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Hello and welcome back, guys.

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So, yes, Blender crashed on me in the last video, and I was warning you about this.

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Uh, but it it happened to me, and so.

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But hopefully we don't lose too much.

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I had to reduce off the stuff in the hand, and I come up with the area in the intellect.

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Uh, but I decided to use a stronger color for here, so it would be much more visible in comparison

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with this or here.

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All right.

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So, uh.

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Yeah, so that's it.

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I completed the pattern over here.

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Now we can move to the next part of texturing the body over here.

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Let's go to texture paints now, as you can see over here.

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So one thing I want to emphasize on is that do not use do not use the highest range in these parts into

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making the pattern.

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As you can remember, we use the very soft brush by going over here to the curve and then clicking on

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this one and then click and drag in this handle.

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So here you can make the brush very soft.

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If you want it to be very sharp, you just have to select one of these that you have to hand this,

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maybe just this one and make does like this.

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And if you go over here, you can make a sharp by or here is making a very soft transition.

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So to change that click on this are over here and change it to vector handle and now we can make it

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very sharp go like this.

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It's going to be very, uh, very sharp brush.

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So I just wanted to expand that again.

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But you want to use a very soft brush.

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I use like half the amount of a stretch to not make it too wide.

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All right.

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So because and now if I go to texturing and with a 100%, 100% stretch and even I have a very soft brush

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with very good two hand and then brush like this, this is a very wide color and it's going to be seen

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too much like.

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All right, the one that is one the pattern to be there kind of.

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Right.

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So another thing is that when you go to image over here and go to Skip as I think by default this JPEG,

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I'm not sure.

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All right.

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But if it's in JPEG or if it's in JPEG, it can change to PG and CV dumping.

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But the best option is open EXR and you can save it in opening example.

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We don't need a for the color for this case in this case, but you can send it to RJ if you want and

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then save it as RGV.

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A Okay, as severe as opening you saw.

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So when you saw it holds much more information than JPEG.

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MP you now let me puzzle with you and I forgot to open my pure living puzzle with you and open it up

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quickly.

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All right, so I opened my purifier over here, and now the next thing I want to do with coloring on

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to color these red with the area in the hand, let's use actually let's use the references for this.

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So I'm just going to bring up the references.

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I'm just going to steal the color from over here.

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So I'm in the red color.

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I want a very soft brush, which I have, and then I can go to color over here.

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Let's know we don't need this color anymore.

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And then we can go to colors and grab this picture and grab this eyedropper and just get this color.

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And now we have the color over here.

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And now let's do some tests to see what we get over here.

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Let me turn off.

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Some of the structure here and it's actually decreased the spacing.

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So it would be a very small swan.

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We can increase the sample.

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It's not going to make a lot of differences, but it's always better to do that kind of stuff.

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And then we have this color over here.

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All right, kind of like it.

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Now let's go to the rendering and see what we get.

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All right.

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The color is kind of cool.

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I like it, but I might.

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Make it much more software too.

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So I'm just going to make it software as it can to get a very soft, soft color like this.

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I can also bring down the saturation where he is too saturated.

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So now I think it's much more interesting to me.

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Yeah, it's got to run the more to see what we get.

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You can also let me show you a trick because now, as you can see, it is rendering the whole thing.

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I like this.

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As you can see, we were using a very soft version is making soft edges like this.

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And that's for once, let me do this.

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If you want to go to rendering and just see one area press and hold the control and be on the keyboard

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control and be on the keyboard.

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And you get this.

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Red rectangle.

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And then if you go to rendering one only in cycles, it doesn't work in Evie.

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If it was here in the remote, it's only going to render this area.

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And as you can see, it's just going to be much more festive because it's just not going to render the

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whole scene.

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All right.

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So now we can go to back to over here.

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And if you want to remove it, I believe it's control all speak.

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Yeah.

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Control space or remove that box or there.

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So analysis, thoughts, coloring this.

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I want to change it to Eevee and I'm going to start coloring it in here because we have all the shadows

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and all those nice stuff and then let's just color it.

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So I text the whole finger as it seems.

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I want to go back to my chair for you here because I noticed some lacking which I don't like.

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All right.

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Let me go back, because I think this change is too much for what we're doing.

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Yeah.

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I want to have those white lines right here.

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I destroyed the white lines over here that we make.

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So once I have that and to preserve that, we need to use a very we need to reduce this range.

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So let me do this.

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I do.

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I do.

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I do.

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And now let's use this strange word here.

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Analysis starts coloring.

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It is too low now.

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This increase it to 0.3, I think.

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Shh.

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I think Oslo still opens fire, and maybe that's our option.

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So we were 100% and now we are 50%.

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I think this is now that's our now this is third color and we can quickly go and color this stuff.

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As you can see, we have the lines to.

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Accidental the color disk space over here so we can go behind the person and with s grab this color

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over here and then go over here and remove the coverings in this area.

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And then we can go something like this to make the edges much more smoother.

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But later we need to I'm going to use because as you can see in some areas like here, the colors are

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not too much blend.

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I'm going to use something over here to see if I can blend these colors together.

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Much nicer as you can see.

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These colors now blend together.

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Much nicer.

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Let's use this mirror to fix the edges over here.

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So I'm just going to use smear and just grab the edges and bring them to a nice edge like this.

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So this smear smear.

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This brush over here can now make the edges more nicely or here more coherence.

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And though it's softer, we can make the edges much more soft and blend together.

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It's.

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All right, let's increase the.

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She threatened us in this area.

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So it goes above the knuckles.

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It's.

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And all this is soft and too soft.

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And this.

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And to not lose our work again.

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I think my work that's safe and I hope this site doesn't crash.

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It didn't thankfully last saved Linda too.

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So it does save the image to when we save because we have if you remember file external data and automatically

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pack resources going to practice for it's also

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one of the things that you can also go over here and paint in the two of you.

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So you can see I painted in the 3D view, but the easy way was just paint in this area.

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So I'm going I'm just going to do that for the other hand to show you.

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So let's go over here for the other hand, let's go to here and paint hands.

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So I'm in the right color red.

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Yeah.

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And 50%.

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All right.

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So now school and college.

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So I have to be careful not to color this area, though.

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So that's one thing.

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You need to be careful, this color, this area.

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And then I have to be careful about a round about other areas of the UV is because we we're not using

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the other areas of the use.

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So as you can see, this isn't even a much better it's making a very small thing.

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We don't even need to soft and it's I think because it's a very small sphere we're just doing it with

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one stroke there.

