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Our guys will come back.

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Let's start the process of apologizing, our character.

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So this released apology and why we needed.

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Well, in the last part of this course, we model the character.

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And while we are modeling, it's more of a technical thing.

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We with a cube or with anything, any other mesh, we can just go ahead and extrude things and make

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things like this because it's a very technical thing.

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We always take care of the geometry of the topology and make sure that the topology is as best as it

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can be.

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But when we are sculpting, as you can see, the only thing that we care about is how it looks.

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So we start with a low geometry, but we may end up with a geometry like this.

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This is a very high poly mesh or no, and this is not appropriate for production, for games, for animations,

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for movies, anything, and even for just a single rendering.

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It might take a lot of time.

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So if I go to E.B. over here, this is the first one I'm changing to the rendering mode.

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The first time always takes time.

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If I change it, as you can see, it takes more time to render the scene because of how much geometry

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how.

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Over here we have over 500 thousandths, whereas this is.

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So to fix that, to make sure that our character is ready for production, is ready for rendering,

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for animation, anything you want to do with it, we need to is apologize.

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That's all right.

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So that's the whole thing.

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Bow is apology and then after is apologizing.

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Then we have a mesh, a very optimized mesh that we can just add a subdivision or motor is a multi race

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or here.

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And then continue the sculpting and adding more details.

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While we have a good judge.

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All right.

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Let's start with this.

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There is a policy with the body over here.

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So I'm just going to click the body and then hold shift and click on edge to hide everything else.

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So everything else is now hidden.

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All right.

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So now I want to start there was apologies, so there are some steps to do it.

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First, we need a play.

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All right, now we have a point.

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Then let's bring it up.

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So I usually start there.

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It's apologizing from the head.

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All right, so let's start from the head.

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And first, let's rotate that the X axis or X and 90 degree.

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And this is now rotated.

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So the whole idea of our apologies is that we add a plane over here and then we just

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extrude this plane around and the mesh we have and gets a new mesh to the new objects.

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But right now, a plane goes inside of the case and that's not what we want.

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We only want the surface to sit on top of the surface to get accurate results.

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To do that, first we need to enable stop.

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Stopping and you have these options to be enabled.

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First, make sure that the face option is enabled and then go over here and enable portrait projects

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in the visual elements and also enable all these options over here.

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Move, rotate on a skill these options over here, and make sure that the mesh that we have, if now,

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as you can see, we don't have stopping to enable, but if we now enable this snappy tool and if I change

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and if I move my plane over here, this makes sure that the plane is going to stick to the surface of

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my object.

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So as you can see now, the plane is sticking to the object.

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Now if a rotates rotated as I have affected the rotate and the skill area over here as well the rotated,

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it also rotates based on the objects that it's sitting on.

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All right.

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So I can move it around and stuff like that.

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And then to make things even better, we can add modify over here shrink wrap modifier.

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I usually set it projects on negative and then on target you have to choose the target or here.

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Now it makes sure that the plane is wrapping around the object that they have selected, but now let's

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send it off.

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For now the object gets deformed because of how it is rotated.

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So let's just scale it down and don't forget to hit scale.

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And then this enabled, as you can see, the shrink wrap modifier is doing its thing to wrapping this

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plane around the object they have.

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So I don't want this right now.

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This is making problems right now.

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As you can see, if I move it around, it fixes it, though.

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So if it makes some kind of that problem, if I move it all the bit down, this vertices is going to

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stick to this part of the mesh.

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What if I'm with up?

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It's going to fix the problem.

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But that's the problem we have with shrink wrap.

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So whenever we are extruding the edges, we might get some of these problems.

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So what I do, I usually just only use snapping and I turn off the screenshot from the viewport with

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this click with this icon over here.

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So if I click over here, the shrink wrap is disabled.

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All right.

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And then after extruding, for example, after going over here and extruding this right here, okay

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then and enable screenshot to see how it's going to look on top.

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My object.

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All right.

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To make things more clear, because when we use shrink pro in a snapping, it's just it's on the surface.

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But it's bit it's not visible right now because this is more this is hiding the plane for us to seeing

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the plane.

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We go to object properties over here and then in April in France.

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So now we have our plane in front and then we can start extruding like that.

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All right.

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And then if you want to work with shrink wrap and if you see right here, the plane the plane is right

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here, but the shrink wrap is wrapping the plane on the object.

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So if you don't want to see the vertices over here, in other words, these over here, you can just

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go over here and enable cage.

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Enable cage is going to just snap it to the surface.

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All right.

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Or what we can do or what I do is I disable shrinks off while I do, though topology.

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I know you just work with snapping, all right?

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And then I go out of the edit mode and then I enable shrink wrap to see what I get and if I'm happy

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with it.

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All right, let me just minimize.

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And if I'm happy with this, I go over here on this arrow and I duplicate this and I apply the duplicate

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to the shrink wrap and then again, disable this.

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You grab over here.

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Now, as you can see, the shrink wrap is applied.

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But as for now, everything we do, we don't have shrink wrap on and we get the much more nicer version

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of geometry over here.

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Right?

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And then again, enable shrink wrap.

