00:53:59,180
Then the nice logo is going to be black.

586
00:53:59,270 --> 00:54:02,120
So let's just add the black material we have.

587
00:54:03,890 --> 00:54:09,110
And then the shoelaces are going to be.

588
00:54:11,330 --> 00:54:11,900
Black.

589
00:54:12,170 --> 00:54:16,670
So let's just add the black material and then select these shoelaces.

590
00:54:17,930 --> 00:54:23,540
And so this show, this is as the last one and then we'll link the material with Control L.

591
00:54:27,810 --> 00:54:30,380
Then we have this area also as ripped.

592
00:54:33,450 --> 00:54:33,750
All right.

593
00:54:33,780 --> 00:54:34,410
Now.

594
00:54:36,040 --> 00:54:37,480
We have to find out.

595
00:54:37,720 --> 00:54:38,290
Look, this.

596
00:54:38,600 --> 00:54:39,520
This should be red.

597
00:54:39,550 --> 00:54:42,460
So it's it's just to read

598
00:54:45,220 --> 00:54:45,520
this.

599
00:54:46,160 --> 00:54:50,980
The civil the material of the show and the written material are here.

600
00:54:51,400 --> 00:54:55,810
Now, we have defined how the show is going to be looked at.

601
00:54:56,380 --> 00:54:58,470
I think material is really important.

602
00:54:58,480 --> 00:55:03,010
I think it helps you achieve like how the character is going to look.

603
00:55:03,820 --> 00:55:08,590
So let's go to the service first and let's go to.

604
00:55:11,770 --> 00:55:12,670
Threatened not.

605
00:55:14,700 --> 00:55:16,890
And see the results over here.

606
00:55:16,950 --> 00:55:19,020
So as you can see, we're getting there right now.

607
00:55:19,030 --> 00:55:26,550
So the rendering also helps to get how the character looks like.

608
00:55:27,560 --> 00:55:31,160
This is looking better right now.

609
00:55:32,600 --> 00:55:36,920
I mean, cycle or not, the cycle the better.

610
00:55:38,240 --> 00:55:45,510
Like, okay, as you can see, the shadow doesn't even isn't even here over here because of the issue

611
00:55:45,530 --> 00:55:50,240
or eyes of evil is not good as cycles to theorize.

612
00:55:50,240 --> 00:55:56,780
So because we have an issue where if our war cycle is catching the light of the issue, I have much

613
00:55:56,780 --> 00:55:57,260
better.

614
00:55:58,190 --> 00:56:03,050
But if we are our own lights, it's not gonna make a lot of difference.

615
00:56:04,140 --> 00:56:07,590
So that's something to remember.

616
00:56:08,580 --> 00:56:11,940
The shoes right now are quite good for now.

617
00:56:12,570 --> 00:56:13,980
They don't have a detail.

618
00:56:14,880 --> 00:56:16,590
So that's why they don't look.

619
00:56:18,160 --> 00:56:20,940
They look so soft tissues shouldn't be so soft.

620
00:56:20,950 --> 00:56:23,890
We should have some of these materials over here.

621
00:56:23,890 --> 00:56:25,390
We're going to do that later.

622
00:56:25,900 --> 00:56:27,750
Let me add some detail.

623
00:56:27,760 --> 00:56:35,380
Some of these these dots over here, we are going to add them to the shoe in this area.

624
00:56:37,210 --> 00:56:45,970
But yeah, go ahead and go to render mode and see your character from all the views and see how it looks

625
00:56:46,420 --> 00:56:48,490
before going to the was apology.

626
00:56:49,650 --> 00:56:51,330
And you know, that's all.

627
00:56:51,420 --> 00:56:54,360
So that's it for now.

628
00:56:54,450 --> 00:56:58,170
So in this video, the next video, as it starts, it's apologizing.

629
00:56:59,790 --> 00:57:00,750
It's apologizing.

630
00:57:00,750 --> 00:57:02,010
The body over here.

631
00:57:03,120 --> 00:57:04,800
So until next time, goodbye.