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We can go to the other parts of the hand of our UVA over here and.

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Start doing the covering over here as well.

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I'm trying to do it in one stroke.

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So it's going to be a very smooth.

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All right.

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We can go here and do it in the three of you in this sports.

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Just.

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She's.

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She's.

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All let's of some brush.

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These areas are not at all blended together.

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Very can use a smear or not sexually.

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Remove the white areas as well.

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Can use the other color to remove these over here with 100% stretch to remove the redness from the areas

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that we don't want.

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She just.

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Okay.

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Let's add a little bit more in this area.

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During the soft and this.

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And remember I mean subdivision one to make blender much more faster so it doesn't like on anything.

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If you go up in my legs, I'm just going to walk on this one.

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But you can go in higher levels if you want to see a model with more subdivisions.

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So.

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So I think that's good enough for now.

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We always need to come back and polish more.

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But what I want to do, I want to make this area a bit more pin pressure.

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So I'm just now I'm going to enable temperature over here, decrease this amount, increase it to a

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little bit more.

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And then in this area, I want more it in the knuckle area.

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So I'm just going to paint the local area with a bit more for it.

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Also on the tip of the fingers, Pete.

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Unless you soft and now sink resists.

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Well, it's a bit.

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Fill in these in these areas and see some blackness in these areas may need to come back and add some

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voice lines over here because now there are hidden.

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So now let's go over to this.

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Have to do the same thing and decide over here once more redness in the knuckle areas.

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All right.

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So now let's go to the whites color and with the list stretch and let's make sure that it's very soft

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and that's strange.

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And these lines over here with the some of the straw and there was a strange in these lines over here

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because now they are very heathen.

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So make sure they're not too much.

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So now it's too much for me they created disable and pressure so it's all the same all over the.

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Mesh and they can go here and add these lines back.

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She?

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She?

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She?

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The philosophy also is to the cause better.

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And let's fix these problems over here.

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It's because the color is.

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He's not too sharp.

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These areas over here are not going to be seen on this.

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The character is going to be viewed just a very, very close angle like this or there's just going to

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be disarray in there is going to be like this.

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But it's not going to make any difference when you are looking at it from a normal angle like this.

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So don't be afraid if you're making some mistakes in the lines and all that.

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Don't be afraid about that because, well, if no one's going to see it and then it's probably okay.

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Right now.

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I'm done with this.

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All right.

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So let's go to read the review and see what we get.

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We're here.

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I press control B to C will get this change of render cycles and this series results of our texturing.

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So I think it's good.

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It's good for now.

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We can go back later on, but right now it's good.

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Don't forget to save save the blender first and let's go here and press on.

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Save or you can press all this.

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Then score here solar mode.

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And as you can see, we may have some big problems over here.

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So let's go ahead and try to fix them.

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So here we have to be a little bit more.

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Careful.

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She's.

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I'm not going to put time into this area as it's not going to be seen again in this area to.

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But in this area, it needs to be fixed.

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Okay.

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Sorry.

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We are going to Project Low go into this area.

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So let's just stop right there.

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And after project into local, we see if we need to fix this area or not because the location is going

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to be the same color as I can see this logo over here, this logo, this logo here or this one here,

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we're going to do that.

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So I downloaded the logo and I turned it into an Alpha in Photoshop for you guys to use it much more

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easily.

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And now we can go and turn on the logo.

242
00:25:25,230 --> 00:25:36,380
First we need to go to textures, click on nil press on often go and so find our logo and select on

243
00:25:36,390 --> 00:25:36,540
it.

244
00:25:36,540 --> 00:25:42,270
So this is the name logo and this is the logo I've prepared.

245
00:25:42,750 --> 00:25:47,550
And then you need to make sure that you are going to texture mask over here.

246
00:25:48,270 --> 00:25:55,620
You need to go to texture mask so you have a texture and you have a texture mask.

247
00:25:56,100 --> 00:26:00,660
Texture is when you're using a texture, you're painting with that texture.

248
00:26:00,660 --> 00:26:01,860
All right, be careful.

249
00:26:02,280 --> 00:26:08,700
A texture mask is when you are using an awful image like we are doing right now and using that awful

250
00:26:08,700 --> 00:26:11,700
image to paint with any color you want.

251
00:26:11,730 --> 00:26:12,180
All right.

252
00:26:12,510 --> 00:26:13,770
So that's the difference.

253
00:26:13,770 --> 00:26:18,300
Be careful after I'm going to click on New over here, okay.

254
00:26:18,780 --> 00:26:26,160
And then click on that one and go over here or actually go to Texture Mask and click on this icon over

255
00:26:26,160 --> 00:26:30,600
here and then select our texture that we have just imported.

256
00:26:31,110 --> 00:26:34,590
Now, one thing, though, let me remit remove this.

257
00:26:35,100 --> 00:26:41,010
If I go to texture that I have over here and select on a sensor.

258
00:26:41,340 --> 00:26:41,670
All right.

259
00:26:41,970 --> 00:26:48,270
This works the same that we did in the in there sculpting, as I remember.

260
00:26:48,270 --> 00:26:53,940
So SSR in sculpting, you would move the sense of it right click.

261
00:26:54,300 --> 00:26:54,660
All right.

262
00:26:55,200 --> 00:26:58,980
And you've rotated with control and right click.

263
00:27:00,500 --> 00:27:00,920
Okay.

264
00:27:02,430 --> 00:27:10,650
But if I now remove this stricture to use a test your mask, be sure that the texture itself is remote

265
00:27:10,670 --> 00:27:12,390
so you're not painting in texture.

266
00:27:13,020 --> 00:27:18,210
If I go to texture, mask or, you know, sort of my texture and what the texture is set to assess and

267
00:27:18,210 --> 00:27:23,490
so on, if I go and press right click, it's not going to do anything.

268
00:27:24,060 --> 00:27:26,010
It's because the shortcut is different.

269
00:27:26,250 --> 00:27:34,470
I don't know why, honestly, I don't know why the circle is different, but here is different and it's

270
00:27:34,470 --> 00:27:37,730
also right click so but also right click.

271
00:27:37,740 --> 00:27:42,750
You can change the location of your.

272
00:27:44,440 --> 00:27:45,970
Texture of your mask.

273
00:27:46,360 --> 00:27:46,690
All right.

274
00:27:47,110 --> 00:27:52,930
And then we can go ahead and zoom, you know, zoom out to make it bigger or smaller.

275
00:27:55,720 --> 00:27:56,840
And now we have this mask.