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And if I see any changes like duplicate on a fly, that's the whole thing about about the process over

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its apology and the tools that.

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There are some other tools are here to wrap this up.

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Poorly built.

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I explained about this in the fundamentals, but if I click on Thunderbolt, I can select the edge and

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then drag it to make an extrusion.

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So the edge and I get to make an exclusion.

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All right.

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And this makes things easy.

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For example, I can hover a woman mouse over the vertices and then just move around the vertices.

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But this tool is very precise.

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So right now, my my plane is very big, so I can easily select the edges.

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But many times the plane is actually like in this slice.

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All right.

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And then it gets hard to select the edges.

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I have to be precise and go over the edge.

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Selected, right?

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Yes.

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So just experiment for yourself to see if it fits how you're going to do.

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Sometimes I want to go and select this manually.

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I have to go over here and select box or I can just be to select it like that.

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But like selecting box is much more like it better to select because if I select B and I let go, then

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it's just going to switch back to.

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It might mess things up.

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And then another tool that I showed you before is if you go to edit preference and then go to Adam and

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then search for loop, you have a tool as look to enable it and this tool is only available in edit

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month now that we are in edit mode.

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If I select an edge over here,

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there's some edges over here and go to go to edit and then look to all have see some of these options.

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I can select them space to make this space between the edges similar.

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All right.

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I can go over to this and select space to get the more similar shape of these of these rectangles.

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And then I have like, for example, flatten the flattened earth I have circled to make a circle of

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the edge.

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And I have lost the example I have.

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Relax.

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Relax the words.

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This is on the edges.

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Very, very good tool.

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And also, there is this option, only inverted solution.

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If I select all the vertices with a and rightly I have this option over here, smooth vertices is going

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to source the roses somehow, like the smooth brush in the sculpting mode.

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It's going to just smooth the vertices like this and give me a very much more, better geometry.

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So let me delete this.

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Yeah.

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Now, the next thing is, is that you can also add a solution surface modifier.

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All right.

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To see to how it's going to look after you subdivide.

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For example, if I do it over here, I may see that I have some problems over here.

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Obviously, I need that geometry over here, but you might even see some problems after enable it.

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So the workflow would be that you just disable the subdivision after a while, after walking and apologizing,

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you just enable it to see how it's going to look after there is a policy.

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All right.

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And so the lesson is your modifier, because the things that we usually do

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we support, those are usually symmetries.

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As you can see, we even we made the class symmetries and we can use that to just less than our work.

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So we can just use a mirror modifier and just do one side of the body.

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All right.

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So we just do one side of the body and the mirror modifier.

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We just move it onto other side and we're done.

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So on makes things much faster.

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That's the whole and that's the whole thing that I wanted to share with you about this apology.

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So now let's get right into it.

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And we say apologies to head.

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So let me delete these faces.

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And.

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All right.

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We have or modify a set.

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We have a slot to set with these with these on dancing the wheel position at the certain important individual

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elements and we are set so it's.

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So will this.

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Then we go here.

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One last thing we have many times in the.

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In extruding it all, we need to mesh things.

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So for example, over here.

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If I extrude this or here, these two are separated, these two edges.

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Right.

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So these are separate that we need to manage them and we manage them by clicking on the words you see,

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clicking on the other words, he hits em on keyboard and the selection of these as center is going to

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make them in the centre point where here alas is going to as first is going to miss them with the first

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selection unless is going to merge them with the last.

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So just press on last and it's going to manage them like that.

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But sometimes this might take a while for when we are going very fast.

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So there's an option optional here.

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So on the upper right corner option and auto merge and this is going to auto merge the words that are

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close together based on this result.

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All right.

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So if I press G and make this closes, as you can see, nothing happens because and now they don't match,

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nothing happened.

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And we are likely to really close because this trestle is very low.

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But now they are managed.

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Right now let's image them and then now let's increase this to a very high value 0.1.

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All right.

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And now if I move this around like this and I click, and as you can see, this is easily gets mesh

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right now.

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But as you can see, this is this is very long distance for merging.

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If I click here, they don't match in this position.

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Right.

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So they are managed at this distance and this is a long distance.

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So we can just half make it this distance half.

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0.5, for example.

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And for ripping words, this is also so you don't want these to be matched.

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You can use V on your keyboard to rip vertices pressing V and or rips this far from the source.

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So let's try this match option over here and then let's just go over here and they're going to match

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very fine.

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So now that you're set, you're good to go.

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With these faces, I want to stories apologizing the face to face.

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I want the face to be mirrored or to do that.

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Let's.

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Bring the first plane to the middle of the head like this.

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And it won't be magic then, but there's a lot more option here.

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In the mere modifier we need to enable clipping because now if I move.

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These faces are mirrored.

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They're going to just go into each other to prevent that, which is enable clipping.

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And now when they go into each other, they're just going to clip into each other and mirror into it

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and merge into each other.

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All right.

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You can also play around with this mesh boxing match option over here.

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If if there are, for example, too far away from each other, they're going to now they're mesh.

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These two what is are mesh because of this option or here if you want it to be like merged from a longer

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distance, you can play around with that.