276
00:27:56,860 --> 00:28:04,240
So what we do with it, we make the proportions ready for this logo over here.

277
00:28:04,270 --> 00:28:09,250
So I'm looking at the character and this mask is in the upper part of the body.

278
00:28:09,260 --> 00:28:12,190
Maybe you can go a little bit even higher.

279
00:28:12,340 --> 00:28:13,780
So you just see the mask.

280
00:28:13,810 --> 00:28:14,770
Right now we're here.

281
00:28:15,820 --> 00:28:21,710
We can go over here to see the sense much better and always go to front view.

282
00:28:21,760 --> 00:28:22,630
So we don't

283
00:28:25,390 --> 00:28:28,390
projected very bad.

284
00:28:28,990 --> 00:28:30,880
So we're in our third graphic view.

285
00:28:30,880 --> 00:28:35,830
So, you know, not really, not in a perspective view.

286
00:28:35,830 --> 00:28:44,020
And we can easily project this logo onto the surface of this character over here.

287
00:28:44,770 --> 00:28:52,480
So I am just going around to see the perfect and the near to good location of this mask over here.

288
00:28:52,960 --> 00:28:54,590
I think this is fine now.

289
00:28:54,750 --> 00:29:00,160
Now I have to select my color over here, so I just change the color to the color we had over here.

290
00:29:01,540 --> 00:29:08,410
What I see is that this color is much saturated, so I'm just going to put the saturation to 100th and

291
00:29:08,410 --> 00:29:14,890
then the turn off saturation if you want for logos I should use mouse is much better.

292
00:29:15,430 --> 00:29:18,060
And then you can set your brush.

293
00:29:18,070 --> 00:29:18,970
In this case, it does.

294
00:29:19,180 --> 00:29:19,900
It doesn't matter.

295
00:29:20,120 --> 00:29:21,610
Set your brush with the highest value.

296
00:29:22,210 --> 00:29:26,430
And remember, just click once to apply this.

297
00:29:26,440 --> 00:29:27,850
So I'm just going to click once.

298
00:29:28,330 --> 00:29:30,370
And now this thing is a front.

299
00:29:30,400 --> 00:29:38,440
If I go over here, as you can see, this is now very, very the color is very, very soft.

300
00:29:38,530 --> 00:29:39,580
And that's the reason.

301
00:29:39,880 --> 00:29:49,110
And that's because we were using a very soft curve over here for the false.

302
00:29:49,660 --> 00:29:55,390
So I'm just I'm I'm going to change this to a very sharp color, as I showed you before, how to do

303
00:29:55,390 --> 00:29:55,660
that.

304
00:29:56,320 --> 00:29:58,120
So change it to a very sharp color.

305
00:29:58,120 --> 00:29:59,980
And now let's try to see what we get.

306
00:29:59,980 --> 00:30:06,940
And now we get a very, very sharp and nice logo on the chest.

307
00:30:07,390 --> 00:30:11,050
So now that I see it, I want it to be much more.

308
00:30:12,990 --> 00:30:13,530
Bigger.

309
00:30:13,920 --> 00:30:16,620
So let's go to front of, you know, front view.

310
00:30:17,280 --> 00:30:22,350
And I want this to be in the middle and I want it to be bigger.

311
00:30:22,350 --> 00:30:25,240
So let's zoom in a little bit of zoom out.

312
00:30:25,290 --> 00:30:27,090
Actually zoom out.

313
00:30:27,300 --> 00:30:35,310
And now I think it's better based on our reference to see so other references.

314
00:30:36,780 --> 00:30:38,400
So you can see it much here.

315
00:30:39,720 --> 00:30:45,270
Maybe it's above, but this is not accurate too.

316
00:30:45,270 --> 00:30:47,580
I think this is from the video game, I think.

317
00:30:49,350 --> 00:30:50,340
So what?

318
00:30:50,340 --> 00:30:57,900
We can make it go all the way to bit upside like that.

319
00:30:58,990 --> 00:30:59,320
Okay.

320
00:31:00,190 --> 00:31:03,340
Now things for us are clicking once to paint it.

321
00:31:04,330 --> 00:31:08,230
Now that I'm done with this, since I can just turn off the mask.

322
00:31:08,520 --> 00:31:10,570
Okay, I'm going to go to.

323
00:31:11,890 --> 00:31:17,620
Now, what I see here is that this logo here is very saturated.

324
00:31:17,650 --> 00:31:19,850
What they have very is not very saturated.

325
00:31:19,930 --> 00:31:20,230
All right.

326
00:31:20,710 --> 00:31:27,640
So what they want to do because because it it depends on the texture and the resolution of the texture

327
00:31:27,640 --> 00:31:28,870
to RSA.

328
00:31:28,900 --> 00:31:30,580
It's not too much.

329
00:31:30,850 --> 00:31:33,330
Here is what we can do to fix that.

330
00:31:33,340 --> 00:31:35,890
We can just manually draw on it.

331
00:31:36,340 --> 00:31:43,900
So I'm just going to go to some my strip over here to draw lines that are very straight.

332
00:31:44,440 --> 00:31:47,960
I'm just going to draw a little bit on the right on the.

333
00:31:54,100 --> 00:31:57,280
And the logo itself to make it much more.

334
00:31:59,470 --> 00:32:04,360
Saturate to give the color a much more.

335
00:32:06,420 --> 00:32:17,400
Much more life as a retina because we we've projected it is very blue and it didn't come with good colours.

336
00:32:21,230 --> 00:32:23,810
So by doing this, I'm adding more.

337
00:32:40,640 --> 00:32:43,160
These areas are going to be hidden behind the.

338
00:32:45,680 --> 00:32:47,690
But let's do them anyway.

339
00:32:53,570 --> 00:32:57,820
Because it's a very like look, airbrush

340
00:33:01,210 --> 00:33:01,750
logo.

341
00:33:02,350 --> 00:33:07,210
I'm not going to care a lot about the edges because it should have.

342
00:33:09,570 --> 00:33:17,790
Rough edges and uneven edges shouldn't be a perfect circle or as well, I think, as I see over here.

343
00:34:42,580 --> 00:34:42,850
All right.

344
00:34:42,850 --> 00:34:45,670
Now, we have made it much more interesting.

345
00:34:45,670 --> 00:34:50,469
As you can see, the colors are much more saturated than the colors on the hand.

346
00:34:51,739 --> 00:34:57,400
I want to go to the render viewer to see what I guess I forgot to save.