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But I think this is fine.

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We always need to go back and check these lines over here to see if they are merged before applying

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them.

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You for.

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Well, that's the last, last operation that we were going to do.

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So let's go to.

238
00:17:58,080 --> 00:18:03,630
Over here and let's define how it is going to be.

239
00:18:04,740 --> 00:18:06,600
So we have a plane like this.

240
00:18:06,930 --> 00:18:07,320
All right.

241
00:18:07,980 --> 00:18:10,440
Now, we are going to start with this apology.

242
00:18:10,470 --> 00:18:11,970
This is the front of the face.

243
00:18:12,240 --> 00:18:18,150
So one thing I want to mention, our face right here, our head right here.

244
00:18:18,150 --> 00:18:20,100
It doesn't have face features.

245
00:18:20,220 --> 00:18:20,670
All right.

246
00:18:20,670 --> 00:18:21,990
So this is a mask.

247
00:18:22,410 --> 00:18:26,340
We're going to make this by the minds of the masses and have this face features.

248
00:18:26,760 --> 00:18:28,550
This is going to make this easier.

249
00:18:28,560 --> 00:18:33,840
So we're just going to wrap it around the head with the geometry easily.

250
00:18:34,260 --> 00:18:45,570
But if it did have faces or if you are going to make this for animation, you need to make things like

251
00:18:45,870 --> 00:18:46,830
more different.

252
00:18:46,870 --> 00:18:48,200
And what I'm going to do it now.

253
00:18:48,210 --> 00:18:48,540
All right.

254
00:18:48,900 --> 00:18:55,230
So around the mouse, if you're going to animate your character and the character is going to talk around,

255
00:18:55,230 --> 00:19:05,190
the mouse needs to be if I duplicate, it needs to be like this, like a loop around the mouse.

256
00:19:05,580 --> 00:19:06,000
All right.

257
00:19:07,710 --> 00:19:14,400
So this is very quick, not very accurate, but you need a loop around the mouse to.

258
00:19:19,330 --> 00:19:20,530
I admit things.

259
00:19:21,790 --> 00:19:22,960
Why the change?

260
00:19:23,480 --> 00:19:24,890
I went to the results.

261
00:19:26,320 --> 00:19:28,060
Let's just say we'll shrink over here.

262
00:19:28,840 --> 00:19:31,210
You need a loop around the mouse.

263
00:19:31,930 --> 00:19:32,260
Okay.

264
00:19:33,460 --> 00:19:35,620
So something like this.

265
00:19:36,520 --> 00:19:37,000
All right.

266
00:19:37,180 --> 00:19:40,660
Because you want to use this loops.

267
00:19:41,860 --> 00:19:46,840
To animate the mouse of the character, make it go up and down.

268
00:19:47,950 --> 00:19:52,330
Okay, so that's one thing you need to remember.

269
00:19:55,960 --> 00:19:59,040
Let's let's face it.

270
00:19:59,920 --> 00:20:01,560
And it's a start apology.

271
00:20:02,320 --> 00:20:04,490
I'm just going to click on the selection.

272
00:20:04,510 --> 00:20:06,160
I'm just going to extrude it.

273
00:20:06,550 --> 00:20:10,510
So first, I want to make a loop around the head like this.

274
00:20:10,870 --> 00:20:14,380
Then I'm going to make a loop around the jawline over here.

275
00:20:14,740 --> 00:20:16,620
Then a loop around the neck.

276
00:20:16,630 --> 00:20:20,650
So neck and head are need to be done with each other.

277
00:20:21,160 --> 00:20:24,850
And then we're going to do the rest of the head

278
00:20:27,940 --> 00:20:30,100
before making the neck line.

279
00:20:30,760 --> 00:20:39,710
I want to make the line that goes down to the body to set things as we go.

280
00:20:39,730 --> 00:20:41,680
So let's just extrude it with E.

281
00:20:42,160 --> 00:20:43,300
Extrude with E.

282
00:20:44,440 --> 00:20:51,850
I have shrink wrap off, as you can see, extrude with a extra and just extrude and go down.

283
00:20:53,170 --> 00:20:54,910
I make similar

284
00:20:57,970 --> 00:21:00,410
extrusion, but I know we don't have a similar excision.

285
00:21:00,430 --> 00:21:00,960
That's okay.

286
00:21:00,970 --> 00:21:04,360
I'm just going to try and bring it down to this area.

287
00:21:04,660 --> 00:21:04,990
All right.

288
00:21:05,410 --> 00:21:06,780
And then I can press control.

289
00:21:06,790 --> 00:21:13,840
Ah, and then with the mouse mill mouse will, I can increase the edges over here.

290
00:21:14,890 --> 00:21:16,660
All right, then.

291
00:21:16,660 --> 00:21:21,700
Let's go and extrude over here on top of the head.

292
00:21:35,960 --> 00:21:41,210
And then this is extrude to the back of the body.

293
00:21:41,810 --> 00:21:49,310
We see the back face of the faces or here, if it makes problems for you, go over here at this hour

294
00:21:49,310 --> 00:21:51,770
or here and then enable back face.

295
00:21:51,770 --> 00:21:58,640
Colon is going to hide the back face of the faces that are over here.

296
00:22:02,110 --> 00:22:03,460
This is extrude this.

297
00:22:04,890 --> 00:22:11,040
So this area and then control our and make some loops.

298
00:22:12,300 --> 00:22:18,840
For now we are not semi accurate, but you should have the same loops we have over here.

299
00:22:18,960 --> 00:22:21,150
So that's one thing to remember.

300
00:22:22,170 --> 00:22:25,440
We can also yeah, let's undo that.

301
00:22:26,640 --> 00:22:32,490
And always it's good to have an even number so we can see that.

302
00:22:34,230 --> 00:22:39,330
The thing we can see that's over here, as you can see, the number of cuts.

303
00:22:39,960 --> 00:22:45,600
So it's an even number like eight, for example, and confirm.

304
00:22:46,440 --> 00:22:51,660
So as you can see or here, we could see the number of the cuts.

305
00:22:56,480 --> 00:22:56,870
All right.

306
00:22:57,470 --> 00:23:05,120
Now, if base or the body or now, as they pointed out to connect is because these parts of the human

307
00:23:05,120 --> 00:23:11,090
might delete these or transform these, or we go, well, now we have the body.

308
00:23:11,090 --> 00:23:17,360
Right now we can enable Chicxulub to see how its shrink wraps around the body and we can go to object

309
00:23:17,360 --> 00:23:21,710
mode duplicate apply this and don't disabled shrink wrap again.

310
00:23:22,550 --> 00:23:29,810
Then after enabling this shrink wrap, we have these edges over here that are separate from each other

311
00:23:29,810 --> 00:23:34,160
and we need to just select them and make them closer to each other.

312
00:23:34,160 --> 00:23:39,800
But I'm not going to do that now because we might get these results again.

313
00:23:41,570 --> 00:23:49,760
When we are doing the topology near the end, we are going to make them more closer to each other.

314
00:23:50,120 --> 00:24:00,080
But you can do that like a press of click to click and then go inside to make them into each other.

315
00:24:00,080 --> 00:24:05,570
But we get things like this, so be careful when you are doing that.

316
00:24:05,900 --> 00:24:06,290
All right?

317
00:24:08,270 --> 00:24:12,170
Maybe just selecting them one by one is the better option.

318
00:24:12,410 --> 00:24:16,390
So g x bring them to our shutter.

319
00:24:16,910 --> 00:24:21,410
So now let's make the area over here on the JO line.

320
00:24:21,590 --> 00:24:26,540
So it wants to connect this JO line to this area over here, right?

321
00:24:27,020 --> 00:24:28,070
So let's do that.

322
00:24:33,160 --> 00:24:41,230
Just watch seeing how many witnesses we have over here was connect this to better see how it's going

323
00:24:41,230 --> 00:24:42,430
to work out later on.

324
00:24:46,720 --> 00:24:51,070
By pressing s you can scale down or up your.

325
00:24:52,440 --> 00:24:53,040
It's.

326
00:24:59,210 --> 00:25:02,660
Just extruding, and now I can

327
00:25:05,720 --> 00:25:10,940
manage these two together by bringing them closer to each other.

328
00:25:12,410 --> 00:25:14,210
So let's bring these conditions.

329
00:25:14,240 --> 00:25:19,910
Now they are mesh, but as you can see, this plane over here is too big right now.

330
00:25:19,910 --> 00:25:21,110
But we don't know.

331
00:25:21,530 --> 00:25:25,640
We need to first see if.

332
00:25:27,050 --> 00:25:29,660
This loop over here is right for us.

333
00:25:31,110 --> 00:25:31,520
So

334
00:25:34,310 --> 00:25:36,980
now we have to connect these loops together.

335
00:25:38,860 --> 00:25:41,350
But now I want to show you an option over here.

336
00:25:41,360 --> 00:25:42,970
So there's an option over here.

337
00:25:42,970 --> 00:25:52,060
Face, greet feel is kind of feel the loop after look at this is the loop is going to select it's going

338
00:25:52,060 --> 00:25:57,100
to make geometry based on this loop, but it needs even number of edges.

339
00:25:57,100 --> 00:26:03,370
So if you have a number of edges over here, we should have the same number of edges over there.

340
00:26:03,730 --> 00:26:05,830
So let's count this number over here.

341
00:26:05,830 --> 00:26:11,980
So as you can see, we can see the edges over here, five right now.

342
00:26:12,550 --> 00:26:14,050
This is the vertices actually.

343
00:26:14,050 --> 00:26:17,050
So the edges are here, edges four.

344
00:26:17,890 --> 00:26:19,180
So you have four selected.

345
00:26:23,210 --> 00:26:25,940
And now we have nine selected in this area.

346
00:26:25,970 --> 00:26:29,510
Now let's see how much we have or here.

347
00:26:33,480 --> 00:26:36,480
If it doesn't work, we should just go it manually.

348
00:26:38,210 --> 00:26:39,380
You have 14 over here.

349
00:26:39,770 --> 00:26:40,220
All right.

350
00:26:42,230 --> 00:26:48,260
Let's bring down this area and just make a loop over here.