347
00:34:57,610 --> 00:35:00,340
So we need to save to not lose what we have.

348
00:35:01,260 --> 00:35:04,360
Personally, I think it's a it's a it's a good progress.

349
00:35:04,990 --> 00:35:07,560
Okay, now save the inmate.

350
00:35:07,770 --> 00:35:09,580
You are the one.

351
00:35:09,590 --> 00:35:10,870
Save one there.

352
00:35:11,590 --> 00:35:13,940
And it's a really good progress.

353
00:35:13,960 --> 00:35:24,310
Now, I don't want to make this too long, so I'm just going to do one more coloring and let me soft

354
00:35:24,310 --> 00:35:25,300
on this area first.

355
00:35:27,560 --> 00:35:30,890
I want to do one more thing if I got to.

356
00:35:32,410 --> 00:35:33,950
We're here to sort of shatter.

357
00:35:34,280 --> 00:35:36,590
As you remember, I changed the lighting to flat.

358
00:35:36,620 --> 00:35:41,840
So this is what it looks like that changed the lighting for to just see the colors.

359
00:35:42,260 --> 00:35:48,190
Right now, we made some mistakes or we have some redness over here, too.

360
00:35:48,200 --> 00:35:49,160
We need to fix that.

361
00:35:49,580 --> 00:35:50,570
Let me fix that.

362
00:36:08,170 --> 00:36:10,180
Why change this value?

363
00:36:12,720 --> 00:36:13,140
All right.

364
00:36:13,140 --> 00:36:15,360
So it's going to make a painting.

365
00:36:17,250 --> 00:36:21,090
Well, it's a bit more accurate.

366
00:36:21,180 --> 00:36:22,230
So we don't see.

367
00:36:25,850 --> 00:36:27,380
These kinds of problems.

368
00:36:54,210 --> 00:36:54,930
She just.

369
00:36:56,640 --> 00:36:56,830
It's.

370
00:37:27,070 --> 00:37:28,660
Shh, shh, shh.

371
00:37:44,140 --> 00:37:46,450
Shh, shh, shh.

372
00:37:49,910 --> 00:37:50,640
She?

373
00:37:54,850 --> 00:37:55,670
It's just.

374
00:38:01,920 --> 00:38:03,980
We need to come back and fortify this last.

375
00:38:05,250 --> 00:38:11,220
We're just going to delete these lines over here because there is no way I can fix these or here.

376
00:38:15,830 --> 00:38:17,130
Unfortunately.

377
00:38:20,600 --> 00:38:21,590
These areas were.

378
00:38:25,630 --> 00:38:27,490
Colored why we were using the.

379
00:38:30,130 --> 00:38:31,960
We were coloring to harm the guests.

380
00:38:33,400 --> 00:38:33,860
I did not.

381
00:38:34,150 --> 00:38:44,110
There must be some problems with the U.S., but, you know, the way that these kind of problems happens.

382
00:38:45,090 --> 00:38:52,190
All the time in blenders too.

383
00:38:52,290 --> 00:38:54,510
It happens all in one day, unfortunately.

384
00:38:55,350 --> 00:38:58,740
The texturing blender hasn't improved too much.

385
00:39:00,300 --> 00:39:04,710
If you guys are really into texturing.

386
00:39:05,460 --> 00:39:12,600
All right, I definitely suggest you to check out Susan Spencer.

387
00:39:15,640 --> 00:39:16,990
Try to always have it.

388
00:39:17,290 --> 00:39:18,220
I think there's a trial.

389
00:39:18,910 --> 00:39:19,630
I'm not sure.

390
00:39:20,260 --> 00:39:30,760
It may not be and doesn't have time, but it's a very good application for those kinds of stuff.

391
00:39:36,450 --> 00:39:36,960
All right.

392
00:39:41,550 --> 00:39:41,890
She?

393
00:40:06,720 --> 00:40:06,970
Just.

394
00:40:11,160 --> 00:40:11,520
Schools.

395
00:40:34,880 --> 00:40:35,960
She's just.

396
00:42:27,930 --> 00:42:28,320
All right.

397
00:42:31,140 --> 00:42:32,820
So let me do this one.

398
00:42:41,730 --> 00:42:42,010
It's.

399
00:42:47,330 --> 00:42:47,530
Just.

400
00:44:01,880 --> 00:44:02,390
Okay.

401
00:44:03,440 --> 00:44:06,380
Well, let's see some other places.

402
00:44:06,380 --> 00:44:10,250
If we encounter some problem, let's save this first.

403
00:44:12,350 --> 00:44:17,360
So the image to and now we still have this problem here.

404
00:44:17,960 --> 00:44:19,760
Let's try to fix this, too.

405
00:44:19,760 --> 00:44:21,500
And hopefully this is the last one.

406
00:45:12,220 --> 00:45:12,440
This

407
00:45:15,590 --> 00:45:15,730
was.

408
00:45:25,780 --> 00:45:29,470
Fortify this space over here.

409
00:46:01,680 --> 00:46:05,460
It's lines and it's always a bit more color.

410
00:46:19,370 --> 00:46:19,710
And.

411
00:46:19,730 --> 00:46:23,930
All right, so let's save the picture right here.

412
00:46:24,650 --> 00:46:32,090
So blender two and let's go around, see if we see any problems.

413
00:46:33,080 --> 00:46:33,470
All right.

414
00:46:33,590 --> 00:46:35,780
We have one more problem here.

415
00:47:01,960 --> 00:47:06,130
The projection on to the treaty has these things.

416
00:47:08,530 --> 00:47:09,880
So I'm glad this happened to me.

417
00:47:10,900 --> 00:47:11,980
It doesn't happen all of a sudden.

418
00:47:11,980 --> 00:47:23,800
It depends on the UAV and how they're coordinated, but the best way to project a picture like that

419
00:47:23,800 --> 00:47:28,410
is going to the movie and within the movie 2D.

420
00:47:28,420 --> 00:47:28,870
All right.

421
00:47:29,860 --> 00:47:37,870
So if I have done that in here with, I wouldn't have thought there was this problems in my mesh.

422
00:47:39,340 --> 00:47:43,720
So that's a good thing to remember now that that happened to me.

423
00:47:43,720 --> 00:47:51,220
It's something that it's something that yeah, some of that happens sometimes.

424
00:47:55,720 --> 00:47:57,760
Shh, shh, shh, shh.

425
00:48:59,620 --> 00:48:59,890
All right.

426
00:49:05,680 --> 00:49:06,040
Okay.