351
00:26:49,430 --> 00:26:51,590
Now we have 15 over here.

352
00:27:00,600 --> 00:27:00,840
All right.

353
00:27:00,840 --> 00:27:03,660
I think the best thing is just go manually right now.

354
00:27:05,420 --> 00:27:05,780
Yeah.

355
00:27:05,810 --> 00:27:08,300
The best thing is right now, I think it's just go manually.

356
00:27:09,140 --> 00:27:10,940
Let's select the.

357
00:27:12,780 --> 00:27:16,650
Let's go to the upper view and select the middle face over here.

358
00:27:17,100 --> 00:27:20,850
And I want to extrude it and see where I can connect it.

359
00:27:22,930 --> 00:27:24,880
All right, let's connect these two together now.

360
00:27:30,660 --> 00:27:31,920
Now these two are connected.

361
00:27:38,550 --> 00:27:38,820
All right.

362
00:27:39,420 --> 00:27:43,620
Now we have a look in this area, as you can see.

363
00:27:43,650 --> 00:27:44,400
One, two, three.

364
00:27:44,400 --> 00:27:45,030
Or here.

365
00:27:45,390 --> 00:27:47,080
One, two, three, four.

366
00:27:47,100 --> 00:27:49,010
One, two, three, four, five.

367
00:27:49,020 --> 00:27:49,530
Or here.

368
00:27:49,860 --> 00:27:52,950
So we need another edge in this area.

369
00:27:52,960 --> 00:28:01,080
We can bring down this area over here and add another edge in this area, and then this select these

370
00:28:01,080 --> 00:28:03,210
edges and go to face, crease, feel.

371
00:28:03,210 --> 00:28:06,870
And now we don't have the necessary things.

372
00:28:07,320 --> 00:28:08,340
So, like two edges.

373
00:28:08,400 --> 00:28:10,860
So I think.

374
00:28:12,060 --> 00:28:14,130
One, two, three, four, five.

375
00:28:14,160 --> 00:28:16,380
One, two, three, four, five.

376
00:28:17,070 --> 00:28:18,750
And over here we have three.

377
00:28:18,770 --> 00:28:21,240
So that's that might be the problem here.

378
00:28:21,960 --> 00:28:24,150
So just do it manually, then.

379
00:28:24,960 --> 00:28:25,410
All right.

380
00:28:25,450 --> 00:28:26,550
This is manually.

381
00:28:27,030 --> 00:28:31,920
We just have to go and press E on this edge.

382
00:28:34,860 --> 00:28:35,940
First each.

383
00:28:37,650 --> 00:28:48,030
But accidents this busy slick and the merge these to be merged this to the register and then this guns

384
00:28:48,570 --> 00:28:50,310
merged these two as well.

385
00:28:50,940 --> 00:28:53,550
All right, now let's go over here.

386
00:28:53,550 --> 00:28:56,640
We can go ahead and mash them as well.

387
00:28:57,750 --> 00:29:01,780
First, this mess from the upside match.

388
00:29:01,830 --> 00:29:03,600
These these.

389
00:29:06,540 --> 00:29:07,410
These two

390
00:29:10,500 --> 00:29:12,690
and these ones.

391
00:29:19,020 --> 00:29:19,380
All right.

392
00:29:21,760 --> 00:29:25,330
Let's go here and mesh these from over here.

393
00:29:44,560 --> 00:29:52,480
And then we're going to see which witnesses we need to delete and which vertices and faces we need to

394
00:29:54,430 --> 00:29:54,970
have.

395
00:29:56,380 --> 00:29:57,370
So now we have this.

396
00:29:57,370 --> 00:30:00,770
We have all this all right, here.

397
00:30:00,790 --> 00:30:02,560
But as you can see, we have

398
00:30:05,140 --> 00:30:06,290
one over here.

399
00:30:06,310 --> 00:30:07,990
One, two, three or.

400
00:30:07,990 --> 00:30:09,910
But over here we have only two or three.

401
00:30:10,330 --> 00:30:16,630
So if we extrude over here, we are going to need one edge or here, and therefore it is here.

402
00:30:16,780 --> 00:30:20,440
One is going to be here, but they're going to attach to each other.

403
00:30:20,440 --> 00:30:26,230
So we're just going to press control R and add one edge here and just add these together.

404
00:30:26,230 --> 00:30:31,460
And then this is going to be made just by itself to fill this face.

405
00:30:31,470 --> 00:30:36,400
Press F And that's so that's now the back of the head.

406
00:30:38,200 --> 00:30:41,380
Now let's see if we can create feel like this.

407
00:30:46,420 --> 00:30:53,530
So Silver can get useful with the school again the manual way.

408
00:30:55,060 --> 00:30:57,880
But I want to show you another way to do this.

409
00:30:58,990 --> 00:31:07,750
This extrusion I showed you how to extrude manually or here with E we can extrude, and then it's going

410
00:31:07,750 --> 00:31:08,320
to merit.

411
00:31:08,710 --> 00:31:09,070
All right.

412
00:31:10,540 --> 00:31:17,560
But there is an Adam in parentheses called F two, and it comes with Blender.

413
00:31:17,830 --> 00:31:20,200
All right, so enable this, Alan.

414
00:31:20,200 --> 00:31:28,210
I mean, this, as you can see, as I see or hear or see or hear, if I do things all right.

415
00:31:28,360 --> 00:31:30,670
If I do things or hear a press.

416
00:31:32,530 --> 00:31:32,720
Hmm.

417
00:31:33,400 --> 00:31:33,790
Sorry,

418
00:31:36,850 --> 00:31:40,780
I press these two edges and press F on keyboard to it.

419
00:31:40,870 --> 00:31:41,180
All right.

420
00:31:41,500 --> 00:31:48,730
But this F to Adam enables or enables us if I click and vertices that has two edges.

421
00:31:49,270 --> 00:31:49,600
All right.

422
00:31:49,960 --> 00:31:52,240
So this word to see has to adjust.

423
00:31:52,240 --> 00:31:59,190
Or here, if I click this as a C and prison F, it's going to make playing itself.

424
00:31:59,200 --> 00:32:00,040
And that's very helpful.

425
00:32:00,040 --> 00:32:05,370
So now we can just kind of vertices and press f f quickly.

426
00:32:05,380 --> 00:32:07,630
We can add the edges.

427
00:32:07,630 --> 00:32:10,570
Renee Then over here we can connect these two together.

428
00:32:12,250 --> 00:32:15,370
Then just go and press F.

429
00:32:18,570 --> 00:32:20,520
Press f or here f.

430
00:32:24,200 --> 00:32:25,180
Facing Earth.

431
00:32:25,700 --> 00:32:28,960
And good.

432
00:32:31,610 --> 00:32:38,090
And this connecting these two together now is filling this part.

433
00:32:42,370 --> 00:32:42,730
All right.

434
00:32:43,030 --> 00:32:46,810
Now, as you can see, we need an age group in this area.

435
00:32:47,980 --> 00:32:52,690
Let's do a little this fill this area first to see what we can.

436
00:32:52,690 --> 00:32:53,260
I guess

437
00:32:56,410 --> 00:32:57,880
so you can go very.

438
00:33:00,270 --> 00:33:10,340
You can go very, let's say, accurate and just count the numbers and just go with it.

439
00:33:10,350 --> 00:33:18,510
But I prefer the I just go with the flow and then decide which is just not and which is I'm not going

440
00:33:18,510 --> 00:33:18,600
to.

441
00:33:18,870 --> 00:33:19,200
All right.

442
00:33:19,530 --> 00:33:24,450
So now this is almost certainly I need an edge over here and over here.

443
00:33:24,450 --> 00:33:29,370
So just I'm just going to press control R and then add a loop in this area.

444
00:33:29,940 --> 00:33:42,600
And now this is connected and this bring down this area and now let us continue its efforts to fill

445
00:33:42,610 --> 00:33:43,350
this area.

446
00:33:44,670 --> 00:33:47,790
So we just efforts I'm just going to fill this area.

447
00:33:48,900 --> 00:33:50,610
So this is how it's here.

448
00:33:52,800 --> 00:34:01,420
So I have this press f to fill this area and then let's see if we need another loop.

449
00:34:19,440 --> 00:34:19,760
She?

450
00:34:24,530 --> 00:34:31,969
All right, now I have this to be filled so I'm going to then I'm press f between these two and then

451
00:34:31,969 --> 00:34:33,949
I have these two to fill.

452
00:34:34,310 --> 00:34:35,960
So just press F to feel.

453
00:34:36,830 --> 00:34:42,620
And then now I have these ones that I need to make.

454
00:34:45,120 --> 00:34:46,530
I need to make.

455
00:34:46,730 --> 00:34:50,420
All right, so let's go over here and see.

456
00:34:51,230 --> 00:34:53,690
Yeah, I think we're here.

457
00:34:53,719 --> 00:34:55,020
One, two, three, four.

458
00:34:55,040 --> 00:35:01,280
We have a court order here, but we need to feel it.

459
00:35:03,770 --> 00:35:05,630
And that just doesn't work.

460
00:35:05,630 --> 00:35:08,600
That's just go the easier way to look at.

461
00:35:09,890 --> 00:35:12,200
So it's just I look out in this area.

462
00:35:12,200 --> 00:35:20,150
Let's, let's roll our now that we have a lifeguards, we can just go and press F over here and then

463
00:35:20,150 --> 00:35:21,290
add another look.

464
00:35:21,290 --> 00:35:31,040
But in this area, join those two together and then joint joint these two edges together by press clicking

465
00:35:31,040 --> 00:35:32,000
on the press f.

466
00:35:35,300 --> 00:35:36,530
And now we have.

467
00:35:38,740 --> 00:35:43,620
Ramesh, as you can see, every part of Ramesh is now consists of what's not.

468
00:35:43,630 --> 00:35:47,140
Here we have a problem that we might we need to be careful.

469
00:35:47,650 --> 00:35:53,680
This was made by us on the right because we have all of the imagination over.

470
00:35:53,680 --> 00:35:59,180
When we made the loop and the looks were close to each other, it just merged these two witnesses together.