427
00:49:06,150 --> 00:49:15,910
Now let's go to the next phase and that is let's go to solid view over here and now ignore these red

428
00:49:15,910 --> 00:49:16,360
lines.

429
00:49:17,170 --> 00:49:20,080
Okay, although we can quickly remove these ones.

430
00:49:20,800 --> 00:49:24,460
Uh, let me try to see.

431
00:49:25,600 --> 00:49:28,120
I don't want to take too much time.

432
00:49:35,100 --> 00:49:35,470
Week.

433
00:49:42,050 --> 00:49:45,200
Just so you don't get confused.

434
00:50:29,960 --> 00:50:42,540
Right now wanted to explain is that, as you can see, when I'm in the flat color, the color of the

435
00:50:42,540 --> 00:50:49,900
skin of Spider-Man is just one black colour, one solid black colour with some drawings on it.

436
00:50:49,920 --> 00:50:50,200
Okay.

437
00:50:50,520 --> 00:50:58,620
So if you look at the skin on your hand or anywhere, if you look at your skin, it's not just one colour,

438
00:50:58,620 --> 00:51:08,190
it's consists of a red colour, a yellowish colour or black or any of any colour that your skin is.

439
00:51:08,700 --> 00:51:17,100
And then a brown colour, which is the burning colour that happens throughout the time.

440
00:51:17,730 --> 00:51:18,070
All right.

441
00:51:18,870 --> 00:51:23,130
So these three colours are the main three colours of the skin.

442
00:51:23,190 --> 00:51:23,550
All right.

443
00:51:23,560 --> 00:51:30,000
And then there are some other colours, like some purple colour, some or some parts of the body.

444
00:51:30,000 --> 00:51:37,770
Like, for example, the eyes, some more reddish colour, like in the lips, in the tip of the finger.

445
00:51:37,770 --> 00:51:42,930
But it's not it varies very thin layer of skin and all those things.

446
00:51:43,020 --> 00:51:43,350
All right.

447
00:51:43,770 --> 00:51:56,790
So what I'm trying to say is that no skin, no cloth, no fabric, nothing that you can you see in front

448
00:51:56,790 --> 00:52:00,690
of you anywhere, that if you look around, it's not just one colour.

449
00:52:00,870 --> 00:52:05,310
This is it wasn't meant to be one colour unless it was designed to be one colour.

450
00:52:05,700 --> 00:52:10,410
But anything else, natural or anything that's actually looks interesting.

451
00:52:11,550 --> 00:52:18,990
It's actually consists of several colours, even though it might seem to be black, or in this case,

452
00:52:18,990 --> 00:52:28,470
if you look at this, it might look from afar, or it's a bluish colour, or it's because of the lighting

453
00:52:28,470 --> 00:52:30,900
business, which is because of the lighting's black.

454
00:52:31,260 --> 00:52:35,820
Well, over here, for example, let me show you a better example.

455
00:52:37,260 --> 00:52:38,310
Well, let's go to all of you here.

456
00:52:38,940 --> 00:52:44,100
You mean it must seem like a simple, solid color, but it's not.

457
00:52:44,370 --> 00:52:45,990
If it's not a high risk.

458
00:52:45,990 --> 00:52:50,340
But if we zoom, you might see some purple color.

459
00:52:50,970 --> 00:52:54,420
These areas are much brighter.

460
00:52:54,420 --> 00:52:59,610
So they are these areas have much more white in them.

461
00:53:00,120 --> 00:53:04,470
In these areas, you might have much more black in them.

462
00:53:04,980 --> 00:53:09,600
So what I'm saying is that we need to add variation to the base color that we have.

463
00:53:09,600 --> 00:53:12,420
So now we have a base.

464
00:53:12,800 --> 00:53:18,990
If I go to rendering mode, we have a base, black color or so, but we need more variation in this

465
00:53:18,990 --> 00:53:25,050
color to make it more interesting because now it looks so bland and boring.

466
00:53:25,740 --> 00:53:26,010
Right?

467
00:53:26,340 --> 00:53:31,680
So what I'm going to do, I'm going to change it to white or here with a very soft brush, breast,

468
00:53:31,680 --> 00:53:32,490
soft brush.

469
00:53:33,330 --> 00:53:42,030
And then with actually a color like this, we have or at a time like this and then if a color in this

470
00:53:42,030 --> 00:53:44,970
area, now, you can see something's happening.

471
00:53:45,180 --> 00:53:45,540
All right.

472
00:53:45,600 --> 00:53:48,980
If I change it to flat over here in the flatter.

473
00:53:49,020 --> 00:53:52,920
Now, you see, we have some white color in here.

474
00:53:53,190 --> 00:54:03,590
But in the material we'll it's not that's prominence but it's adding some whiteness is our area and

475
00:54:03,630 --> 00:54:07,290
it's adding some contrast between this area and this area.

476
00:54:08,010 --> 00:54:14,580
So the thing is now, if I go and add a little bit of white in this area.

477
00:54:14,610 --> 00:54:15,000
All right.

478
00:54:15,600 --> 00:54:17,220
So just a little bit.

479
00:54:17,220 --> 00:54:20,610
If I go to flat, you can see it's clearly area.

480
00:54:20,940 --> 00:54:25,470
But in the rendering, if I go to rendering, you might not see it at first.

481
00:54:25,500 --> 00:54:25,890
All right.

482
00:54:25,890 --> 00:54:33,150
But it had had a lot of much more interesting to this area of the neck, because when we were looking

483
00:54:33,150 --> 00:54:35,790
at it as a whole, this is much brighter.

484
00:54:35,790 --> 00:54:43,920
And the eye catches these kind of contrasts and I see this kind of things.

485
00:54:43,920 --> 00:54:44,220
All right.

486
00:54:44,730 --> 00:54:50,190
You do not notice that necessarily when you're looking at it, you know, this is all right.

487
00:54:50,190 --> 00:54:53,850
This area is much more bright, but it adds much.

488
00:54:53,850 --> 00:55:00,360
And the thing is, even this one is very, very much so.

489
00:55:00,360 --> 00:55:02,790
I want things to be very subtle.

490
00:55:03,390 --> 00:55:06,170
Very subtle with a very low stretch.

491
00:55:06,220 --> 00:55:06,570
All right.

492
00:55:07,140 --> 00:55:15,000
So if I add a little bit of whiteness in this area, if I go to rendering mode or want to see a very

493
00:55:15,000 --> 00:55:19,320
subtle difference between these two, that's what I'm going to do.