471
00:35:59,200 --> 00:36:05,980
Let's just rip this over here or listen to that and.

472
00:36:12,780 --> 00:36:16,590
Let's disable automation so we think get problems.

473
00:36:17,160 --> 00:36:23,550
Let's rip these vertices and let's see how we can fix this.

474
00:36:31,100 --> 00:36:36,240
So these two need to be merged, I think merged together with M.

475
00:36:38,670 --> 00:36:40,850
And then these two need to be merged.

476
00:36:44,450 --> 00:36:45,770
We're not, actually.

477
00:36:48,340 --> 00:36:49,530
We need to.

478
00:36:59,520 --> 00:37:00,360
Please make a.

479
00:37:04,040 --> 00:37:04,610
Make this

480
00:37:07,270 --> 00:37:07,700
less.

481
00:37:08,400 --> 00:37:16,370
We need to make this as a rectangle, the street, the edge over here and now I think it's going to

482
00:37:16,370 --> 00:37:17,210
be fixed.

483
00:37:17,450 --> 00:37:24,980
Straight edge select is F, so it is F and now the problem is fixed.

484
00:37:24,980 --> 00:37:26,650
Now we have all codes.

485
00:37:27,680 --> 00:37:32,810
So be careful when you are adding edge loops that are very.

486
00:37:36,900 --> 00:37:38,100
Close to each other.

487
00:37:38,100 --> 00:37:44,760
So they don't get they don't get matched by disruption, not so much.

488
00:37:45,420 --> 00:37:51,780
Now, I'm just going to select all of the vertices and I'm just going to go right click and this one

489
00:37:51,780 --> 00:37:56,130
source is to smooth them out of the thing you want to do.

490
00:37:56,130 --> 00:38:02,060
I want to select this as a maybe press on a space or it might make problems now.

491
00:38:02,100 --> 00:38:03,630
Yeah, it made some problems.

492
00:38:05,270 --> 00:38:08,810
But this never shakes out to see what we get.

493
00:38:12,670 --> 00:38:13,120
All right.

494
00:38:13,120 --> 00:38:13,690
That's good.

495
00:38:15,370 --> 00:38:20,350
Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh.

496
00:38:20,890 --> 00:38:21,790
Okay, let's press on.

497
00:38:21,840 --> 00:38:22,660
Relax.

498
00:38:23,170 --> 00:38:23,740
Relax.

499
00:38:24,780 --> 00:38:28,020
A couple of times too much.

500
00:38:34,180 --> 00:38:34,780
She's.

501
00:38:40,870 --> 00:38:42,610
It's very relaxing.

502
00:38:43,150 --> 00:38:45,550
Just this is going to be much more smooth.

503
00:38:50,240 --> 00:38:50,780
She?

504
00:39:10,490 --> 00:39:12,010
Well, that's just small sort.

505
00:39:12,020 --> 00:39:13,820
This is a couple of times.

506
00:39:21,550 --> 00:39:30,070
At this point, you just need to adjust because we have.

507
00:39:30,520 --> 00:39:35,080
So we don't we have we need to have similar quotes right here.

508
00:39:39,660 --> 00:39:40,110
All right.

509
00:39:40,500 --> 00:39:41,530
That's good for Nana's.

510
00:39:41,530 --> 00:39:45,810
You can see we made the head, and now we have a good geometry that we can work with.

511
00:39:46,470 --> 00:39:47,640
Now let's go to the next.

512
00:39:47,640 --> 00:39:50,250
I'm just going to press F to fill this.

513
00:39:50,700 --> 00:39:52,020
Not like that.

514
00:39:52,260 --> 00:39:53,340
Let's do that.

515
00:39:54,510 --> 00:39:56,470
I need to press on this side less.

516
00:39:56,490 --> 00:39:57,240
Press f.

517
00:40:06,630 --> 00:40:08,550
Press on the wrong courtesy.

518
00:40:09,990 --> 00:40:12,750
Be careful which courtesy you are pressing.

519
00:40:16,110 --> 00:40:16,460
It's.

520
00:40:21,070 --> 00:40:23,050
Then I can join these two together.

521
00:40:24,940 --> 00:40:31,570
Can I enable auto match and maybe bring down the distance like 0.4?

522
00:40:34,240 --> 00:40:38,050
All right, let's make these two edges a little bit.

523
00:40:49,020 --> 00:40:50,160
Far from each other.

524
00:40:54,850 --> 00:40:57,400
Look at its topology like a game.

525
00:40:57,520 --> 00:41:02,200
Okay, kind of a game, mini game that you need to fill in

526
00:41:05,020 --> 00:41:07,390
where the geometry is needed and all the.

527
00:41:15,740 --> 00:41:16,060
All right.

528
00:41:16,070 --> 00:41:19,640
Now, I'm going to do the second edge much more quickly.

529
00:41:20,090 --> 00:41:25,520
I'm just going to press E and extrude this and bring it in this area.

530
00:41:26,030 --> 00:41:30,320
And then I'm just gonna connect these with these edges.

531
00:41:31,130 --> 00:41:32,600
Let's connect this man.