494
00:55:19,680 --> 00:55:24,780
I want to add a little bit of whiteness around some areas that are going to be seen.

495
00:55:26,070 --> 00:55:32,730
Let's go back and I want to add a little bit of whites.

496
00:55:33,660 --> 00:55:36,090
So go and at all.

497
00:55:36,090 --> 00:55:38,320
It's a piece of white in this area.

498
00:55:38,320 --> 00:55:38,490
Yes.

499
00:55:38,490 --> 00:55:40,440
I'm just going to with the firm pressure on.

500
00:55:41,370 --> 00:55:49,380
That's a little bit of what compression is very useful in these kinds of areas.

501
00:55:50,920 --> 00:55:59,610
Just adding a little bit what some just blending white with black and with red to make some areas much

502
00:55:59,610 --> 00:56:00,510
more brighter.

503
00:56:01,170 --> 00:56:03,510
Some areas to state black,

504
00:56:06,720 --> 00:56:09,590
some just blending whites with the low value.

505
00:56:09,600 --> 00:56:12,330
I'm using my pen pressure.

506
00:56:14,100 --> 00:56:16,500
On the surface of the character.

507
00:56:24,760 --> 00:56:25,040
Okay.

508
00:56:25,060 --> 00:56:30,430
Now it's good to render you more just this small thing that we do it.

509
00:56:30,760 --> 00:56:31,600
And let's see.

510
00:56:32,720 --> 00:56:38,090
We have, as you can see, we have.

511
00:56:39,440 --> 00:56:48,830
Some contrast between these areas and it might look like some damage to say might look like there is

512
00:56:49,250 --> 00:56:54,550
some damage, some, some even the dust sitting on the surface of the custom.

513
00:56:55,040 --> 00:56:57,770
And it doesn't look so solid now.

514
00:56:58,040 --> 00:57:03,710
Okay, now we can go ahead and add more colors, so let's go and add more cars.

515
00:57:03,710 --> 00:57:10,280
But before that, I want to add some lightness in these areas as well as some more.

516
00:57:10,520 --> 00:57:13,850
This is these areas

517
00:57:16,760 --> 00:57:17,540
with pump pressure.

518
00:57:17,540 --> 00:57:24,530
I'm just adding variation to pump pressure is very useful in these cases for texturing.

519
00:57:24,530 --> 00:57:30,650
When you want to add variation, you just press and press harder in this area.

520
00:57:30,650 --> 00:57:34,670
I press softer in these areas asking look at issues.

521
00:57:48,030 --> 00:57:48,250
It's.

522
00:58:35,270 --> 00:58:38,060
Let's remove this purse.

523
00:59:14,890 --> 00:59:15,140
It's.

524
00:59:36,740 --> 00:59:37,030
She?

525
00:59:53,400 --> 00:59:53,770
It's.

526
01:00:01,420 --> 01:00:02,770
Let's save one there

527
01:00:06,400 --> 01:00:07,750
so we don't lose our work.

528
01:00:14,520 --> 01:00:19,080
Now let's go to the Flats area and enable extended three.

529
01:00:23,800 --> 01:00:30,400
I'm going to go with a big picture here, brush over here and with my temperature.

530
01:00:31,990 --> 01:00:34,570
And I think a always bit of variation.

531
01:00:38,490 --> 01:00:38,950
Okay.

532
01:00:38,970 --> 01:00:44,940
Now let's go to the first hand, see what we get now.

533
01:00:46,380 --> 01:00:48,810
Let's make sure that it's not too much.

534
01:00:57,990 --> 01:00:58,620
Or in school.

535
01:00:59,160 --> 01:01:04,260
So let's go and add the second color over here.

536
01:01:04,290 --> 01:01:05,490
So I have this.

537
01:01:07,140 --> 01:01:08,870
Color here I can go.

538
01:01:08,880 --> 01:01:14,790
And the second color, I want it to be a little bit of bluish color.

539
01:01:17,870 --> 01:01:21,300
Actually, I want it to be brown.

540
01:01:21,510 --> 01:01:24,480
I want to make it look like a dark brown.

541
01:01:24,930 --> 01:01:26,850
I want to make it look like some.

542
01:01:28,970 --> 01:01:29,510
Maybe.

543
01:01:29,930 --> 01:01:30,350
All right.

544
01:01:31,300 --> 01:01:34,170
Well, that's that's tested.

545
01:01:35,780 --> 01:01:41,390
As you can see, there is a little bit brown friendliness in this area.

546
01:02:09,490 --> 01:02:10,690
Let's check in rendering.

547
01:02:10,690 --> 01:02:11,020
We'll.

548
01:02:14,330 --> 01:02:17,660
And make sure that it's not too much.

549
01:02:18,320 --> 01:02:21,410
If I add too much, it's just not going to look good.

550
01:02:22,850 --> 01:02:24,650
Just this much is enough.

551
01:02:26,060 --> 01:02:27,830
And you should see it in the recording.

552
01:02:27,830 --> 01:02:39,020
But we have some brown areas now added to the hand as well especially I it in these areas if the hands.

553
01:02:40,960 --> 01:02:42,530
Save our image.

554
01:02:44,800 --> 01:02:47,680
I was always a bit of to the hands.

555
01:02:58,020 --> 01:03:00,470
Let's go to the lake and to the lake as well.

556
01:03:01,630 --> 01:03:01,830
It's.

557
01:03:09,820 --> 01:03:10,000
It's.

558
01:03:11,100 --> 01:03:15,690
The bigger the brush weather seems to have a harder time.

559
01:03:16,750 --> 01:03:18,630
Calculate the color and all the.

560
01:03:27,230 --> 01:03:27,660
She's.

561
01:03:32,930 --> 01:03:38,600
And the area beneath the now wanted to be much more prominent.

562
01:03:39,890 --> 01:03:42,890
Let's fix this over here.

563
01:03:53,010 --> 01:03:53,400
Sees.

564
01:03:58,410 --> 01:03:58,740
All right.

565
01:03:58,740 --> 01:04:04,050
Now let's go to the remote sphere to see that it's not too much prominence.

566
01:04:19,700 --> 01:04:20,000
Okay.

567
01:04:20,000 --> 01:04:24,020
Now, see, it's an easy to.

568
01:04:26,090 --> 01:04:26,780
All right.

569
01:04:28,430 --> 01:04:35,630
So you may not see any difference, but I promise makes a lot of difference.

570
01:04:36,860 --> 01:04:38,300
You make so much difference.

571
01:04:42,180 --> 01:04:45,660
And to finish this, let's add another color.

572
01:04:47,520 --> 01:04:52,320
Let's save the image control as to save when there.

573
01:04:54,240 --> 01:04:59,050
And this goes out to our colors.

574
01:04:59,070 --> 01:05:05,130
Let's make sure that we have this as it's our palette and it's a bit of blue.

575
01:05:05,370 --> 01:05:07,080
I want a little bit of blue.

576
01:05:08,410 --> 01:05:13,050
In the mixture of these colors with a very low.

577
01:05:14,770 --> 01:05:15,460
Well, yes.

578
01:05:15,460 --> 01:05:22,150
A blue with this much saturation seems to be a lot.

579
01:05:23,350 --> 01:05:25,780
So I need to be careful.

580
01:05:27,440 --> 01:05:29,870
And not too much.

581
01:05:30,530 --> 01:05:39,470
So adding a little bit of color in these areas around the red color is going to add much more contrast.

582
01:05:40,520 --> 01:05:42,890
It's going to make it much more interesting.

583
01:05:50,050 --> 01:05:50,830
Exclusive rendering.

584
01:05:50,830 --> 01:05:57,670
We'll see if we added too much because then we have to undo it.

585
01:05:59,890 --> 01:06:00,170
Just

586
01:06:03,390 --> 01:06:05,340
so really it looks good.

587
01:06:06,330 --> 01:06:08,430
Let's go to cycles.

588
01:06:19,240 --> 01:06:20,710
All right, let's go in circles, too.

589
01:06:22,150 --> 01:06:23,740
That's at all.

590
01:06:23,740 --> 01:06:26,830
It's a bit behind the knees in these areas.

591
01:06:29,320 --> 01:06:30,250
Behind the legs.

592
01:06:30,290 --> 01:06:30,470
It's.

593
01:06:34,260 --> 01:06:47,540
So I have blended colors, as you can see together, brown, blue and white, a bit of whites.

594
01:06:49,130 --> 01:06:58,610
And this has made it much more interesting it that it doesn't look too solid color.

595
01:07:11,120 --> 01:07:11,310
It's.

596
01:07:21,790 --> 01:07:22,240
Okay.

597
01:07:22,360 --> 01:07:29,200
Now, if I go to Solomone and say it's the first year, you can see the difference in the surface and

598
01:07:29,200 --> 01:07:29,980
the colours.

599
01:07:30,310 --> 01:07:37,140
It's not just one black colour and it is much more different.

600
01:07:37,480 --> 01:07:38,710
Much more interesting now.

601
01:07:42,160 --> 01:07:42,670
Okay.

602
01:07:43,270 --> 01:07:45,760
Now that we're done.

603
01:07:47,330 --> 01:07:48,440
With the colouring.

604
01:07:48,800 --> 01:07:53,580
I want to do a couple of more things in the shading type.

605
01:07:53,600 --> 01:07:55,710
So not right now here in the shading type.

606
01:07:57,320 --> 01:07:57,710
Okay.

607
01:07:59,070 --> 01:08:06,600
Now once, as you can see, we have added this honeycomb texture here, which I showed you in the previous

608
01:08:06,600 --> 01:08:06,990
video.

609
01:08:08,960 --> 01:08:09,350
Okay.

610
01:08:09,830 --> 01:08:14,300
Now, one or two always happy to pop out and one do that elevator bump.

611
01:08:15,650 --> 01:08:16,069
Now what?

612
01:08:16,069 --> 01:08:20,450
Over here is a search for pop node that connects honeycomb.

613
01:08:22,420 --> 01:08:23,290
To the heights.

614
01:08:23,470 --> 01:08:31,300
See if you can see honeycomb connected to the bump to the heights nodes of bump vector.

615
01:08:32,290 --> 01:08:34,300
And that connected normal to normal.

616
01:08:34,840 --> 01:08:35,200
All right.

617
01:08:35,920 --> 01:08:40,149
Now, it's definitely too much change, too easy.

618
01:08:40,149 --> 01:08:41,240
First to see it.

619
01:08:41,319 --> 01:08:44,260
Maybe now it's definitely too much.

620
01:08:44,319 --> 01:08:44,710
All right.

621
01:08:45,750 --> 01:08:50,160
So let's decrease it to something subtle again.

622
01:08:51,479 --> 01:08:53,609
Too much attention is not good for us.

623
01:08:54,240 --> 01:08:55,859
Something subtle.

624
01:08:57,090 --> 01:08:58,200
Very subtle.

625
01:08:59,189 --> 01:09:00,300
But the zero.

626
01:09:04,979 --> 01:09:05,609
Zero.

627
01:09:08,560 --> 01:09:10,750
Points or three is fine.

628
01:09:11,800 --> 01:09:13,689
And if you go to circles.

629
01:09:15,840 --> 01:09:17,010
To see where we get.

630
01:09:18,750 --> 01:09:22,470
Now, these areas are a little bit popping out from there.

631
01:09:22,710 --> 01:09:23,700
It's much more interesting.

632
01:09:24,750 --> 01:09:25,020
Okay.

633
01:09:25,260 --> 01:09:28,859
So this is about just subtle things.

634
01:09:34,229 --> 01:09:34,830
All right.

635
01:09:34,950 --> 01:09:38,590
I want to decrease it even more, I think.

636
01:09:39,840 --> 01:09:41,729
I don't want it too much.

637
01:09:41,729 --> 01:09:45,930
Grab attention too much popping out from there.

638
01:09:46,189 --> 01:09:47,130
Is not good for us.

639
01:09:47,189 --> 01:09:49,460
All points to the stress of.

640
01:09:51,359 --> 01:09:51,930
All points.

641
01:09:51,930 --> 01:09:52,350
One.

642
01:09:53,700 --> 01:09:54,690
Just so it's obvious.

643
01:09:54,780 --> 01:09:55,350
That's fine.

644
01:09:57,120 --> 01:10:03,800
And now let's go to war here.

645
01:10:04,630 --> 01:10:05,630
Another thing.

646
01:10:05,640 --> 01:10:09,030
The last thing on that is an ambient occlusion.

647
01:10:09,030 --> 01:10:15,020
It adds to so much the character.

648
01:10:15,030 --> 01:10:24,420
So I'm going to duplicate this mix, not ship it shift D, but I have this ambient occlusion I'm going

649
01:10:24,420 --> 01:10:29,070
to add color around to our ambient occlusion.