532
00:41:32,600 --> 00:41:37,070
And we connect these two together and connect.

533
00:41:40,300 --> 00:41:41,110
These two.

534
00:41:44,510 --> 00:41:45,130
She's.

535
00:41:47,640 --> 00:41:52,860
And another by making, as you can see, it is going inside.

536
00:41:52,860 --> 00:41:54,300
Because we don't have any.

537
00:41:54,300 --> 00:41:54,930
Lucas.

538
00:41:55,110 --> 00:41:56,640
Let's make some lookouts.

539
00:41:57,300 --> 00:42:02,430
And we need the number to be correct.

540
00:42:02,430 --> 00:42:03,930
So, one, two, three.

541
00:42:04,800 --> 00:42:06,930
Let's just do over here.

542
00:42:08,250 --> 00:42:13,050
Select these edges to see how many edges, how many lookouts we need.

543
00:42:17,640 --> 00:42:23,360
So I have ten writers over here, so I need ten lookouts over here so I can go over here and make it.

544
00:42:23,370 --> 00:42:28,140
And look, as you can see over here, we can see the number of cuts I need.

545
00:42:29,160 --> 00:42:33,920
Ten cuts and now I have ten cuts.

546
00:42:33,930 --> 00:42:39,660
And all I need to do, I need to connect this together.

547
00:42:43,350 --> 00:42:51,420
Let's disable shrink wrap or actually let's go over here to look at the shrink wrap and apply it and

548
00:42:51,420 --> 00:42:52,440
disable it again.

549
00:42:54,240 --> 00:42:59,540
After applying the shrink wrap, go around and see if you see any artifacts, any errors.

550
00:43:07,650 --> 00:43:16,710
This connect is just now I have my automation on with our help other match I quickly connect this I

551
00:43:16,710 --> 00:43:25,590
just I'm not learning a lot about like how it's going to look later I'm going to solve them and relax

552
00:43:25,590 --> 00:43:25,830
them

553
00:43:30,930 --> 00:43:31,020
all.

554
00:43:31,800 --> 00:43:37,380
It seems I have I've made one edge, unnecessary edge over here.

555
00:43:37,770 --> 00:43:43,860
Go ahead and dissolve edge to dissolve the edge to do it because it's going to delete the whole face.

556
00:43:44,550 --> 00:43:45,470
Dissolve this.

557
00:43:48,750 --> 00:43:49,830
All right.

558
00:43:49,830 --> 00:43:55,350
Here I can click on this as this person is space.

559
00:43:55,380 --> 00:44:02,000
All right, let's disable that, you know, so we can make this a very smooth.

560
00:44:03,620 --> 00:44:08,070
The space between versus is similar with we can relax them.

561
00:44:16,750 --> 00:44:17,080
All right.

562
00:44:17,110 --> 00:44:19,840
Now we have a much more relaxed.

563
00:44:27,380 --> 00:44:28,280
Oh, man.

564
00:44:28,280 --> 00:44:29,420
Some problems over here.

565
00:44:30,260 --> 00:44:37,610
So what I'm thinking is that just select these edges and relax, and so they select a loop.

566
00:44:38,330 --> 00:44:44,730
Well, I don't need that loop, so let's just select these bits on a space to make this space similar

567
00:44:44,750 --> 00:44:47,630
and press on, relax through an axis edges.

568
00:44:48,710 --> 00:44:50,840
And I can do the same thing over here.

569
00:44:54,460 --> 00:44:56,740
Space in space is not relax.

570
00:44:57,430 --> 00:45:01,540
And as you can see, we have a much better loop around the neck.

571
00:45:05,930 --> 00:45:06,260
All right.

572
00:45:06,860 --> 00:45:07,850
Now let's.

573
00:45:10,290 --> 00:45:10,570
All right.

574
00:45:10,620 --> 00:45:13,150
Now, I think it's cause for analysis.

575
00:45:13,410 --> 00:45:14,700
Connect these together.

576
00:45:24,680 --> 00:45:30,410
I'm not selecting the look because it might make problems while we have this stuff to on.

577
00:45:34,070 --> 00:45:34,360
She?

578
00:45:37,990 --> 00:45:38,820
She's.

579
00:45:41,780 --> 00:45:50,210
And so we can just manually go ahead and change the position of the search assist.

580
00:45:51,620 --> 00:45:51,890
All right.

581
00:45:51,890 --> 00:45:55,340
Now, as you can see, we have a very much lower geometry had.

582
00:45:55,340 --> 00:45:58,970
We can enable the subdivision, see what we can.

583
00:45:58,970 --> 00:46:05,090
And as we can see, we get the quite good results with this challenge sheet that we have made by now.

584
00:46:06,170 --> 00:46:08,390
And all right.

585
00:46:08,390 --> 00:46:09,680
That's it for this video.

586
00:46:09,740 --> 00:46:11,900
We made the its policies ahead.

587
00:46:12,590 --> 00:46:15,320
Next, we are going to its policies, the policy.

588
00:46:15,920 --> 00:46:17,090
So the next time.

589
00:46:17,390 --> 00:46:17,810
Goodbye.