650
01:10:30,030 --> 01:10:31,770
So that's the color around.

651
01:10:32,370 --> 01:10:34,620
Let's connect this color to this factor.

652
01:10:34,830 --> 01:10:44,400
I'm going to see what this I mean occlusion is going to do to my object without pest control shift.

653
01:10:45,000 --> 01:10:47,640
Click to see what I'm going to do.

654
01:10:47,670 --> 01:10:49,380
Right now, it's all whites.

655
01:10:50,160 --> 01:10:53,990
So let's bring these values a bit closer together.

656
01:10:54,630 --> 01:10:56,850
And I want to invert this.

657
01:10:57,270 --> 01:11:01,680
I'm just going to point this out a little bit with this.

658
01:11:02,370 --> 01:11:02,780
All right.

659
01:11:06,080 --> 01:11:07,580
Something like this.

660
01:11:09,210 --> 01:11:13,440
I want to watch a collision, but it hurts so much.

661
01:11:13,470 --> 01:11:14,610
Believe me, I want to show you.

662
01:11:15,030 --> 01:11:17,010
So I have this mixed note over here.

663
01:11:17,790 --> 01:11:19,830
I'm going to tell Blender that.

664
01:11:19,830 --> 01:11:24,420
Hey, Blender, I want all these materials over here that we have.

665
01:11:24,720 --> 01:11:25,080
All right?

666
01:11:26,280 --> 01:11:27,870
All these colors that I had.

667
01:11:27,900 --> 01:11:31,470
I wanted to add it to this note over here.

668
01:11:32,220 --> 01:11:34,350
So it is the note one.

669
01:11:35,220 --> 01:11:41,940
And then I want this ambient occlusion to act as a factor for this.

670
01:11:42,150 --> 01:11:42,520
All right.

671
01:11:43,380 --> 01:11:44,660
And then that's another.

672
01:11:44,760 --> 01:11:46,110
I see what I mean.

673
01:11:46,110 --> 01:11:46,940
Inclusion is going to do.

674
01:11:46,950 --> 01:11:50,250
So I'm going to change the color to black.

675
01:11:51,300 --> 01:11:57,240
Zambian occlusion is going to add some blackness to these white areas.

676
01:11:58,500 --> 01:11:59,340
Let me show you.

677
01:11:59,370 --> 01:12:00,780
I'm going to cultural shift.

678
01:12:00,780 --> 01:12:04,200
Click the principal stuff to make it.

679
01:12:07,020 --> 01:12:08,520
To see what we get.

680
01:12:11,300 --> 01:12:13,930
And this collector's mix note, basically.

681
01:12:18,960 --> 01:12:22,680
And now that is updated.

682
01:12:22,980 --> 01:12:25,950
We can see the results this evening.

683
01:12:26,670 --> 01:12:30,720
And now, as you can see, we have some shadows in these areas.

684
01:12:31,140 --> 01:12:35,340
You have to enable ambient occlusion, an area in cycles you don't need to.

685
01:12:35,700 --> 01:12:40,590
But if I enable and disable this, you can see some blackness in these areas.

686
01:12:41,160 --> 01:12:45,780
So we are kind of faking it, faking the and better collision.

687
01:12:46,860 --> 01:12:49,290
It is not some blackness in this area.

688
01:12:49,650 --> 01:12:53,610
So we're telling Blender that these areas need to be shadowed.

689
01:12:54,900 --> 01:13:01,620
So these areas are behind the closed over here and we want it to be shadowed.

690
01:13:02,040 --> 01:13:10,650
And it adds so much more dimension to my object if I enable it in here and it's off.

691
01:13:10,650 --> 01:13:19,260
You can see this area gets black and I can now define this with this note over here.

692
01:13:19,260 --> 01:13:26,460
If I wants more, I can just do something like this and get a more on of collision.

693
01:13:26,460 --> 01:13:29,430
But this is now not too much realistic.

694
01:13:30,180 --> 01:13:32,760
This is way too black in the corners.

695
01:13:33,420 --> 01:13:35,370
And as you can see here, it's not good.

696
01:13:35,790 --> 01:13:38,670
So I'm just going to move it to the middle.

697
01:13:38,790 --> 01:13:45,270
Usually the middle part is the good parts to leave the ambient collision.

698
01:13:45,840 --> 01:13:47,580
Now, Vietnam goes in this area.

699
01:13:47,580 --> 01:13:54,390
And if I change it to Evy, let me first save our basic base color over here.

700
01:13:55,680 --> 01:13:57,960
And now let's save Blender.

701
01:13:58,140 --> 01:14:05,340
And now let's show you two cycles to see what we get to ambient occlusion in cycles.

702
01:14:06,690 --> 01:14:12,150
Now we have a very realistic shadow behind the jacket area.

703
01:14:13,460 --> 01:14:14,350
As you can see.

704
01:14:16,760 --> 01:14:20,360
And this is that this makes a lot of difference.

705
01:14:20,450 --> 01:14:27,410
I can also change that peanut closure in this area and make the shadow come much more closer to the

706
01:14:27,410 --> 01:14:28,130
midline.

707
01:14:28,460 --> 01:14:28,820
All right.

708
01:14:28,820 --> 01:14:33,800
That is going to cover everything then over here, the one that.

709
01:14:34,220 --> 01:14:42,380
So make sure that it's not too much and it's not covering too much.

710
01:14:43,490 --> 01:14:45,470
Covering this area is enough for me.

711
01:14:46,220 --> 01:14:52,820
Now it is making some shadows in this area, some really believable shadows.

712
01:14:53,520 --> 01:14:54,230
This areas.

713
01:14:55,010 --> 01:14:57,200
That is what I once.

714
01:14:59,380 --> 01:14:59,740
Okay.

715
01:14:59,800 --> 01:15:01,690
That's it for this video.

716
01:15:01,960 --> 01:15:05,490
Now that we have that, it is not over here.

717
01:15:05,500 --> 01:15:07,720
Now we are done with the body over here.

718
01:15:08,590 --> 01:15:12,200
You can always come back later and do some more polishing.

719
01:15:12,730 --> 01:15:15,610
But now I think we need to call it done.

720
01:15:16,240 --> 01:15:18,850
So this is to reduce or too much.

721
01:15:18,850 --> 01:15:20,860
But I explain everything to you now.

722
01:15:21,370 --> 01:15:27,520
Now we're going to do much more, faster and the texture, the chocolate and all the other areas.

723
01:15:28,390 --> 01:15:30,430
So goodbye.